Adam Fleming Petty in The Bulwark:
A colophon is the design or symbol publishers place on the spines of their books. Glance at your bookshelves, at the bottom edge of each volume, and you might see the Knopf borzoi, the three fish of FSG, the interlocking geometric shapes of Graywolf. They are designed to be clean and distinctive but unobtrusive. The colophon is not what sells the book, after all. The author does. One doesn’t buy A Dance with Dragons because it’s published by Bantam. One buys it because it’s written by George R.R. Martin.
Yet Dan Sinykin, a scholar and critic, has made the colophon and the commercial realities it represents his primary field of inquiry. His new book, Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature, tracks the progress of U.S. fiction from the postwar era to the present from the perspective of the colophon. Harcourt, Brace; Pantheon; New American Library: these and countless other publishers provide the institutional setting of Sinykin’s account.
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The social cost of greenhouse gas (GHG) emissions, considered the single most important measure in addressing the climate crisis, is generally defined as an estimate of societal damages, including health harms, resulting from unpaid or externalized GHG emissions. Researchers have been calculating this cost
Hutchison wore the trash company’s jumpsuit, cap and reflective vest, and he sported a few days of beard stubble. He was collecting trash hoping to find something valuable: the DNA of a person who might prove to be a suspect in the sexual assault and murder of an 18-year-old security guard in Sunnyvale in 1969.
Watching lawyers for
On March 31, 1968, days before he would be assassinated, the Rev. Martin Luther King Jr.
The Mexican writer Álvaro Enrigue’s new novel has a soft, nebulous title: “You Dreamed of Empires.” Its cover is forgettable, too. Like nearly every book on the New Fiction table, it is all wavy patterns and beach-towel colors. This generic look has come to promise a) bright settings and b) young characters out to conquer racial and sexual threats as they perceive them. This would be excellent were it not for, as often as not, c) writing in which one is instructed how to feel at almost every moment.
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The Aug. 13, 2021 edition of The New York Times failed to mention the 500th anniversary of the fall of Tenochtitlan, the erstwhile Aztec capital out of which Mexico City was born. Álvaro Enrigue noticed. Of course.
Ryan Crownholm, a middle-aged Army veteran with luminous green eyes and a strong jawline, likes to describe himself as a health hacker. He has written on LinkedIn that, after founding and running several construction-related companies, he started to think of his own body as a data source. During the pandemic, he attached a continuous glucose monitor to his skin, bought an
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