Vivian Gornick in Boston Reviews:
When I was a girl in the 1950s women, for the most part, got married, gave birth, and stayed home; if necessary, they went to work as schoolteachers or secretaries or salesgirls. They did not enter the professions, start a business, serve in government, or become university professors; nor did they climb a telephone pole, go down in the mines, or compete in a marathon. Today a girl is born with the knowledge that not only can she do any or all of the above, it is even assumed that she will pursue a working life as well as a domestic one. The change in social expectations for women, nothing short of monumental, is due to the Second Wave of American feminism (otherwise known as the Women’s Liberation Movement), a political and social development characterized by the twin efforts of liberals who worked throughout the 1960s, ’70s, and ’80s to achieve equality for women under the law and radicals who worked to eradicate deep-dyed, historic sexism through a change in cultural consciousness. Among the leading figures in this second group was Shulamith Firestone, of whom it was said, “I think of her as a shooting star. She flashed brightly across the midnight sky, and then she disappeared.” That’s exactly how I remember her.
Although I, too, was a Second Wave feminist, I functioned in the Movement more as a writer than a group-oriented activist. In fact, I first met Shulamith when I interviewed her for my first feminist piece for the Village Voice. I can still see her that day in 1969, sitting in the kitchen of her fourth-floor Lower East Side walk-up—small, fierce, large dark eyes peering out at me from the middle of that extraordinary mane of waist-length black hair—answering my every question with the rapid-fire rhetorical skill that marked her every utterance. It was no surprise to me when, the following year, her first book, The Dialectic of Sex: The Case for Feminist Revolution was published and I, along with the rest of the world, felt the full force of her Talmudic brilliance.
More here.
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