Joe Fassler in The Atlantic:
Author Lev Grossman says C.S. Lewis taught him that in fiction, stepping into magical realms means encountering earthly concerns in transfigured form.
“If you were in a room full of books,” Lev Grossman writes in his latest novel, The Magician’s Land, “you were at least halfway home.” For Grossman, no books feel more like home than C. S. Lewis’s Chronicles of Narnia, which provide the template for what he likes to read—and how he wants to write. In our conversation for this series, Grossman explained what The Lion, the Witch, and the Wardrobe taught him about fiction, what makes Lewis’s work so radically inventive, and why his own stories must step through the looking glass into fantasy.
…Why is Lewis so important to me? In part, it’s because—technically, from the point of view of craft—he tells the story with truly exemplary economy. By the time we’re only six or seven pages into The Lion, the Witch, and the Wardrobe, we already know all four Pevensies, we know how each child feels about the other three, and he’s gotten Lucy through the wardrobe and into Narnia. With incredible speed, he acquaints us with the characters—just one or two well-placed details, and we’re able to know each one—and delves right away into the adventure. Even more than that, it’s the way he uses language—which is nothing like the way fantasists used language before him. There’s no sense of nostalgia. There’s no medieval floridness. There’s no fairy tale condescension to the child reader. It’s very straight, and very clean—there’s no Vaseline on the lens. You see everything clearly, not with sparkles or a flowery sense of wonderment, but with very specific physical details.