by Charlie Huenemann
(image from lthscomputerart.weebly.com)
Last month (April 19, 2014), 3QD's Robin Varghese linked to an article by philosopher Lisa Guenther on the effects of solitary confinement on the mind. (The original article was published in the online magazine Aeon.) Guenther's essay is fascinating, as it provides a vivid account of how our perception of the world depends heavily on the social relations we build everyday with other people. When those social relations are stripped from us, our experience of the world goes wonky. For this reason, Guenther's article is also disturbing, since it reveals the widespread practice of solitary confinement to be nothing less than mental torture.
Normally as we go about our business, we negotiate our way through a world of shared objects that become common pleasures, obstacles, or topics of conversation. And how we share those common objects, or compete for them, is what makes those objects real for us. As Guenther writes,
When I sit across a table from you, for example, I implicitly perceive you as both ‘there’ in relation to my ‘here’ and as another ‘here’, with your own unsharable perspective on the world, in relation to which I too am ‘there’ for you. The other people with whom I share space both give me an objective location in the world – they anchor me somewhere, and they also hold open the virtual dimensions of my own experience by reminding me that, no matter how hard I try, I can never directly experience another person’s stream-of-consciousness. The other confirms, contests, enriches, and challenges my own experience and interpretation of things.
Lest anyone think of this merely as frilly sentimentalism, read what happens to people when they are forced into prolonged and lonely encounters with very spare environments:
After only a short time in solitary, I felt all of my senses begin to diminish. There was nothing to see but grey walls. In New York’s so-called special housing units, or SHUs, most cells have solid steel doors, and many do not have windows. You cannot even tape up pictures or photographs; they must be kept in an envelope. To fight the blankness, I counted bricks and measured the walls. I stared obsessively at the bolts on the door to my cell.
There was nothing to hear except empty, echoing voices from other parts of the prison. I was so lonely that I hallucinated words coming out of the wind. They sounded like whispers. Sometimes, I smelled the paint on the wall, but more often, I just smelled myself, revolted by my own scent.
So the world, absent other people, starts to resemble a Dali painting. Another prisoner recounted in Guenther's article refers to his experience in solitary as an abyss, which Guenther describes as “a chasm without edges…. an emptiness that has become palpable and insistent, like a black hole that sucks everything into itself”. Without a changing world, and without other people serving as fellow travelers in that world, we become unhinged from any firm reality. Some prisoners end up striking at walls and fences until their hands are bloodied – not in any attempt to escape, of course, but to make vivid contact with an irrefutable world outside themselves. They are desperate to find an Other. True solipsism, it seems, is impossible for humans. Without other people, our experience of the world dwindles into whispers, specters, and madness.
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