Elisa Gabbert in the Georgia Review:
I think of an essay as a realm for both the writer and the reader. When I’m working on an essay, I’m entering a loosely defined space. If we borrow Alexander’s terms again, the essay in progress is “the site”: “It is essential to work on the site,” he writes, in A Pattern Language: Towns, Buildings, Construction; “Work on the site, stay on the site, let the site tell you its secrets.” Just by beginning to think about an essay as such—by forming the intention to write on an idea or theme—I’m opening a portal, I’m creating a site, a realm. It’s a place where all my best thinking can go for a period of time, a place where the thoughts can be collected and arranged for more density of meaning. This place necessarily has structure, if it feels like a place. There’s a classic architecture book called Why Buildings Stand Up. We call any building, or part of a building, or thing like a building, a structure, if it succeeds in standing up. The structure is the system of elements in the building that make things go up—the load-bearing elements, walls and beams and columns, that counteract gravity. They counteract quote-unquote nothing, so empty space becomes a place.
More here.
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