Ed Simon in The Millions:
More shadows than men, really; just silhouettes, might as well be smudges on the lens. Hard to notice at first, the two undifferentiated figures in the lower left-hand of the picture, at the corner of the Boulevard du Temple. A bootblack squats down and shines the shoes of a man contrapasso above him; impossible to tell what they’re wearing or what they look like. Obviously no way to ascertain their names or professions. At first they’re hard to recognize as people, these whispers of a figure joined together, eternally preserved by silver-plated copper and mercury vapor; they’re insignificant next to the buildings, elegant Beaux-Arts shops and theaters, wrought iron railings along the streets and chimneys on their mansard roofs. Based on an analysis of the light, Louis Daguerre set up his camera around eight in the morning; leaves are still on trees, so it’s not winter, but otherwise it’s hard to tell what season it is that Paris day in 1838. Whatever their names, it was by accident that they became the first two humans to be photographed.
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