Tuesday Poem

Crutches
Nikki Giovanni

it's not the crutches we decry
it's the need to move forward
though we haven't the strength

women aren't allowed to need
so they develop rituals
since we all know working hands idle
the devil
women aren't supposed to be strong
so they develop social smiles
and secret drinking problems
and female lovers whom they never touch
except in dreams

men are supposed to be strong
so they have heart attacks
and develop other women
who don't know their weaknesses
and hide their fears
behind male lovers
whom they religiously touch
each saturday morning on the basketball court
it's considered a sign of health doncha know
that they take such good care
of their bodies

i'm trying to say something about the human condition
maybe i should try again



In a Helpless Baby, the Roots of Our Social Glue

Natalie Angier in The New York Times:

Baby In seeking bipartisan support for his economic policies, President Obama has tried every tip on the standard hospitality crib sheet: beer and football, milk and cookies, Earth, Wind and Fire. Maybe the president needs to borrow a new crib sheet — the kind with a genuine baby wrapped inside. A baby may look helpless. It can’t walk, talk, think symbolically or overhaul the nation’s banking system. Yet as social emulsifiers go, nothing can beat a happily babbling baby. A baby is born knowing how to work the crowd. A toothless smile here, a musical squeal there, and even hard-nosed cynics grow soft in the head and weak in the knees.

In the view of the primatologist Sarah Blaffer Hrdy, the extraordinary social skills of an infant are at the heart of what makes us human. Through its ability to solicit and secure the attentive care not just of its mother but of many others in its sensory purview, a baby promotes many of the behaviors and emotions that we prize in ourselves and that often distinguish us from other animals, including a willingness to share, to cooperate with strangers, to relax one’s guard, uncurl one’s lip and widen one’s pronoun circle beyond the stifling confines of me, myself and mine. As Dr. Hrdy argues in her latest book, “Mothers and Others: The Evolutionary Origins of Mutual Understanding,” which will be published by Harvard University Press in April, human babies are so outrageously dependent on their elders for such a long time that humanity would never have made it without a break from the great ape model of child-rearing. Chimpanzee and gorilla mothers are capable of rearing their offspring pretty much through their own powers, but human mothers are not.

More here.

Monday, March 2, 2009

Music in the Service of Cosmology: Popol Vuh and Giacinto Scelsi

Edward B. Rackley

The best thing about long-distance driving is the sonic qualities of the enclosed acoustic chamber that is the car itself. On a recent pre-dawn drive through the eastern lowlands of North Carolina, two recordings kept me present and transfixed. I knew the pieces well, but the striking commonalities of the two artists had never occurred to me. Their sounds and compositional forms differ dramatically, but both share a belief that music exists to reflect basic cosmological principles—from silence comes word, from tone rhythm, from decay renewal, etc. In different ways, their compositions deliver a direct experience of what each believes to be cosmological truths.

Named after the Mayan genesis myth, Popol Vuh is a German progressive (‘prog’) band best known for its soundtracks to Werner Herzog’s early films. Led by Florian Fricke, Popol Vuh flourished for over three decades, leaving a long and varied discography. Originally a classics scholar, Giacinto Scelsi was an Italian composer often associated with the minimalist movement, despite his music being packed with activity. Scelsi studied Berg and Schoenberg but later abandoned western compositional style in favor of powerful, occasionally violent, monotonal variations.

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‘All that is solid melts into air’

I used to imagine insanity in the person of ‘Mr. Madcap Laughs’, Syd Barrett himself, seated at a piano and staring vacantly out a window, repeatedly striking a single key. Such a moment must have occurred, I thought, as a healthy musical mind lost its bearings to madness. Then I learned about Scelsi, whose biography actually involved a similar episode, with one important variation. In complete breakdown after a divorce, Scelsi reportedly remained slumped at his piano playing a single note over and over again. Fully absorbing each note’s resonance and decay, he later cited the experience as therapy, claiming it triggered his compositional transformation and opened the door to his entire future oeuvre.

Read more »

Asian Food for Thought

By Namit Arora

People09 Growing up in India, I ate meat only a handful of times until I left home for college. My mother, a moderately pious Hindu, had a deep aversion to eating animals and wouldn’t allow meat in her kitchen (I also remember her kindness and sympathy towards the ragged animals that shared our city streets: cows, dogs, horses, goats, cats, donkeys, and even occasional elephants and camels). My father was vegetarian for the most part, except when, on rare occasions, he pretended to enjoy a few morsels of meat. I think he did this despite himself, mostly to project the public image of an adventurous, cosmopolitan man. If no one were looking, I’m sure he would have picked a vegetarian option nine times out of ten.

MeatMarket3I only ate meat when my older sister brought home a chicken or mutton dish from a friend’s place, or cooked it herself on a Sunday morning on a kerosene stove in our courtyard. When she cooked, my task was to procure the meat. I would bike up to the butcher’s shop and await my turn, squeamishly eyeing the goat carcasses hanging on hooks, and gallantly ask the man for ‘the best cuts,’ to which he always replied, ‘only the best for you, son.’ Washing and cleaning the meat, I felt a strange exhilaration—I saw it not as food but as the flesh and bone of a dead animal, hacked to bits just hours ago. Mother allowed my sister to use only the most beaten down utensils from her kitchen and later instructed the maid to scrub them clean thrice as long.

Still, my parents encouraged us to eat meat, holding it to be salutary for growing kids. Their attitude later struck me as similar to Gandhi’s during his early struggle and experimentation with eating animals. Gandhi saw meat as a contributor to the enviable vigor, material progress, and sturdier physiques of people from the West, which conflicted with his own traditional disposition—and of his social class—against eating meat.

Slow-roasted-lamb I was introduced to eating fish and prawns in college. Thereafter, living outside India, I began eating other animals too—cow, pig, turkey, crab, squid, etc. I had non-vegetarian food several times a week and it became a key part of my cooking repertoire—I acquired a bevy of fans for my spicy lamb curry and barbequed chicken. On my travels, I even sampled lobster, shark, snail, venison, guinea pig, and wild boar. But in the ensuing years my meat intake began to decline. I came to relish it less and less. About eight years ago, I gave up eating mammals, and now almost always choose vegetarian. Long live tofu, beans, lentils, and the huge range of Indian vegetarian cuisine.

Read more »

LUI: Living Under the Influence

by Shiban Ganju

We spent approximately $115.9 billion to buy alcohol in the USA in 2003 and spent billons more to treat its ravaging effects on our bodies. We are not alone. All people – Asian, European, American, and African – enjoy and suffer almost equally. No society is exempt; rich spend discretionary income while poor spend sustenance money; liberal societies buy it from the local liquor stores and conservative societies get surreptitious home delivery. And our world has about 140 million LUI – living under the influence.

One of them may be Mark, your high school buddy who staggers towards you and slurs at your class reunion. You notice: Mark has changed more than others; he looks different – the purplish hue of his face, red dots below his visible collar bone, lush thick hair, his tremulous hands with pink palms – he has aged more. You suspect alcohol. How do you verify? Simple: apply the CAGE test. Ask four questions. Are you concerned that you may be drinking too much and want to cut down? Are you annoyed when asked about your alcohol habit? Do you feel guilty about drinking? Do you need an ‘eye opener’ – a drink early in the morning just to get started? If Mark cares to entertain your curiosity and says yes to at least two questions, he has a problem.

Your classmate, like millions of others, was probably genetically predisposed – not by a single gene but a complex interaction of a number of genes acting in cohesion. His nurture was also permissive; his father relaxed with a six-pack of beer after work. And Mark’s enabling peers started drinking in high school. He fell into the trap of early start like many teenagers but unlike them he was unlucky and succumbed to his genes.

Mark started with beer. “ I don’t do hard liquor, just beer.” He had heard his dad announce in a moral tone many times. So beer was OK. And so was its euphoria and adventure. He drank mostly over the weekends and sometime sipped a beer or two during the week. His liver kept up with his pace; it slogged overtime and manufactured more enzymes to detoxify the poison. The metabolism would convert alcohol into acetaldehyde. Excess of acetaldehyde would flush his skin; give him headache, nausea and stomach pain – a hangover. Another enzyme – acetaldehyde dehydrogenase – would now rush to his rescue by neutralizing accumulated acetaldehyde and relieve him of misery.

Mark, propelled by his dad’s genes and convinced by his morality, did not seek any help. It was just beer, after all. But that did not last long.

Read more »

Monday Poem

“It's all just one big lie … basically a giant Ponzi scheme.”
—Bernie Madoff

Life in the Fast Lane
Jim Culleny

A crow atop a phone pole
like a cocked hat –a selfsure bird
eyeing a white line lunch
who understands the nuances of traffic
waits, patient as a tick,
until the last ten-wheeler grinds by
then swoops down quick.
Caaa! he says, its mine and
pecking like a capitalist he struts
and feeds and darts, always
with his eye out for a killing car or bus
wary his whole life feasting on
what another, less fastidious in attention,
has provided him to munch.

A Scientist Goes to an Ashram for a Personal Retreat – Part 2

Part 1 of “A Scientist Goes to an Ashram for a Personal Retreat” can be found here:

(Note: I do not use the real names of people, nor do I identify the specific Ashram. I changed a few details. The purpose is to protect the privacy of the individuals. Readers who are familiar with this Ashram will probably recognize it.)

I Make Contact

My first few days at the Ashram were filled with a good deal of uncertainty. Where do I sit in the dining hall? Will I violate some standard of etiquette among people pursuing a serious religious practice? What if I say hello to someone who is spending time in silence? I know I'm going to get a stern look if I upset someone's spiritual practice. My predilection is to do nothing, say nothing, and hope I do not trip over my own feet with a monastic faux pas.

The first evening I walked up to the building that housed the dining hall to make sure I was there at the start of the dinner period. The building is like a visitor center, with a small shop selling books, CDs, DVDs, gifts, and items of religious significance. It also houses the media center. I looked in through the door to the dining area and into a large common area. It's very much like a multipurpose room in a small high school: auditorium, lecture stage, gym, and dining. There was a decent size commercial kitchen , off to one side. Tables were set up for a buffet service. Tables and chairs were arranged around the auditorium. There was a sound proof control room in a corner opposite the stage, and was part of the media center. I could see an access to a patio for eating outside. This is January, so we stay inside. I walked over to the food and toured around the two buffet tables. I was alone and didn't know if I should begin eating or not. I returned to the hall outside the dining area. There were a few people there but no one seemed to organizing themselves for dinner. I went back into the dining room and saw a lone gentleman filling up a plate. I started doing the same. Then it happened. I made my first breach of monastic etiquette. The gentleman politely told me I had to wait for the gong to be sounded, enter with the others, and wait again for a communal prayer to begin the mealtime. He had to be elsewhere and was taking a plate of food so he could make his other appointment.

OK, that wasn't too embarrassing. After a few more minutes about a dozen or two people gathered. An aproned cook opened the door, and sounded a small hand held gong. We filed in and stood together around the food. Someone started a Sanskrit prayer that was sung by everyone. The feeling they projected was communal, happy, relaxed. and enjoying their prayer as a prelude to eating. I was feeling more comfortable. With the end of the singing, the group recited a prayer, in English, the words being in a large framed poster on the wall. Eventually, I learned to follow and recite the prayer, along with a shout of “Ji!” in response to another incantation. It was like an affirmation, an “Amen” if you will, that ended the prayers and gave everyone permission to “dig in.” I was pleasantly surprised at the variety and presentation of the vegan food. In addition to recognizable salad items like greens, tomatoes, broccoli, cauliflower, and carrots, there were all sorts of middle eastern and Indian dishes. Of course there was lots of tofu cooked this way and that way. It all looked very good and it was great tasting, as well.

Not knowing where to sit, I went to a table further out from the food, facing back toward the food and the other diners, and started to enjoy my dinner. I was recognized for what I was, a brand new visitor who didn't know up from down. A woman monastic, Swami Learananda, came over and invited me to sit with her and several others. I met a couple of monastics and visitors like myself. The visitors tended to be friends of the Ashram who come periodically for the spiritual practice and experience. A few were newbies like myself who were referred by others. Swami Learananda said I looked familiar and that we met here before. I told her she looked familiar, and that I met her more than fifteen years before when visiting Giri and Yukteswar. “Of course,” she said. Learananda was wonderful to talk to and made me feel comfortable, relaxed, and very much at ease. She was raving about the homemade bread and organic homemade jam, so I had to try it. It was wonderful. For a few moments I was considering applying for life long study as a Swami-in-training just for daily access to that homemade bread and jam. Although I enjoyed every bit of the plentiful food, I was afraid I would be very hungry between meals. At home I'm frequently hungry between meals, and tend to nosh a lot. Never, not once, did I feel hungry between meals at the Ashram.

Read more »

The Bitter Taste of Life

Karela-thumb109408 By Aditya Dev Sood

The other evening, Behenji Bua invited us over for dinner, especially to try her new karela dish. It was sublime, setting off taste sensations all round the apperceptive palate. The slightest sweetness, a balanced coping of salt and sour, fullness and complexity, all built around the fundamental bitterness of bitter-gourd, as karela is unfortunately called in English. I’d never liked karela as a child, and adults around me seemed to understand that – it was especially prepared, I recall, for Behenji’s husband, and for other vegetarian connoisseurs in the family, and I don’t think any of us children were even especially encouraged to eat our share of it. It was not a delicacy, but an acquired, perhaps adult taste. Nowadays, I’m sure it is my favorite vegetable, and I’m sure my mindbody and aesthetic sensibility would be poorer for not consuming it at least twice a week.

What is it about bitterness, that allows it to become a part of one’s aesthetic appetite later in life, having been the opposite of pleasure in one’s youth? From when I was a child, I'd always loved raw mango, tamarind, every kind of chat, and even those spicy-salted prunes putatively from Afghanistan. But only recently have I begun to drink Campari-soda by choice, enjoy green vegetables of all kinds, including arugula, kale, colacasia, and seek out those super-hoppy beers that can sting my senses with a burst of pure firstness, as if I were seventeen again, experiencing sushi and wasabi for the first time, learning that warm sake can fumigate the nasal cavity just as wasabi can inflame it. My taste for bitterness is, perhaps, partly founded in the search for novelty, but there is also something else, a transformation of the body's biochemistry in early-middle age, to a new and shifted harmonics of taste.

Over a couple of Christoffels at Bangalore's only Jazz bar a few days ago, I asked my friend Gabriel to help me think about bitterness.

Read more »

Sunday, March 1, 2009

Under the Radar with Unmanned Aerial Vehicles

Owen Edwards in Smithsonian Magazine:

Unmanned-aerial-vehicle-Dragon-Eye-388 At the Smithsonian's National Air and Space Museum (NASM), a display of six unmanned aerial vehicles (UAVs) demonstrates what happens when the little airplanes of my childhood get serious. Take the five-pound, 45-inch wingspan AeroVironment RQ-14A “Dragon Eye.” Launched by hand, or with a bungee cord, the tiny scout plane is controlled by GPS coordinates entered into its guidance system with a standard laptop computer. Once aloft on its mission—to transmit video images of territory lying ahead of a marine infantry or transport unit—the little scout is completely autonomous.

“The video is received in special eyeglasses worn by one of the two marines who operate the plane,” says NASM curator Dik Daso. “Taking the pilot out of the plane [in reconnaissance missions] has been a concern for a long time,” says Daso, a former Air Force reconnaissance pilot. “All sorts of cosmic stuff can be done when the person is out of the vehicle. You can design things that are really stealthy.”

The pilotless Dragon Eye keeps marines from having to move into what may be hostile territory without knowing what's ahead. Two tiny video cameras in the nose cone—one positioned to look down, the other to look to the side—give an accurate view of what's on the ground, precise enough for mortar fire to be directed at perceived threats.

More here.

hornby on recommending

Hornby_385x185_book_494275a

It can happen anywhere: a dinner table, a pub, a bus queue, a classroom, a bookshop. You strike up a conversation with someone you don’t know, and you’re getting on OK, and then suddenly, without warning, you hear the five words that mean the relationship has no future beyond the time it takes to say them: “I think you’ll like it.” This phrase is presumptuous enough when used to refer to, say, a crisp flavour; if, however, you happen to be talking about books or films or music, then it is completely unforgivable, a social solecism on a par with bottom-pinching. You think I’ll like it, do you? Well, it has taken me more than 50 years to get anywhere near an understanding of what I think I might like, and even then I get it wrong half the time, so what chance have you got? Every now and again I meet someone who is able to make shrewd and thoughtful recommendations within the first five years of our acquaintance but for the most part the people that I listen to I’ve known for a couple of decades, a good chunk of which has been spent talking about the things we love and hate.

more from The Times Online here.

unbounded, infinite, eternal, immutable, immortal

David-Lynch-003

Up a steep, strange, snake of a street and sheer, straight steps is a set of concrete buildings clinging onto the side of the Hollywood Hills. In an attempt to penetrate the bunker (I have an appointment, after all) I mistakenly walk into an empty recording studio, where a state-of-the-art mixing table spans several metres and a blank cinema screen covers a wall in front of it. Beyond this, the place is all skylights and high slit windows – a bright but viewless series of rooms with severe angles and unpredictable shifts, blind corners around which are an empty kitchen or an empty meeting room with a single lightbulb drawn in chalk on a blackboard. Once inside, its geography is impossible to decipher. I have come to meet David Lynch, who lives, works and meditates here – the bunker includes offices, an outdoor painting studio and a home.

more from The Guardian here.

Why 88 Arab homes received eviction notices

Ilene R. Prusher in the Christian Science Monitor:

OSILWAN_P1 Israel plans to demolish 88 homes in Silwan, a Palestinian neighborhood in East Jerusalem, to make way for a new archaeological park, adding new fuel the slow-burning dispute over Jerusalem.

A variety of neighborhood activists, Muslim leaders in Jerusalem, and even figures from the Palestinian Authority (PA) held a press conference Wednesday, saying that Israel was trying to minimize the Arab presence in this city claimed by both Palestinians and Jews as their capital. They say such a move amounts to ethnic cleansing.

“They have made a decision to clear out 88 houses, and with about three families living in each of these houses, we're looking at the eviction of about 1,500 people. But people in Silwan are clinging to their land and will not leave, despite the eviction orders,” says Adnan Husseini, who is PA President Mahmoud Abbas's adviser on Jerusalem Affairs.

More here.

Sunday Poem

Some Final Words
Billy Collins

I cannot leave you without saying this:
the past is nothing.,
a nonmemory, a phantom,
a soundproof closet in which Johann Strauss
is composing another waltz no one can hear.

It is a fabrication, best forgotten,
a wellspring of sorrow
that waters a field of bitter vegetation.

Leave it behind.
Take your head out of your hands
and arise from the couch of melancholy
where the window-light falls against your face
and the sun rides across the autumn sky,
steely behind the bare trees,
glorious as the high stains of violins.

But forget Strauss.
And forget his younger brother,
the poor bastard who was killed in a fall
from a podium while conducting a symphony.

Forget the past,
forget the stunned audience on its feet,
the absurdity of their formal clothes
in the face of sudden death,
forget their collective gasp,
the murmur and huddle over the body,
the creaking of the lowered curtain.

Forget Strauss
with that encore look in his eye
and his tiresome industry:
more than five hundred finished compositions!
He even wrote a polka for his mother.
That alone is enough to make me flee the past,
evacuate its temples,
and walk alone under the stars
down these dark paths strewn with acorns,
feeling nothing but the crisp October air,
the swing of my arms
and the rhythm of my stepping—
a man of the present who has forgotten
every composer, every great battle,
just me,
a thin reed blowing in the night.

M.I.A. and the bogey of genocide in Sri Lanka

Muttukrishna Sarvananthan in Sri Lanka's Sunday Leader:

ScreenHunter_01 Mar. 01 14.46 Most of what M.I.A. said about the civil war in Sri Lanka during the course of the aforementioned interview was misinformation at best, blatant lies at worse, either due to ignorance or deceit. “It is ironic that I am the only Tamil, turned out to be the only voice for the Tamil people in the Western media” thundered M.I.A., a claim that smacks of self indulgence and echoes the claim of the LTTE that it is the sole representative of the Tamil people in Sri Lanka. A claim accepted by very few Tamils in Sri Lanka or in the diasporas.

“There is a genocide going on, systematic genocide since 1983, Tamils being 20 percent of the population getting wiped out. 350,000 stuck in the battle zone getting wiped out. There are 4,000 Tamil Tiger soldiers but the Sri Lankan government, a million soldiers big, wants to wipe out the whole Tamil population,” claims the self-appointed spokesperson and saviour of the Tamils in Sri Lanka.

I can forgive M.I.A. for her lack of understanding of the meaning of 'genocide' because she is not educated enough to understand such terms. I can refer her to an elaborate recent interview with Dr. Franklin Lamb by International Lawyers Without Borders. According to a statement issued by the United Nations on February 16, 2009, the LTTE is abusing Tamil civilians in the conflict zone as a human shield and shooting and killing civilians attempting to flee the conflict zone.

The UN also highlighted the fact that children under the age of 14 are forcibly recruited by the LTTE to fight this futile war. Is not the sacrifice of the Tamil children for a lost cause, a genocide of the next generation of the Tamil community?

More here.

A fine pickle

Salman Rushdie in The Guardian:

Slumdog460 Adaptation, the process by which one thing develops into another thing, by which one shape or form changes into a different form, is a commonplace artistic activity. Books are turned into plays and films all the time, plays are turned into movies and also sometimes into musicals, movies are turned into Broadway shows and even, by the ugly method known as “novelisation”, into books as well. We live in a world of such transformations and metamorphoses. Good movies – Lolita, The Pink Panther – are remade as bad movies; bad movies – The Incredible Hulk, Deep Throat – are remade as even worse movies; British TV comedy series are turned into American TV comedy series, so that The Office becomes a different The Office, and Ricky Gervais turns into Steve Carell, just as, long ago, the British working-class racist Alf Garnett in Till Death Us Do Part turned into the American blue-collar bigot Archie Bunker in All In the Family. British reality programmes are adapted to suit American audiences as well; Pop Idol becomes American Idol when it crosses the Atlantic, Strictly Come Dancing becomes Dancing With the Stars – a programme which, it may interest you to know, invited me to appear on it last season, an invitation I declined.

More here.

Could Living in a Mentally Enriching Environment Change Your Genes?

From Scientific American:

Rat Giraffes’ long necks are perfectly suited to harvesting tender leaves beyond the reach of other herbivores. Pondering the genesis of this phenomenon, two giants of modern biology, Jean-Baptiste Lamarck and Charles Darwin, arrived at remarkably different hypotheses. Lamarck believed that constant stretching of the neck somehow stimulated its growth. The giraffe would then pass along this new trait to its offspring. In effect, this newer, longer neck was a direct result of a giraffe’s interaction with its environment. By contrast, Darwin’s theory posited that traits evolve as part of a random, gradual process. The giraffes that happened to have been born with longer necks thanks to a random genetic mutation were better fed and thus healthier than their shorter-necked counterparts, making them more likely to live long enough to breed and pass on this trait. Because this mutation conferred a specific advantage to long-necked giraffes that aided their survival, the trait was preserved in future generations.

Lamarckian theories about the influence of the environment were largely abandoned after scientists discovered that heritable traits are carried on the genes encoded by our DNA. A recent study, however, published by neuroscientists Junko A. Arai, Shaomin Li and colleagues at Tufts University, shows that not only does the environment an animal is reared in have marked effects on its ability to learn and remember, but also that these effects are inherited. The study suggests that we are not the mere sum of our genes: what we do can make a difference.

More here.

Saturday, February 28, 2009

x-phi

David Edmonds and Nigel Warburton in Prospect:

ScreenHunter_02 Feb. 28 23.40 The caricature of a philosopher is of an otherworldly professor sitting in a comfy armchair in an Oxbridge college, speculating on the nature of reality using only his or her intellect and a few books. This has some basis in reality. Chemistry requires test tubes, history needs documents. In recent years, the main tool of the philosopher has been grey matter. The subject’s evolution can be painfully slow, tiptoeing forward from footnote to footnote. But not always. Every so often a new movement overturns the orthodoxies of received opinion. We might just be entering one of those phases.

A dynamic new school of thought is emerging that wants to kick down the walls of recent philosophy and place experimentation back at its centre. It has a name to delight an advertising executive: x-phi. It has blogs and books devoted to it, and boasts an expanding body of researchers in elite universities. It even has an icon: an armchair in flames. If philosophy ever can be, x-phi is trendy. But, increasingly, it is also attracting hostility.

More here.