To the End of the Land

From The Guardian:

For some time now, David Grossman has been describing his writing as a means of survival, as a way of no longer feeling a victim in the “disaster zone” of the seemingly eternal conflict that is Israel-Palestine. At moments he has talked of the risk of dispassion, of being paralysed with fear and despair. With the publication of this extraordinary, impassioned novel, such purpose or hope acquires a new meaning and intensity. It now seems that the life to be saved by writing, even though the struggle may be doomed, could only be – perhaps always has been – the life of a child.

To the End of the Land tells the story of Ora, who leaves her home in Jerusalem to walk across Israel to Galilee, in order to avoid the “notifiers” who might arrive at any moment to inform her of the death of her son. It is the trip they had planned together to celebrate his discharge from military service. Instead, he volunteers to rejoin the army in a high-intensity offensive – “a kick-ass operation” – against the Palestinians at the start of the second intifada. Ofer has been lost to his mother “forever from the moment he was nationalised”. Her husband, Ilan, has left her, taking her other son, Adam, with him to South America, after she failed to support Ofer when he was investigated over an incident in Hebron which left a Palestinian trapped in a meat-locker for two days. Ora is, among many other things, her son's failed conscience, a voice of caution for him and for her country which neither wishes to hear. Her love for him is limitless, but when he justifies the recourse to violence against the Palestinians, her sole focus is on saving “her child from the barbarian standing opposite her”.

More here.