Elatia Harris
Earlier this year, Affinity Konar, a former 3 Quarks Daily blogger, published her first novel, The Illustrated Version of Things (Fiction Collective Two, April 2009.) One of the very few 3QD columnists to post short fiction, her pieces were received in a way that suggests the form has a future here. Her novel, too, has been greeted with excitement – and read hungrily by me, among others.
In a bookstore, one might find The Illustrated Version of Things shelved under coming-of-age fiction. From time to time while reading it, I spared a thought for some classics of the genre – one in which growing up usually does a young protagonist a bittersweet bit of good. Less usually, a bleak childhood will be seen as a lost paradise by a narrator who has crossed over — if only he’d known. Whatever happens, poignant is the watchword. If to have that note sounded is why you would read about kids, then this is probably not the book for you. Sam Lipsyte has a word for the experience of reading it: “singular.” Ben Marcus, a phrase: “the far limits of sorrow and isolation.” I don’t disagree, but it’s worth adding that it’s also a very funny book.
Affinity and I exchanged emails over 10 days as she and her family prepared to move from Virginia to California, where she grew up. They’re all on the road as I write, headed west.
Elatia Harris: Though the brother and sister in the novel are extreme cases, I got an uncanny sense as I read of how provisional every childhood is. That it's kind of amazing that any of us makes it through — assuming adulthood is the point. A children's advocate I know says that adulthood is not really the point, only the result of childhood.
Affinity Konar: I see it as provisional as well, and have always been tempted to view individuals who surface from horrific childhoods—not only intact, but functional beyond all understanding–as unusually talented people. It’s as if they have an extra muscle in their bodies, or a passport that allows travel between worlds with disparate laws of maturity and justice.
EH: Do those laws bind fictional characters? The brother and sister in your novel?
AK: I’d hoped that the brother character would dilute the notion that their childhood experiences were solely responsible for the narrator’s failures. Her language and perspective were the more pressing issues to me, and I’m still unsettled as to whether or not she’s actually interested in making her life livable.
