Sally Rooney in The Guardian:
When I first read Natalia Ginzburg’s work several years ago, I felt as if I was reading something that had been written for me, something that had been written almost inside my own head or heart. I was astonished that I had never encountered Ginzburg’s work before: that no one, knowing me, had ever told me about her books. It was as if her writing was a very important secret that I had been waiting all my life to discover. Far more than anything I myself had ever written or even tried to write, her words seemed to express something completely true about my experience of living, and about life itself. This kind of transformative encounter with a book is, for me, very rare, a moment of contact with what seems to be the essence of human existence. For this reason, I wanted to write a little about Natalia Ginzburg and her novel All Our Yesterdays. I would like to address myself in particular to other readers who are right now awaiting, whether they know it or not, their first and special meeting with her work.