MARTIN FILLER in The New York Times:
When architects cannot erect they write, and thus we can expect an imminent increase in publications by underemployed practitioners of the building art. However, good times or bad, producing books has been mandatory for architects ever since the modernist masters (and masterly self-publicists) Frank Lloyd Wright and Le Corbusier committed their ideas as well as their plans to print.
Frank Gehry, the most acclaimed American architect since Wright, is not a natural-born writer. To satisfy the considerable demand for personal explications of his work, Gehry, who turned 80 in February, has avoided the agony of authorship and cooperated with several interviewers on transcribed texts during the past decade. The best of them — the architectural historian Kurt Forster’s “Frank O. Gehry/Kurt W. Forster” and the curator Mildred Friedman’s “Gehry Talks” (both released in 1999) — contain valuable insights into the subject’s idiosyncratic approach to a profession he has recast as an experimental art form and advanced as a technical discipline. Barbara Isenberg’s “Conversations With Frank Gehry” is the latest attempt to elicit the essence of his creative method in his own words. Isenberg, a Los Angeles-based writer on the arts, exhibits neither Forster’s intellectual sheen nor Friedman’s comprehensive expertise, but nonetheless offers worthwhile new information for architecture devotees and an engaging introduction for general readers.
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