From Harvard Magazine:

RN-G More than 2,000 years ago, a Roman named Titus Lucretius Carus set down his thoughts on topics ranging from creation to religion to death. The format for his observations, many of them highly technical and uncannily modern, was a single elegant poem: readers would stomach such material more easily if it was presented artfully, he suggested, just as a child would drink bitter medicine more readily out of a cup with a honeyed rim.

He was right. In later centuries, when that poem, De rerum natura (“On the Nature of Things”), came under siege for its subversive potential, the work’s captivating beauty would be key to its survival. Still, it barely weathered the incursions of time and hostile authorities, which conspired to put it out of view for nearly a millennium. The improbable story of how it re-emerged, and how the mindset it advocated informs our present, is the subject of The Swerve: How the World Became Modern.

More here.