David Sloan Wilson and Dennis J. Snower in Evonomics:
DSW: Greetings, Dennis! I look forward to discussing the backstory of our article. Let’s begin with how we met, which says a lot about the need for paradigmatic change. It was a workshop organized by a major foundation to explore how to go beyond neoclassical economics. The participants were drawn from a number of academic disciplines such as law, political science, and sociology in addition to economics. Each discipline had its own table, so the layout of the room reflected the siloed nature of the disciplines. I was the only person with evolutionary training, so I was assigned to the sociology table. That’s ironic, because sociology is even further behind economics in embracing evolutionary science.
I learned a lot from the workshop, including how much the neoclassical paradigm has influenced law in addition to economics. But by the end I became depressed, as table after table reported that this kind of transdisciplinary endeavor would not be career-enhancing within their respective disciplines. It was clear that the siloed nature of the human-related academic disciplines was not going to break down anytime soon, no matter how much money was thrown at it.
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In 2019, a senior colleague warned me that my research focus was a niche area of a frivolous topic: conspiracy theories related to vaccine hesitancy among parents in Ireland.
One hundred percent democracy sounds like a grade someone has achieved in a course—and we would like to believe that our American system can be remade to live up to its promise and become worthy of such acclaim.
Parrots are famous for their remarkable cognitive abilities and exceptionally long lifespans. Now, a study led by Max Planck researchers has shown that one of these traits has likely been caused by the other. By examining 217 parrot species, the researchers revealed that species such as the scarlet macaw and sulfur-crested cockatoo have extremely long average lifespans, of up to 30 years, which are usually seen only in large birds. Further, they demonstrated a possible cause for these long lifespans: large relative brain size. The study is the first to show a link between brain size and lifespan in parrots, suggesting that increased cognitive ability may have helped parrots to navigate threats in their environment and to enjoy longer lives.
Forgiveness is often viewed as the “happily ever after” ending in a story of wrongdoing or injustice. Someone enacts harm, the typical arc goes, but eventually sees the error of their ways and offers a heartfelt apology. “Can you ever forgive me?” Then you, the hurt person, are faced with a choice: Show them mercy — granting yourself peace in the process — or hold a grudge forever. The choice is yours, and it’s one many of us assume starts with remorse and a plea for grace.
Although Autumntide may seem ornately literary today, when it was first published, some historians criticized its racy readability. Otto Oppermann, a German-Dutch medievalist who taught at Utrecht, referred to the book as “Huizinga’s crime novel,” implying that it was all too vivid an experience.
This sort of loss, with its confluence of profligacy and jackassery, is a common feature of architectural history. Any speculator who demolishes Geller I to build a tennis court is assuredly some sort of villain, but the villainy is also of a system within which such actions can seem rational and normal. Even after the housing bubble and Great Recession, sometimes fantastical speculation in the material value of private houses and their half-acres of land remains the seeming consolation for the compounding economic injustices of our new Gilded Age—especially for the middle classes, for whom their dwelling place is their main financial asset. I’m reminded of Walt Whitman’s father—also a Long Island house-flipper and land speculator—remembered in There was a Child Went Forth as a master of “the blow . . . the tight bargain, the crafty lure.” The transactionality of those encounters colonized the consciousness of the poet inseparably from “the streets themselves, and the façades of the houses. . . . the goods in the windows.”
The month is May 1916. In southern Galicia, now Ukraine, on the Eastern Front of World War I, a twenty-seven-year-old Austrian volunteers for duty in an observation post exposed to enemy gunfire. He keeps a notebook of his hopes and fears, written in a simple cipher from his childhood—the letter “z” stands for “a,” “y” for “b,” and so on—with philosophical remarks, uncoded, on the facing pages. The latter concern the nature of logic and are peppered with logical symbols. From April 15: “Every simple proposition can be brought into the form ɸx.”
In wealthier countries, rodenticides like bromadiolone that prevent blood from clotting are used to combat plagues of rats and mice. But they also poison non-target species, soil, water and sometimes the farmers who apply them, and can be prohibitively expensive.
We are international 
Birth professionals from around the country gathered in Montgomery, Ala., to heal, to learn and to honor the lives and sacrifices of three women: Anarcha, Lucy, and Betsey, the Mothers of Gynecology. These towering mothers built of scrap metal were the cornerstone of a two-day conference in late February centered on Black maternal health inside Old Ship A.M.E Zion Church.
When scientists first came across p53 in 1979, it was an intriguing but not Earth-shattering discovery. Six groups independently discovered a cellular protein with a molecular weight of roughly 53 kilodaltons — hence the name. It seemed that p53 was interacting with a tumour-inducing virus called simian virus 40, and researchers soon showed that healthy cells forced to express this newly cloned gene encoding p53 quickly became cancerous
Across three albums between 2014 and 2019, Harding, who lived for a time in Cardiff, but is now based in a small town back in New Zealand, has released a collection of songs that could most easily be considered contemporary folk. She sings and plays guitar, there are drums and keys, the arrangements are typically sparse, and the songs are melody-focused. More interesting is her vocal elasticity – the way her tone shifts on the 2017 track “