Via Lindsay at Majikthise, Chalmers Johnson pans Charlie Wilson’s War:
One of the severe side effects of imperialism in its advanced stages seems to be that it rots the brains of the imperialists. They start believing that they are the bearers of civilization, the bringers of light to “primitives” and “savages” (largely so identified because of their resistance to being “liberated” by us), the carriers of science and modernity to backward peoples, beacons and guides for citizens of the “underdeveloped world.”
Such attitudes are normally accompanied by a racist ideology that proclaims the intrinsic superiority and right to rule of “white” Caucasians. Innumerable European colonialists saw the hand of God in Darwin’s discovery of evolution, so long as it was understood that He had programmed the outcome of evolution in favor of late Victorian Englishmen. (For an excellent short book on this subject, check out Sven Lindquist’s “Exterminate All the Brutes.”)
When imperialist activities produce unmentionable outcomes, such as those well known to anyone paying attention to Afghanistan since about 1990, then ideological thinking kicks in. The horror story is suppressed, or reinterpreted as something benign or ridiculous (a “comedy”), or simply curtailed before the denouement becomes obvious. Thus, for example, Melissa Roddy, a Los Angeles film-maker with inside information from the Charlie Wilson production team, notes that the film’s happy ending came about because Tom Hanks, a co-producer as well as the leading actor, “just can’t deal with this 9/11 thing.”