Tuesday, May 24, 2016

Monday, May 23, 2016

Johnny B.A.N.G. Reilly, Being Free

by Olivia Zhu

When I first get to meet Johnny B.A.N.G. Reilly, he looks tired. Really tired, leaning back away from his computer screen with most of his head cocooned tight in a sweatshirt hood. The light is wan, his hood is grey, and his famous voice is at first raspy and subdued. As quiet as he is, though, Reilly speaks in punctuated, verse-like phrases. His responses to my questions seem to arrive as fully formed from his head as do the spoken word, “visual” poems he has become known for.

Chief among these is “Dear Brother,” a spec ad for Johnnie Walker created by two students, Daniel Titz and Dorian Lebherz. Since the video was uploaded half a year ago, it has amassed over four million views and plenty of praise—including some for the haunting poem and voiceover by Reilly.

“Dear Brother” was, in fact, how I learned about Reilly in the first place. He somehow has the ability to sound joyous and heartbroken in the same breath, with words timed so they roll out perfectly at the last possible second to still sound melodic. That perfect rhythm might be attributed to his time as a street dancer, or as a mixed martial artist. Yet “my rhythm comes from what’s actually beating in my chest,” says Reilly. After suffering a heart attack due to a former drug habit, he experienced irregular heartbeats that sped up and slowed down, informing the cadence of his poems. He rushes and pauses and sometimes drops single syllables, leaving them to float amidst longer phrases.

The timing, the gravel-in-the-sun voice—they make Reilly’s work distinct. However, the YouTube video makes it clear the filmmakers who created “Dear Brother” credit themselves, along with Reilly, for the creation of the poem. In the comments, they note that “It was written by voice actor John “Bang” Reilly in collaboration with us.” Reilly disagrees.

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Sunday, May 22, 2016

Saturday, May 21, 2016

Friday, May 20, 2016

Thursday, May 19, 2016

Homo Sapiens 2.0? We need a species-wide conversation about the future of human genetic enhancement

Jamie Metzl in KurzweilAI:

After 4 billion years of evolution by one set of rules, our species is about to begin evolving by another. Overlapping and mutually reinforcing revolutions in genetics, information technology, artificial intelligence, big data analytics, and other fields are providing the tools that will make it possible to genetically alter our future offspring should we choose to do so. For some very good reasons, we will. Nearly everybody wants to have cancers cured and terrible diseases eliminated. Most of us want to live longer, healthier and more robust lives. Genetic technologies will make that possible. But the very tools we will use to achieve these goals will also open the door to the selection for and ultimately manipulation of non-disease-related genetic traits — and with them a new set of evolutionary possibilities. As the genetic revolution plays out, it will raise fundamental questions about what it means to be human, unleash deep divisions within and between groups, and could even lead to destabilizing international conflict.

And the revolution has already begun. Today’s genetic moment is not the stuff of science fiction. It’s not Jules Verne’s fanciful 1865 prediction of a moon landing a century before it occurred. It’s more equivalent to President Kennedy’s 1962 announcement that America would send men to the moon within a decade. All of the science was in place when Kennedy gave his Houston speech. The realization was inevitable; only the timing was at issue. Neil Armstrong climbed down the Apollo 11 ladder seven years later. We have all the tools we need to alter the genetic makeup of our species. The science is here. The realization is inevitable. Timing is the only variable.

More here.

Wednesday, May 18, 2016

Sunday, May 15, 2016

Saturday, May 14, 2016

Friday, May 13, 2016

Thursday, May 12, 2016

Wednesday, May 11, 2016

Sunday, May 8, 2016