William Deresiewicz in Salmagundi:
Art is useless, said Wilde. Art is for art’s sake—that is, for beauty’s sake. But why do we possess a sense of beauty to begin with? A question we will never answer. Perhaps it’s just a kind of superfluity of sexual attraction. Nature needs us to feel drawn to other human bodies, but evolution is imprecise. In order to go far enough, to make that feeling strong enough, it went too far. Others are powerfully lovely to us, but so, in a strangely different, strangely similar way, are flowers and sunsets. Art, in turn, this line of thought might go, is a response to natural beauty. Stunned by it, we seek to rival it, to reproduce it, to prolong it. Flowers fade, sunsets melt from moment to moment; the love of bodies brings us grief. Art abides. “When old age shall this generational waste, / Thou shalt remain.”
Art is for truth. Even Wilde suggests as much, though he, and we, don’t call it truth but meaning. Art points beyond itself. At what? At us. The role of art is to compile the endless atlas of human experience. It’s often not a pretty picture for, as Solzhenitsyn said, the line between good and evil runs through every human heart. Except it’s not a line; it’s a tangle. The gurus want to solve human nature; so do the utopians, the ideologues and revolutionaries. The artist, wiser, observes it, above all in herself.
More here.