On Birthdays

by Charlie Huenemann

Genius

a family genius, flanked by two other celebrating guardian deities (from UTexas)

“A genius is a god under whose protection each person lives from the moment of his birth.” This is the opinion of Censorinus, a Roman rhetorician of the third century CE. Censorinus tells us that our birthday celebrations are not really about us. Instead, they are banquets of gratitude for our spiritual guardians, or the beings known by the Romans as geniuses. Everybody has one: they are the spirits who make sure we are born, that we survive, that we are protected, and that we flourish. Censorinus writes that our genius “has been appointed to be so constant a watcher over us that he never goes away from us even for a second, but is our constant companion from the moment we are taken from our mother's womb to the last days of our life.” As the philosopher Peter Sloterdijk observes, this makes every birth in fact a double birth – one for us, and one for our guardian genius.

These Roman geniuses are not unique to humans. They also watch over animals, places, households, and even ritualized celebrations like the original Olympics. Exactly how to count them up is hard to say, since each genius is usually one among many different aspects of a god, another face that is shown to a newcomer. And as each god has multiple faces or concerns, each face serves as a different genius for different occasions – as guardians of individuals, their homes, their marriages, their savings, their harvests, and so on. But set the counting issue aside. On our birthdays, according to Censorinus, we are to show particular gratitude to our own genius, the one who has brought us safe thus far:

A Genius is a god under whose protection each person lives from the moment of his birth. Whether it is because he makes sure we get generated, or he is generated with us, or he takes us up and protects us once we are generated, in any case, it is clear he is called our “Gen-ius” from “gen-eration.”… And so we offer special sacrifice to our Genius every year throughout our lives….

This notion of genius is precisely the one to have in mind when we read Emerson: “I shun father and mother and wife and brother when my genius calls me. I would write on the lintels of the door-post, Whim.” In calling upon “whim,” he's certainly not writing about dodging family responsibilities when he feels like waxing philosophical. He is writing about being under another's guidance, like experiencing a kind of demonic possession – though in Emerson's case the demon is reliably good-natured.

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Advertisers should pay you

by Thomas R. Wells

Advertising isn't only a waste of our time and attention, our ultimate scarce resource. It is also intensely annoying. So why do we have so much of it?

It is a classic case of market failure. The advertising industry consists of the buying and selling of your attention between 3rd parties without your consent. That means that the cost of access to your attention doesn't reflect its full social cost. Movie theatres, cable channels, phone apps, and so on price the sale of your attention at what it takes to extract it from you – i.e. how easy it is for you to escape their predations – and this is often much lower than the value to you of directing your attenti­on to something else. Since advertisers pay less to access your attention than your attention is worth to you, an excessive – inefficient – amount of advertising is produced. We are all continuously swamped by attempts to distract us from what we actually want to do, like watch a movie or listen to a song, with messages we don't want or need.

The problem has the same basic structure as the overfishing of the seas or global warming. A person's attention, taken moment by moment, is a finite resource. Like a sandwich, if one party consumes it then no one else can. At the same time our current institutions make it difficult for any party to prevent others from consuming it. Our attention is a valuable commodity and everyone is out to mine it and sell it before someone else does. If we don't make some changes to the rules we may find ourselves living in a Terry Gilliam dystopia.

I

Advertising is an old racket, but these days it feels as if we are almost drowning in its insidious manipulative bullshit – inside novels, in airplanes, on concert tickets, on poor-people's foreheads, on eggs in grocery stores, on public trash cans, on the inside and outside of public buses, in police cells and on police cars, on the back of toilet doors, and on and on and on. Why is this so? A number of reasons suggest themselves.

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Travelling Light

by Mathangi Krishnamurthy

C360_2015-02-25-10-51-05-533Ryoanji Yudofu garden, Ryoanji Temple premises; Kyoto. February 2015

I tremble in anticipation of beginning to write this piece. I want to write about Japan, you see? And I want to write about having traveled to Japan. This, as you may have surmised, is a hopeless task. For Japan is overlain with meaning as umami-like and as un-graspable as the coating of wasabi on your peas. See? I did it already. I gave you a familiar metaphor, and I gave you a visceral sensation to inhabit. Done and dusted, and here I give you Japan in a sealed aluminium foil package. But surely there is more I can say? Surely I can give you many more metaphors to make clear the fact that I do not grasp anything at all.

This, in writing, is not admissible. The least, one has to be able to say, is that one does not find things familiar, and hence one dislikes the place. Hark then to the first of the Great Mughals, Babur telling us how he hates India because it lacks wine, melons, and gardens. I must at least feel like Malinowski, who sits notebook in hand, frustrated and complaining about the Trobrianders, and yet forging along seeking meaning. And yet, I do not want to write of strong likes or dislikes, because my travels produced none.

A friend and I made plans to go to Japan during the Chinese New Year. This was only the beginning of our various confusions. Inspired by Junot Diaz's article where he implores one to visit Fukuoka, we booked tickets instead to Tokyo, and the bullet-train to Kyoto. Also, I ignored how his visions of chicken sashimi did not account for my vegetarianism. I read nothing, I anticipated nothing. Armed with a passport and visa, I set of to conquer the Far East.

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Poem

Lament of the Expunged Metaphor

You bastard! You butcher! You murdering swine!
I had it all: beauty, aptness, concision.
I fit snugly into that trimetric line.
And what's my reward? –A brutal excision.

Don't tell me they told you to “kill all your darlings.”
Bill Faulkner's not going to take this rap.
That's a defense used by Eichmanns and Gôrings:
“I just followed orders.” Don't give me that crap!

I could have been something—a catchphrase, a clichéd
Expression. Folk would have asked, “Who said it?”
You should have stuck by me. We would have made
Such a statement—and you'd have the credit.

I knew it was coming. I saw how you treated
That cute little simile in the first stanza.
It was she got you started; now, she's deleted.
The dreaded black line came through like a panzer.

And you smiled as you did it! I saw you smirking
As you penned her replacement. That's when I lost hope.
You'll axe us, no matter how well we're working,
The moment you're smitten with a pretty new trope.

Oh you're clever—like Bluebeard!—and so discrete.
The world never sees any trace of your crimes.
No bruises. No blood. Just a clean printed sheet
Of meticulous meter and neat little rhymes.

But not even your cunning will suffice
To save you from what I hope and trust is
To be your fate, the terrible price
Assessed by the gods of poetic justice–

One day, leafing through a rival's verse,
You'll see me, set in a beautiful line
Like a mounted gem. And then you'll curse
Your cruel folly, and cry, “But . . . . you're mine!”

And too late you'll discover my charms.
And you'll want me back. And I'll say, “Never!
Your darling lies in another's arms,
A thing of beauty lost forever.”

by Emrys Westacott

The longest tracking shot ever

by Brooks Riley

ScreenHunter_1084 Mar. 16 12.05I didn’t buy popcorn, but I got a good seat—a window seat in an arrangement of four seats around a table. The window was large and wide, like a movie screen, and low enough to allow a comfortable view of the passing landscape, from track to sky. The train, a sleek white ICE or Inter City Express, was still idling under the roof of the terminal station, the kind that trains enter in one direction and exit in another. Sitting there in the semi-darkness, I was filled with anticipation. In moments, the train would start to move, nosing out from under the station roof into the daylight. The window would fill with light, and the shot would begin—the longest tracking shot ever

In my years as a film critic, I never made the connection between the tracking shot and trains. Just as most travelers consider a train to be little more than a means of going from point A to point B, I regarded the tracking shot as a means of going from point A to point B, extending the action, nothing more. And when the early film thinkers were tinkering with their theories on the new art form, movement was secondary to montage (Kuleshov, Pudovkin, Vertov and Eisenstein) or the close-up (Béla Balázs). Tracking shots were rare in the early days of cinema, the first one in 1912, in Oscar Apfel’s The Passer-by, followed in 1924 by F.W. Murnau’s The Last Laugh (Der letzte Mann). Abel Gance, too, tracked about in Napoleon (1927), but in Gance’s piñata of cinematic devices, tracking shots hardly stood out from the other tricks of his trade exploding from the screen in that great epic film.

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Moral (and Musical) Hazard

Martha C. Nussbaum reviews ON OPERA and ESSAYS AND REVIEWS 1959-2002, by Bernard Williams, in The New Rambler:

ScreenHunter_1081 Mar. 15 18.23Bernard Williams died in June, 2003, at the age of only 73, after a long and sometimes painful struggle with multiple myeloma.[1] I still dream that he is alive – not least while working on this review. He had a quality of vivid aliveness that makes it next to impossible to concede that he is not here any longer. So I shall not concede, but shall continue to use the present tense. Being in Williams’s presence is at times painful because of that intensity of aliveness, which challenges the friend to something or other, and yet it was, and is, not terribly clear to what. To authenticity, I now think: to being and expressing oneself more courageously and clearly than one had done heretofore. Given the tendency of his brilliance to expand, filling the whole space around him, individuality was, nonetheless, and is, one of the most difficult things one could possibly attempt in his presence, and the attempt was, and is, never without struggle.

Williams’s last consecutive book, Truth and Truthfulness, appeared in 2002, before his death. Three posthumous collections of essays have preceded these two books, gathering his major articles on moral philosophy, political philosophy, and the history of philosophy. (Williams was a serious scholar of both ancient Greek literature and philosophy and Descartes’ rationalism.) These two collections, separated from one another by more than a decade, represent the last publications we may expect to see from him, so they seem unusually precious. Both exemplify to an unusually high degree a quality of willingness to put one’s whole intellectual and emotional character on the line that always characterized his way of doing philosophy.

More here.

Homeopathy not effective for treating any condition

Melissa Davey in The Guardian:

ScreenHunter_1080 Mar. 15 18.07Homeopaths believe that illness-causing substances can, in minute doses, treat people who are unwell.

By diluting these substances in water or alcohol, homeopaths claim the resulting mixture retains a “memory” of the original substance that triggers a healing response in the body.

These claims have been widely disproven by multiple studies, but the National Health and Medical Research Council (NHMRC) has for the first time thoroughly reviewed 225 research papers on homeopathy to come up with its position statement, released on Wednesday.

“Based on the assessment of the evidence of effectiveness of homeopathy, NHMRC concludes that there are no health conditions for which there is reliable evidence that homeopathy is effective,” the report concluded.

“People who choose homeopathy may put their health at risk if they reject or delay treatments for which there is good evidence for safety and effectiveness.”

An independent company also reviewed the studies and appraised the evidence to prevent bias.

More here.

Ayesha Jalal: Confronting notions on Pakistan

Preeti Dawra in Live Mint:

ScreenHunter_1079 Mar. 15 18.01“One has to continually erase so much of what has been read and heard about this country in order to arrive at the messy truth of the present moment of Pakistan,” says Ayesha Jalal , one of Pakistan’s leading historians and an eminent global South Asian scholar.

“You really have to come here and live its daily contradictions to understand the reality of modern day Pakistan,” adds Jalal, who is the Mary Richardson professor of history at Tufts University in the US where she teaches both in the history department and the Fletcher School of Law and Diplomacy. She has also taught at Harvard and Columbia University.

Jalal, an elegant woman in her mid-fifties with a feisty intellect and sharp tongue, was born in Lahore. Her father is Hamid Jalal, a senior Pakistani civil servant, and she is the grandniece of the renowned Urdu fiction writer Saadat Hasan Manto.

She explains that when she moved to New York as a teenager, where her father was posted at the Pakistan’s United Nations mission in 1971, she had difficulties reconciling the official narratives of the Pakistani state with daily news reports of atrocities perpetrated by the Pakistan army in then East Pakistan, which later became Bangladesh.

“This led me to ask questions about Pakistan’s history and self-representations, which in time came to define my research interests.”

More here.

Why Killer Whales Go Through Menopause But Elephants Don’t

Ed Yong in Not Exactly Rocket Science:

ScreenHunter_1078 Mar. 15 17.54Last summer, I met Granny. I was on a whale-watching boat that had sailed south from Vancouver Island, in search of a famous and well-studied group of killer whales (orcas). Two hours after we set off, we started seeing black fins scything through the unusually calm and glassy water. We saw a dozen individuals in all, and our guide identified them by the shape of their fins and the white saddle patches on their backs. Granny, for example, has a distinctive half-moon notch in her dorsal fin.

Seeing her, I felt an intense and solemn respect. She is the oldest member of the group, perhaps the oldest orca on the planet. Her true age is unknown, but a commonly quoted estimate puts her at 103, which would make her a year older than the Titanic, and far more durable. Imagine all that she has seen in that time: the generations of her children and grandchildren; the countless pursuits of fleeing salmon; the increasingly noisy presence of fishermen, scientists and gawking tourists. Decades of knowledge and wisdom live in her brain. Ad that knowledge might explain one of the most unusual features of killer whale biology—their menopause.

Animals almost always continue to reproduce until they die. There are just three exceptions that we know of: humans, short-finned pilot whales, and killer whales. In all three species, females lose the ability to have children, but continue living for decades after. That’s menopause. Female killer whales go through in their 30s or 40s. Why? Why sacrifice so many future chances to pass on your genes to the next generation?

More here.

Sunday Poem

A Walk With History

how do you write history in a language that has no
past tense?

i don’t ask for it
more than once
history stumbles over me

how is it that you are part of history
if you haven’t fine-dined with her?

it was the railroad worm in adam’s apple
it was the pine bark turned into rye bread
it was the rotten meat ration on the battleship potemkin
it was a hike in the price of oil
it was a viss of rice for a lot of vice
it was the iron chef in hell’s kitchen at fuli restaurant

what’s up in your hometown?

a turnpike,
a flyover is under construction
over the juncture of history

when did clio land?

this morning, about half past two

did she have anything to declare?

nothing
they strip-searched her anyway

what did they find on her?

a whistleblower, a conch-shell blower
a critically endangered cheroot industry
a pair of cheap putsches
the crowd psychologist dr. state with
his twin sons, racism and reverse racism
an albino cockroach, a fake hypocrite, and
an immigrant, whose name
you will never get

.
by ko ko thett
fromThe Postscript Journal, 2

____________________________________

Poet's Note: fuli restaurant: a Chinese-Burmese restaurant on Insein Road, Yangon.

Findings

Rafil Kroll-Zaidi in Harper's:

RafilPenguins have lost the ability to taste fish. A South Korean woman’s hair was eaten by a robot, and U.S. conservatives were found to be culturally East Asian. Americans who enter the top 1 percent of earners are less likely to remain there if they are not white. Individualism in the United States was correlated with the rise of white-collar jobs. Hedge-fund managers who look trustworthy attract more clients than managers who look undependable, but the latter generate larger returns. Brides in 1930s Connecticut who were judged agreeable and emotionally stable by their bridesmaids lived longer. U.S. counties in which residents more frequently tweet “bitches,” “haters,” “jealous,” “drama,” “cunt,” “grrr,” “sooo,” “fucked,” and “Mondays” have more heart-disease deaths. The blindfolded lead the nonblindfolded in estimating the severity of everyday impairment caused by blindness. The legs of adult British Columbians cramp in the night twice as often during the summer. Swiss prison guards report contentedness. New Zealanders in a doctor’s office are fourteen times more likely to steal gossipy magazines than serious ones. Dutch chimpanzees who moved to Edinburgh now grunt like locals. Wolf society, not human domestication, gave dogs their social skills.

High school girls who underwent virtual-reality assertiveness training reported less sexual victimization, and college men who took online sexual-violence-awareness tutorials reported committing less rape. Old banned chemicals may be weakening polar bears’ penile bones. Sugary-drink consumption correlates with early menarche. Teen pregnancy rose by 30 percent between 2003 and 2010 in Iraq. Caesarean delivery, vacuum-assisted delivery, maternal fatigue, and violent partners were associated with pain in postpartum vaginal intercourse. Labor augmentation does not cause autism, but Romanian orphanages may. Dutch babies laugh, smile, and cuddle more than American babies. An Arizona toddler mistakenly given scorpion antivenin for methamphetamine poisoning exhibited immediate improvement. Targeted social rejection worsens asthma in popular adolescents. Teen boys who wrongly think themselves fat often grow up to be fat. A woman who received a fecal transplant from her obese sixteen-year-old daughter rapidly became obese herself. Repeated blows to the head were linked to cognitive impairment.

Camponotus fellah ants who become isolated from others walk around continuously, fail to digest their food, and have one tenth the life span of social ants.

More here.

Traditional philology today is a shadow of what it once was. Can it survive?

Eric Ormsby in The New Criterion:

WordsWhat language did Adam and Eve speak in the Garden of Eden? Today the question might seem not only quaint, but daft. Thus, the philologist Andreas Kempe could speculate, in his “Die Sprache des Paradises” (“The Language of Paradise”) of 1688, that in the Garden God spoke Swedish to Adam and Adam replied in Danish while the serpent—wouldn’t you know it?—seduced Eve in French. Others suggested Flemish, Old Norse, Tuscan dialect, and, of course, Hebrew. But as James Turner makes clear in his magisterial and witty history, which ranges from the ludicrous to the sublime, philologists regarded the question not just as one addressing the origins of language, but rather as seeking out the origins of what makes us human; it was a question at once urgent and essential.1 After all, animals do express themselves: they chitter and squeak, they bay and roar and whinny. But none of them, so far as we know, wields grammar and syntax; none of them is capable of articulate and reasoned discourse. We have long prided ourselves, perhaps excessively, on this distinction. But on the evidence Turner so amply provides, we might also wonder whether the true distinction lies not simply in our ability to utter rational speech, but in the sheer obsessive love of language itself; that is, in philology, the “love of words.”

This abiding passion for words, cultivated fervently from antiquity into modern times—or at least until around 1800, in Turner’s view—encompassed a huge range of subjects as it developed: not only grammar and syntax, but rhetoric, textual editing and commentary, etymology and lexicography, as well as, eventually, anthropology, archeology, biblical exegesis, linguistics, literary criticism, and even law. It comprised three large areas: textual philology, theories about the origins of language, and, much later, comparative studies of different related languages.

More here.

Why Pi Matters

What was so special about 9:26:53 am today? Well, the date is 3/14/15 and at that time, the date and time together would have been the same as the first ten digits of Pi: 3.141592653. It is also Albert Einstein's birthday today. Here's Steven Strogatz in The New Yorker:

ScreenHunter_1073 Mar. 14 16.04Pi does deserve a celebration, but for reasons that are rarely mentioned. In high school, we all learned that pi is about circles. Pi is the ratio of a circle’s circumference (the distance around the circle, represented by the letter C) to its diameter (the distance across the circle at its widest point, represented by the letter d). That ratio, which is about 3.14, also appears in the formula for the area inside the circle, A = πr2, where π is the Greek letter “pi” and r is the circle’s radius (the distance from center to rim). We memorized these and similar formulas for the S.A.T.s and then never again used them, unless we happened to go into a technical field, or until our own kids took geometry.

So it’s fair to ask: Why do mathematicians care so much about pi? Is it some kind of weird circle fixation? Hardly. The beauty of pi, in part, is that it puts infinity within reach. Even young children get this. The digits of pi never end and never show a pattern. They go on forever, seemingly at random—except that they can’t possibly be random, because they embody the order inherent in a perfect circle. This tension between order and randomness is one of the most tantalizing aspects of pi.

Pi touches infinity in other ways. For example, there are astonishing formulas in which an endless procession of smaller and smaller numbers adds up to pi. One of the earliest such infinite series to be discovered says that pi equals four times the sum 1 – + – + – + ⋯. The appearance of this formula alone is cause for celebration. It connects all odd numbers to pi, thereby also linking number theory to circles and geometry. In this way, pi joins two seemingly separate mathematical universes, like a cosmic wormhole.

But there’s still more to pi.

More here.

Kim Gordon’s ‘Girl in a Band’

15QUESTLOVE-articleLargeQuestlove at The New York Times:

Sonic Youth has never had a reputation for shying away from unpleasantness in the search for truth and beauty, and the book does the same, opening with a scene in drizzly São Paulo, as the band played its last show together and Gordon and Moore’s marriage finally fully unraveled. “My about-to-be-ex husband and I faced that mass of bobbing wet ­Brazilians, our voices together spell-checking the old words, and for me it was a staccato soundtrack of surreal raw energy and anger and pain: Hit it. Hit it. Hit it,” Gordon writes. “I don’t think I had ever felt so alone in my whole life.” From here she takes the reader into her childhood. The organization of the book is as unconventional as you’d expect from an artist like Gordon (the first chapter is titled “The End”), and I’m a sucker for unconventional organization, especially early on, when you’re trying to pick up a rhythm as you read it. The chapters are short, no more than three or four pages, short enough that you might call them songs. They jump around a bit but run roughly chronologically. Gordon recalls growing up in Rochester, N.Y., and moving to Los Angeles when her ­sociologist father took a job at U.C.L.A. She paints a cleareyed portrait of her mother, who stayed at home and struggled to stay creative. She ­remembers her charismatic and mentally ill older brother, Keller — “brilliant, manipulative, sadistic” — her closest companion in childhood, “the person who more than anyone else in the world shaped who I was, and who I turned out to be.”

more here.