COLM TOIBIN in The New York Times:
HUMAN SMOKE The Beginnings of World War II, the End of Civilization.
By Nicholson Baker. The main figures in the book are Churchill and Franklin Roosevelt; members of the pacifist movement including Gandhi; Hitler and his entourage; and diarists like Victor Klemperer in Dresden and Mihail Sebastian in Bucharest. But sometimes it is the simple stark fact that makes you sit up straight for a moment, like this one from early in the book: “The Royal Air Force dropped more than 150 tons of bombs on India. It was 1925.” This, coming soon after an account of the proposed bombing of civilian targets in Iraq in 1920 (with Churchill writing: “I am strongly in favor of using poisoned gas against uncivilized tribes”), sets a theme for the book, which Baker will skillfully weave into the fabric of events mainly between 1920 and 1942 — that the bombing of villages and cities from the air represents “the end of civilization.”
Churchill emerges here as a most fascinating figure — impetuous, childish, bloodthirsty, fearless, insomniac, bookish, bullying, determined, to name just some of his characteristics. Baker writes: “He wasn’t an alcoholic, someone said later — no alcoholic could drink that much.” The prime minister of Australia noted of Churchill: “In every conversation he ultimately reaches a point where he positively enjoys the war.” After the bombing of British cities Baker quotes him: “This ordeal by fire has, in a certain sense, even exhilarated the manhood and the womanhood of Britain.”
“One of our great aims,” Churchill wrote in July 1941, “is the delivery on German towns of the largest possible quantity of bombs per night.” Soon afterward, he said publicly: “It is time that the Germans should be made to suffer in their own homeland and cities something of the torments they have let loose upon their neighbors and upon the world.” Baker quotes large numbers of people who seemed to feel in these years that the entire German population, including women and children, were to blame for the Nazis and should be punished accordingly. For example, the writer Gerald Brenan: “Every German woman and child killed is a contribution to the future safety and happiness of Europe.” Or David Garnett (the author of the novel “Aspects of Love,” on which the musical is based), who wrote in 1941: “By butchering the German population indiscriminately it might be possible to goad them into a desperate rising in which every member of the Nazi Party would have his throat cut.”
More here.