Will Steve Bannon’s war tear apart the Republican party?

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Corey Robin in The Guardian:

Buckley and his allies opposed the “well-fed right” and the Eisenhower administration and favored the more radical and revanchist elements orbiting around McCarthyism and the burgeoning conservative movement. Then, 25 years later, well into maturity and middle age, the movement Buckley helped birth sent Ronald Reagan to the White House.

The proverbial ink on Bannon’s resignation was barely dry when the media began reporting his plans to mount an insurrection against the “Republican establishment” in Congress and the “globalists” in the White House.

Bannon has now decamped to Breitbart to wage “war” – his words – on the forces in Washington that have prevented Trump from turning the Republican party into a populist movement of economic nationalism, and even on Trump if he strays from the path. A source close to Bannon analogized the coming struggle to the French Revolution.

Since Charlottesville, pundits and historians have wondered whether we’re headed for a civil war. With Bannon’s exit, it’s clear that we are. Only it won’t be between North and South or right and left. It will be within the Republican party itself.

The question is: will it be like the war Buckley launched, a purgative struggle as a prelude to a new era of conservative power and rule? Or will it mark the end of the Reagan regime, unveiling a conservative movement in terminal crisis as it strives to reconcile the irreconcilable?

More here.

Jean-Jacques Rousseau and enforced freedom

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Derek Matravers in the TLS:

Jean-Jacques Rousseau (1712–78) is, perhaps more than any other philosopher, a contradictory figure. He is a predecessor of liberalism and a theorist of fascism; a champion of the Enlightenment and its most severe critic; a Classicist critic of Romanticism and vice versa; and an advocate of humane, child-centred education, despite giving up his own five children to an orphanage and almost certain death. His reputation these days rests primarily on his political philosophy (in particular, On the Social Contract), his autobiography (The Confessions), and a part novel, part philosophical treatise, and part syllabus for progressive education (Émile).

Rousseau is very quotable – never more so than at the beginning of Book One, Chapter One of the Social Contract: “Man is born free, and everywhere he is in chains”. This appears to capture the view with which he is most famously associated: that man is born naturally good only to be corrupted by society. Another quotable opening sentence, this time from Émile, seems to support this: “God makes all things good; man meddles with them and they become evil”. This phrase is misleading on two accounts. First, Rousseau is clear that the situation of humankind in its pre-societal state is not to be envied. Second, he did not think it our inevitable fate to be corrupted by society; indeed, the point of the Social Contract is to provide a blueprint for a society in which people are able to flourish.

It was fairly standard in the seventeenth and eighteenth centuries to compare humankind before societies formed (the “state of nature”) to our condition in society. This was not an attempt to write history from the armchair, but rather a thought experiment; a comparison between things then with how they are now, to shine a light on the advantages of states. Rousseau had a weakness for the rhetorical flourish – and his powers of eloquence sometimes served to highlight the notion that leaving the state of nature had been a catastrophe.

More here.

What White Nationalism Gets Right About American History

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Derek Black in the NYT:

We have all observed the administration’s decisions over the past several months that aligned with the white nationalist agenda, such as limiting or completely cutting off legal and illegal immigration, especially of Hispanics and Muslims; denigrating black communities as criminal and poor, threatening to unleash an even greater police force on them; and going after affirmative action as antiwhite discrimination. But I had never believed Trump’s administration would have trouble distancing itself from the actual white nationalist movement.

Yet President Trump stepped in to salvage the message that the rally organizers had originally hoped to project: “George Washington was a slave owner,” he said, and asked, “So will George Washington now lose his status?” Then: “How about Thomas Jefferson?” he asked. “Because he was a major slave owner. Now are we going to take down his statue?” He added: “You’re changing history. You’re changing culture.”

Until Trump’s comments, few critics seemed to identify the larger relationship the alt-right sees between its beliefs and the ideals of the American founders. Charlottesville is synonymous with Jefferson. The city lies at the foot of Monticello and is the home of the University of Virginia, the school he founded. Over the years I’ve made several pilgrimages to Charlottesville, both when I was a white nationalist and since I renounced the ideology. While we all know that Jefferson was the author of the Declaration of Independence, which declared that “all men are created equal,” his writings also offer room for explicitly white nationalist interpretation.

My father observed many times that the quotation from Jefferson’s autobiography embedded on the Jefferson Memorial is deceptive because it reads, “Nothing is more certainly written in the book of fate than that these [the Negro] people are to be free.” It does not include the second half of the sentence: “Nor is it less certain that the two races, equally free, cannot live in the same government. Nature, habit, opinion has drawn indelible lines of distinction between them.”

More here.

The Case For Panpsychism

Brain against stars

Philip Goff in Philosophy Now:

Panpsychism is sometimes caricatured as the view that fundamental physical entities such as electrons have thoughts; that electrons are, say, driven by existential angst. However, panpsychism as defended in contemporary philosophy is the view that consciousness is fundamental and ubiquitous, where to be conscious is simply to have subjective experience of some kind. This doesn’t necessarily imply anything as sophisticated as thoughts.

Of course in human beings consciousness is a sophisticated thing, involving subtle and complex emotions, thoughts and sensory experiences. But there seems nothing incoherent with the idea that consciousness might exist in some extremely basic forms. We have good reason to think that the conscious experiences a horse has are much less complex than those of a human being, and the experiences a chicken has are much less complex than those of a horse. As organisms become simpler perhaps at some point the light of consciousness suddenly switches off, with simpler organisms having no subjective experience at all. But it is also possible that the light of consciousness never switches off entirely, but rather fades as organic complexity reduces, through flies, insects, plants, amoeba, and bacteria. For the panpsychist, this fading-whilst-never-turning-off continuum further extends into inorganic matter, with fundamental physical entities – perhaps electrons and quarks – possessing extremely rudimentary forms of consciousness, which reflects their extremely simple nature…

Panpsychism offers the hope of an extremely elegant and unified picture of the world. In contrast to substance dualism (the view that the universe consists of two kinds of substance, matter and mind), panpsychism does not involve minds popping into existence as certain forms of complex life emerge, or else a soul descending from an immaterial realm at the moment of conception. Rather, it claims that human beings are nothing more than complex arrangements of components that are already present in basic matter.

More here.

To reduce gender biases, acknowledge them

Debbie Chachra in Nature:

ChachraLate in the afternoon of 6 December 1989, a man walked into the École Polytechnique in Montreal, Canada, carrying a hunting rifle, a knife, ammunition and a grudge against women in non-traditional roles — in this case, engineering. He went from class to class, targeting female students. Fourteen women died. It remains the worst mass murder in modern Canadian history. At the time, I was an 18-year-old studying engineering at the University of Toronto. The shooting was a harsh lesson that some men don’t think women belong in science and technology. As I persisted in the field and became a faculty member, I heard this message again and again, albeit expressed less violently.

The latest instance comes in a ten-page memo written by James Damore, a Google employee who has now been fired by the company. He argues that women are biologically less suited for technical roles than men are, and that Google’s diversity efforts are therefore misguided. The flaws in his arguments (mainly cherrypicking and over-extrapolation) have been much discussed, but his biggest lapse was in not questioning his own assumptions and motivations. I have lost patience with arguments from people who think they are saying ‘what everyone is too afraid to say’ without recognizing that they are simply repeating what women like me have heard throughout our lives. When my colleagues and I do outreach to support women in engineering, we start with two arguments. The first cites social justice: women deserve the same opportunity to work and succeed as men do. The second is utilitarian: diverse teams of engineers do better engineering. After all, harnessing science and technology for the benefit of everyone demands an array of perspectives. These alone are solid reasons to reshape educational and professional environments in engineering to make them more welcoming. But there is a third argument that I make for people with scientific and technical backgrounds: if you value rationality and objectivity, you need to engage with gender bias. That’s because bias is part of us: we live in a world steeped in conventional gender roles. To borrow a metaphor from computing, biases have root privileges in our brains.

More here.

Wednesday Poem

Call

No slender thread,
no telephone cord
binds us anymore.
Now that our computers call each other,
I can’t
press your voice to my ear.
No longer can I hear you breathe. Now, we are bound only
by a weak connection
and we break up
and break up
and break up.

by Doireann Ní Ghríofa
from Oighear
publisher: Coiscéim, Dublin, 2017
translation: 2017, Doireann Ní Ghríofa

Neoliberalism: the idea that swallowed the world

Stephen Metcalf in The Guardian:

ScreenHunter_2799 Aug. 23 00.20Last summer, researchers at the International Monetary Fund settled a long and bitter debate over “neoliberalism”: they admitted it exists. Three senior economists at the IMF, an organisation not known for its incaution, published a paper questioning the benefits of neoliberalism. In so doing, they helped put to rest the idea that the word is nothing more than a political slur, or a term without any analytic power. The paper gently called out a “neoliberal agenda” for pushing deregulation on economies around the world, for forcing open national markets to trade and capital, and for demanding that governments shrink themselves via austerity or privatisation. The authors cited statistical evidence for the spread of neoliberal policies since 1980, and their correlation with anaemic growth, boom-and-bust cycles and inequality.

Neoliberalism is an old term, dating back to the 1930s, but it has been revived as a way of describing our current politics – or more precisely, the range of thought allowed by our politics. In the aftermath of the 2008 financial crisis, it was a way of assigning responsibility for the debacle, not to a political party per se, but to an establishment that had conceded its authority to the market. For the Democrats in the US and Labour in the UK, this concession was depicted as a grotesque betrayal of principle. Bill Clinton and Tony Blair, it was said, had abandoned the left’s traditional commitments, especially to workers, in favour of a global financial elite and the self-serving policies that enriched them; and in doing so, had enabled a sickening rise in inequality.

Over the past few years, as debates have turned uglier, the word has become a rhetorical weapon, a way for anyone left of centre to incriminate those even an inch to their right.

More here.

The Scotsmen Who Invented Modernity

Jacob Heilbrunn in The National Interest:

ScreenHunter_2798 Aug. 23 00.10In August, 1776, a large crowd gathered in front of a grand neoclassical mausoleum. It was designed by Scotland’s greatest architect, Robert Adam, and stood on Calton Hill in Edinburgh. One observer sardonically noted that it almost seemed as though the attendees had either “expected the hearse to have been consumed in livid flames, or encircled with a ray of glory.” To prevent the tomb from being desecrated by the devout, guards were stationed around the mausoleum for several days after the burial ceremony. A few years later, Adam Smith told a companion that the tomb was too ostentatious: “I don’t like that monument. It is the greatest piece of vanity I ever saw in my friend Hume.”

But this was an isolated reproach. No one went to greater lengths to defend David Hume’s posthumous reputation than Smith. Always more prudent than Hume—who was known as “the Great Infidel” and deemed unfit for tutoring the young—Smith, a venerated professor of moral philosophy at the University of Glasgow, was guarded in conversation about his religious skepticism. But after Hume’s death, Smith shed his habitual caution and composed a highly controversial supplement to Hume’s brief memoir My Own Life. It was called a Letter to Strahan. In it, Smith described Hume’s final months, emphasizing his affability and serenity in the face of illness and impending death. He observed,

Though Mr. Hume always talked of his approaching dissolution with great cheerfulness, he never affected to make any parade of his magnanimity. He never mentioned the subject but when the conversation naturally led to it, and never dwelt longer upon it than the course of the conversation happened to require.

Boswell, who visited Hume on his deathbed and wrote a famous account of it, was astounded by Hume’s phlegmatic acceptance of his demise. Dr. Johnson was not. After Boswell described his interview with Hume, Johnson, who was always beset by a profound fear of death and regarded Hume’s irreligiosity with abhorrence, commented that he had “a vanity in being thought easy.”

More here.

The Toxic Drama on YA Twitter

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Kat Rosenfield in Vulture:

The Black Witch centers on a girl named Elloren who has been raised in a stratified society where other races (including selkies, fae, wolfmen, etc.) are considered inferior at best and enemies at worst. But when she goes off to college, she begins to question her beliefs, an ideological transformation she’s still working on when she joins with the rebellion in the last of the novel’s 600 pages. (It’s the first of a series; one hopes that Elloren will be more woke in book two.)

It was this premise that led Sinyard to slam The Black Witch as “racist, ableist, homophobic, and … written with no marginalized people in mind,” in a review that consisted largely of pull quotes featuring the book’s racist characters saying or doing racist things. Here’s a representative excerpt, an offending sentence juxtaposed with Sinyard’s commentary:“pg. 163. The Kelts are not a pure race like us. They’re more accepting of intermarriage, and because of this, they’re hopelessly mixed.”

Yes, you just read that with your own two eyes. This is one of the times my jaw dropped in horror and I had to walk away from this book.

In a tweet that would be retweeted nearly 500 times, Sinyard asked peopleto spread the word about The Black Witch by sharing her review — a clarion call for YA Twitter, which regularly identifies and denounces books for being problematic (an all-purpose umbrella term for describing texts that engage improperly with race, gender, sexual orientation, disability, and other marginalizations). Led by a group of influential authors who pull no punches when it comes to calling out their colleagues’ work, and amplified by tens of thousands of teen and young-adult followers for whom online activism is second nature, the campaigns to keep offensive books off shelves are a regular feature in a community that’s as passionate about social justice as it is about reading. And while not every callout escalates into a full-scale dragging, in the case of The Black Witch — a book by a newcomer with a minimal presence online — the backlash was immediate and intense.

Based almost solely on Sinyard’s opinion, the novel became the object of sustained, aggressive opposition in the weeks leading up its release. Its publisher, Harlequin Teen, was bombarded with angry emails demanding they pull the book.

More here.

Mind Out of Time

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Siddhartha Deb in The Baffler:

"MY TRUE OCCUPATION . . . is reading and, occasionally, writing,” the Urdu writer Naiyer Masud once stated with characteristic self effacement. Among his interests, he listed calligraphy, painting, music, and book binding, adding that he was also capable of “minor repair jobs around the house which have to do with plumbing, masonry, electrical work and carpentry.” A translator into Urdu of contemporary Iranian short stories as well as of Kafka’s work (collected under the title, Kafka ke Afsane), Masud lived in the North Indian city of Lucknow in a house called “Adabistan” or the Place of Literature. When it came to his own fiction, however, he confessed that he worked on it rather slowly, producing no more than twenty-two short stories in twenty-five years. In 2015, when Oxford University Press in India published an English translation of his Collected Stories, the number had expanded only slightly, to thirty-five stories.

Masud, who died last month at the age of eighty-one, performed his labors for the most part in obscurity. He wrote in Urdu, a South Asian language with a distinctive literary tradition that attracted writers with both Hindu and Muslim origins. Yet the partition that took place seventy years ago, on August 15, 1947, dividing the subcontinent into the separate nations of India and Pakistan, leading to the death of a million or more, the rapes and abductions of tens of thousands, and the displacement of between twelve million to twenty million people, also dealt out death by a thousand cuts to syncretic culture. Urdu, associated in post-colonial India exclusively with Muslims and Pakistan, became increasingly marginalized.

In the West, in spite of being translated into English with devotion and skill, largely by Muhammad Umar Memon, Masud’s work has appeared in scattershot fashion. With the bulk of his four collections divided into two volumes from two publishers, Essence of Camphor (The New Press) and Snake Catcher (Interlink Books), Masud’s fiction has not received the kind of coherent identity that comes to an author in translation when published by a single publishing house—an advantage enjoyed by, for example, Roberto Bolaño or Elena Ferrante.

More here.

Linguistic data analysis of 3 billion Reddit comments shows the alt-right is getting stronger

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Tim Squirrell in Quartz:

The alt-right isn’t one group. They don’t have one coherent identity. Rather, they’re a loose collection of people from disparate backgrounds who would never normally interact: bored teenagers, gamers, men’s rights activists, conspiracy theorists and, yes, white nationalists and neo-Nazis. But thanks to the internet, they’re beginning to form a cohesive group identity. And I have the data to prove it.

The_Donald is a Reddit community with over 450,000 subscribers. It’s the breeding ground for the alt-right, and the fermenting vat in which this identity is being formed. According to data analysis by FiveThirtyEight, it’s US president Donald Trump’s “most rabid online following,” and Reddit itself now claims it is the fourth most visited sitein the US, behind only Facebook, Google, and YouTube.

As part of the Alt-Right Open Intelligence Initiative at the University of Amsterdam, I’ve been working to understand the language of the alt-right and what it can tell us about its members. Working with the UK Home Office’s Extremism Analysis Unit, I used Google’s BigQuery tool, which lets you trawl through massive datasets in seconds, to interrogate a collection of every Reddit comment ever made—all 3 billion of them.

Focusing on The_Donald, I used a script that lets you see which words are most likely to occur in the same comment. Combining this with a tool that allows you to look at the overlap in commenters between different parts of Reddit, I found that the alt-right isn’t just one voice: It’s made up by distinct constituencies that share different opinions and ways to express them, identifiable by the language they use and the other communities they post in.

In other words, there’s a taxonomy of trolls. So who are they, and what language do they use?

More here.

Keeping it in the family: why we pick the partners we do

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Tamsin Saxton in Aeon:

There are also individual differences in partner choice. Your ideal partner is vanishingly unlikely to be my ideal partner, even if we are matched for gender, age and sexual orientation. To an extent, beauty is indeed in the eye of the beholder. But even these differences between people’s preferences are somewhat predictable: a person’s family influences the partner he or she chooses. Several studies have found that, on average, there’s some physical similarity between one’s parent and one’s partner. That is, your girlfriend might well look a little bit like your mother. This physical similarity is apparent whether you ask strangers to compare facial photos of partners and parents, or whether you assess things such as parent and partner height, hair or eye colour, ethnicity, or even body hair.

Why? Familiar things are attractive. So long as something isn’t initially aversive, and you’re not over-exposed, then in general something will become more appealing the more you encounter it. Part of the attraction to parental features could be attributed to this familiarity effect. Yet familiarity doesn’t account for the whole phenomenon. First, people’s partners seem to be more likely to resemble the parent of the corresponding gender: girlfriends match mothers, and boyfriends match fathers, irrespective of whether they’re in a heterosexual or homosexual relationship. Second, emotional closeness to a parent increases the likelihood that your partner will resemble your parent.

More here.

The season of light…

Syed Jaffar Ahmed in Dawn:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness … We were all going direct to Heaven, we were all going direct the other way…

MantoTHESE lines were written by Charles Dickens in the background of the French Revolution. These hold true in a very different historical setting in which Pakistan was created and started its journey. It was a journey which began amidst conflicting rays of hope and despair, and belief and incredulity. Pakistan emerged on the map of the world as the solution of the communal question that had declined to be addressed within a wider united Indian framework that had made partition inevitable. The founding fathers had cultivated a very promising image of Pakistan, a country that would be a social welfare and modern democratic state, radiating all the virtues a common Muslim believes to be found in what was believed to be an Islamic state. The reality of Pakistan, however, unfortunately proved to be the nemesis of what had been cultivated.A lot of Pakistan’s saga has to do with its leadership.

…Our freedom is known for its being the work of just one individual, the Quaid-i-Azam Mohammad Ali Jinnah. Leonard Mosley called the creation of Pakistan a “one-man achievement”. More comprehensive was Stanley Wolpert’s depiction of Jinnah’s role in the creation of Pakistan: “… few individuals significantly alter the course of history. Fewer still modify the map of the world. Hardly anyone can be credited with creating a nation-state. Jinnah did all three.” However, while Jinnah’s unusual role makes him a unique figure, it also represents a weakness of our freedom movement which did not create a wider section of big leaders. Those who accompanied Jinnah were mostly not even his pale shadows.

…Pakistan’s drift towards authoritarianism from its very inception was detected gradually by historians and there has been a great deal of political literature on it since. But it’s a fact of history that the first who noted it were also the first who had to bear the ramifications of authoritarianism. These were our working classes, our intelligentsia, writers and poets. Who can forget the writings of Manto and Qasmi and the poetry of Faiz and Noon Meem Rashid articulating the trials of their times. Shouldn’t they too be counted among the founding fathers of our country?

More here.

The Deep Seas Are Alive With Light

William Broad in The New York Times:

OctupusIn 1932, William Beebe wedged his lanky body into a cramped submersible and became the first scientist to descend into the sea’s inky darkness. A tiny window let him gaze out. Later, he described an unfamiliar world of dancing lights, pale glows and beguiling shimmers. “It seemed to explode,” he said of one luminous creature. Nothing, he added in his book, “Half Mile Down,” had prepared him for the spectacular displays. The colors included pale greens, blues, reds and especially blue-greens, which by nature can travel far in seawater.

Over the decades, biologists learned that the creatures of the deep sea use light much as animals on land use sound — to lure, intimidate, stun, mislead and find mates. The living lights emanated from tiny fish with needlelike fangs, and gelatinous brutes with thousands of feeding tentacles. The sheer variety suggested that bioluminescence was fairly common, but no scientist came up with a measurement of the phenomenon. Now, 85 years after Dr. Beebe’s pioneering dive, scientists have succeeded in gauging the actual extent of bioluminescence in the deep ocean. During 240 research dives in the Pacific, they recorded every occurrence and kind of glowing sea creature — more than 500 types living down as deep as two miles. Then, the researchers merged the results into a comprehensive survey. The result? Most of the creatures — a stunning 76 percent — made their own light, vastly outnumbering the ranks of the unlit, such as dolphins. “People think bioluminescence is some kind of exotic characteristic,” said Séverine Martini, a marine biologist and lead author of the study, published this year in Scientific Reports. “Even oceanographers don’t realize that it’s common.”

More here.

Tuesday Poem

Mountains Don't Have to Think About Women

Mountains don't have to think about women.
They stand, or squat, or stretch themselves out
and if the sun walks on them and the moon,
what's the difference? If the forest uses
their flank or the big-horned sheep,
so be it, though the great ones seem
to reserve a certain loneliness of head
and shoulder. If they are aware of a stream carrying
pebble away, perhaps it is like me
on a summer's day standing at the edge of a meadow
trying not to think you are not there.

by Nils Peterson
from The Comedy of Desire
Blue Sofa Book Press, 1993
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A Conversation With Steph Burt and Carmen Giménez Smith, The Nation’s New Poetry Editors

by Justin E. H. Smith

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Carmen Giménez Smith & Steph Burt
Photos by Evan Lavender-Smith & Jessica Bennett

On August 7, The Nation announced the appointment of Steph Burt and Carmen Giménez Smith as its new poetry editors. Beginning in the Fall, they will be soliciting and commissioning a wide range of American and international poetry, and will begin accepting submissions on September 15.

Steph Burt is Professor of English at Harvard University, and the author of several books of poetry and criticism, including The Poem Is You (Harvard University Press, 2016).

Carmen Giménez Smith is Professor of English at Virginia Tech, a CantoMundo fellow, and the author of a memoir and four poetry collections, including Milk and Filth, a finalist for the 2013 National Book Critics Circle Award.

On August 15, Carmen and Steph joined Justin E. H. Smith by Skype to talk about their work to come at The Nation, and about poetry in America.

* * *

Justin E. H. Smith: What is poetry doing in The Nation? Does it fit within a unified mission that the magazine has, or is it something more like a breath of fresh air that one can take while absorbing all the difficult news? How do you see it?

Steph Burt: That's a good question. There are a couple of answers I'd want to give to that. The first is that different poems do different things. Carmen and I are only going to print poems we like a lot. But we're not going to like them all for the same reasons. I assume that you like more than one kind of food and my guess is that you listen to more than one kind of music, and that you like different foods and different kinds of music for different reasons. This is sort of the argument of the book about how to read poetry that I'm working on now, so we're talking about that at the same time as we're talking about poetry at The Nation. Different poems do different things. We might print a poem that is a breath of fresh air and a break from thinking abut the struggle against white supremacy; and then we might print a poem whose subtle, careful way of examining language and history shows us how complicated the roots of the problem of white supremacy are; and then we might print a third poem that is a turning-it-up-to-eleven, articulate expression of the need to stay outraged. Those are three good kinds of poem. Three poems in one issue might be a bit much, though if they're short we could do that. Take another urgent problem of politics and culture that The Nation frequently addresses: we might print a poem about the delights of a fruit orchard; we might then print another poem that is a very cold, scientific look at how the earth has changed; and we might print another poem whose emotional undercurrent is, Holy cow! Miami's going to be underwater really soon. Those are three poems that all address the same urgent issue, that's a political issue, but in three different ways, one of which might seem non-political if you're looking at it in a certain way. It is true that in some sense everything is political. It is true in another sense that if the only question you ask about something in your life is, How can I address this as a matter of public policy? Or, How can I address this as a community activist? that's not a life, as someone who is concerned with public policy and with communities, that I want anyone in my community to have to live. So poetry in general can speak to what we need to do together, and it can speak to the lives and the experiences that it is the job of politics to make possible.

Carmen Giménez Smith: I think poetry has always had a role in social-justice movements, and I think rhetorically that there is a way in which theoretical approaches and descriptions, and reportage-based work is vital to changing the world. But I also think that there's a kind of new world-building, a kind of optimistic possibility that gets expressed in art that sometimes can't get expressed in journalism. I also think, again rhetorically –and I think of all writing as having a rhetorical purpose–, that art can say a lot of things and have a tone that cannot be expressed in journalism. So my goal as an editor is to bring works that complement the rigorous journalistic work in the same pages, that add nuance to it, that deepen it, that humanize it. That's how I imagine the curatorial work that Steph and I will be doing for The Nation. I wouldn't necessarily dichotomize poetry into political and apolitical, because in some countries merely expressing the gaze is transgressive, writing a poem is transgressive. I think that having the liberty to look into the world and describe it in itself can be a highly transgressive mode. Having subjectivity isn't a guarantee, no one is guaranteed a subjectivity, and so any kind of expression in art, I think, is implicitly resistant. It's not the way we talk, it's not the way we think, yet we're still moved to be in the world in that way. So I do think that there's a kind of political charge in every expression of poetry, whether it's about just the changing of the seasons or, whether it's about the change of seasons representing the coming of the apocalypse. Which it sure feels like these days.

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If Trump Represents The Worst Of Us, Does That Mean We’re Totally F-ed?

by Evert Cilliers

KKK megaphone 2America voted for Donald Trump. In fact, 53% of America's women voted for a serial pussy-grabber.

And twice as many American working class men voted for a man who habitually stiffed his suppliers than for Hillary.

I actually met someone whose Dad supplied Donald Trump with 200 pianos for his hotels, Trump didn't pay him, and the guy's business went kerflooey.

That's how bad Trump is. You can meet people in your every day life here in Manhattan that he conned and cheated and pussy-grabbed and fucked up their innocent asses.

So the fact that he gave the KKK, the neo-Nazis, and the white supremacists at Charlottesville a bit of a pass by saying there were others there who only wanted to defend the right of Confederate general statues to publicly exist — there were not, ALL those marchers were ONLY well-organized KKK, neo-Nazis and white supremacists — should be no surprise. (Though he was right that there were violence perpetrators among the counter-demonstrators there — the Antifa, whom he ignorantly dubbed the "alt-left".)

We wanted him as our president.

What does that say about us?

Does that say out loud that we are a nation of bigots, sex assaulters, crooked businessmen, fraudsters, and cheaters at golf?

Yes.

Absolutely.

That's what we are.

And does that mean we're totally fucked?

Yes. Absolutely.

Let's run it down.

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