While strolling last month through one of the dimly lit backrooms in a wing of the National Galleries of Scotland, my inner eye still tingling with thousands of Impressionistic afterimages, pudgy Rubensian cherubs, and gothic quadrangles, one irreverent painting leapt out at me in a very contemporary sort of way. It was part of an early-16th-century triptych showing what appeared to be a solemn, middle-aged clergyman in gilded ecclesiastical robes commanding three naked adolescent boys before him in a bathtub.
Now, I must say, my first thought on seeing this salacious image was that the Catholic Church has been a hebephilic haven for far longer than anyone realized. But my uneasiness was put to rest once I leaned in to read the caption, which stated that the Dutch artist Gerard David, a prolific religious iconographer based in Bruges, Belgium, was merely painting a scene of starvation cannibalism. Phew! What a relief it was only an innocent case of anthropophagy (the eating of human flesh by humans) and nothing more sinister than that. The boys had been killed by a butcher, you see, and their carcasses were salting in a makeshift vat awaiting ingestion by famished townspeople. Fortunately, that most notorious child-lover himself, St. Nicholas, just happened to be passing through town when he caught wind of the boy-eating scandal and resurrected the lads in the tub.