In the NY Sun, Hua Hsu on my favorite 20th century novel in the vernacular, sort of:

Few novels open with warnings, and courageous is the writer who opens with a warning about how the 300 pages to follow never cohere into a novel, but mingle instead at the rank of a “gesture.” (This cautionary note did not appear in the original edition, but it accompanied editions from the 1970s on.) It is a perfect way to enter Desani’s profoundly self-aware world, one in which the language indeed gestures at its own playful impurity, its own lack of regard for etiquette. The sentences aren’t instruments of the plot. Their odd juxtapositions and careful rhythms index a different story, coalescing off the page, of a brilliant writer embracing the once-pejorative identity of the mongrel-linguist with style, pride, and wit: “I write rigmarole English, staining your goodly godly tongue, maybe: but, friend, I forsook my Form, School and Head, while you stuck to yours, learning reading, ‘riting and ‘rithmetic.” It’s the language of someone who has mastered the rules, just for fun. But submit to them? As a footnote midway through the book blurts: “Don’t be ridick!”

Throughout his quest, Hatterr makes frequent reference to the fine tradition of British literature. But his self-deprecating kowtowing obscures his sly disrespect for traditions and protocol. Early on, Hatterr tries to size himself up against one of the language’s greatest talents. “To hell with kittens, I am not literary, I admit you that. But I tell you, man, I have seen more Life than that feller Shakespeare! Things happen to me with accents on ’em! If I were to tell all, right from the au commencement to the la terminaison of my life-story, I should like to see some honest critic pronounce me an inferior to Shakespeare!” Given the situations Hatterr will soon find himself in, it’s not an unreasonable boast. And yet Hatterr’s lecture swells and swells until it reaches its simple and true punch line: “If you want to remain sane, man, keep off the libido!”

Life within the monastery flows smoothly. The same cannot be said for what happened “outside” the walls of Visoki. The point is that the area of Decani, stronghold of the ex-commander of the UCK (The Kosovan Liberation Army) Ramush Haradinaj, now under trial in Aja for war crimes, has been the stage for a certosina work of counter-ethnic cleansing, which forced the Serbs, ground down, threatened and downtrodden, to emigrate after the bloody two-year period of ’98-’99. Visoki is like a dot in the ocean, it is a small Serbian bastion sinking right in the middle of ethnically pure and monolithic territories. This entails particular attention on the part of the Italian military of the KFOR, the NATO contingent. Our soldiers, stationed in the “Italian Village”, at the gates of Pec, guard the entrance to the monastery, minute by minute.

Already on several occasions Albanian nationalists have thrown mortar fire on the surrounding wall of Visoki. Problems of ethnic intolerance, of contraband (the monastery “obstructs” the way to the mountain passes which lead into Montenegro and Albania) and of extra-territoriality. This last concept represents one of the cardinals of the relationship established a few months ago by Martii Ahtisaari, ex UN special envoy for Kosovo, in charge of negotiating the future socio-political organisation of the province, formally still Serbia, according to the meaning of resolution 1244 of the UN Security Council. Ahtisaari has provided extra-territorial status for Serbian churches and monasteries, similar to those given to embassies. An instrument capable of protecting the artistic and cultural patrimony of Kosovo from Albanian rage and of guaranteeing that Serb popes can continue to spread their word, even in a foreign land (the Ahtisaari plan supports the independence of Kosovo).

more from Reset’s Kosovo debate here.

HERE are two opening lines:

“Give me my scallop-shell of quiet,”

“Lord, the Roman hycinths are blooming in bowls and”

The first is from Walter Raleigh’s ‘The Passionate Man’s Pilgrimage’, the second from T.S. Eliot’s ‘A Song for Simeon’. I quote them here solely because they both send a shiver down my spine. I could try to explain why – that haunting sc-sh-qw sound in the Raleigh, or the odd, unexpected stillness of the Eliot line caused, I think, by ‘in bowls’ and that hanging ‘and’ – but, in truth, my shiver comes from wells deeper than those plumbed by practical criticism. It comes from being and speaking English.

It is unfashionable to speak of national characteristics. Queasy types think it is akin to racism. But the truth is that nations are definably different. Most importantly, they differ in what they do best. No nation has produced better essayists than France, none has produced better composers that the Germans, better painters than the Italians, nor better novelists than the Russians. America invented jazz and still masters the form and, though some may dissent, her record in film is unsurpassed. And the English? The English do poetry.

more from The Liberal here.

To solicit from a medievalist a review of Robert Zemeckis’s Beowulf is to pick a quarrel unlikely to be evaded. The eminent Cambridge classicist Richard Bentley famously put down Alexander Pope’s translation of Greek epic with a single sentence: “It is a pretty poem, Mr. Pope, but you must not call it Homer.” “Pretty” is not the first adjective I would choose to describe Zemeckis’s Beowulf. Fantastic, amazing, preposterous, corny from springing leaf to ripening ear, technically brilliant perhaps, enjoyable after a fashion–but “pretty,” no. This Beowulf is all about the animated monsters. Grendel appears to be a very large version of Freddy Krueger made of Kevlar papier-maché. (His submerged “identity” as Crispin Glover is too faint to deserve mention.) He roars, rips, eats people head-first, then drools in probably symbolic fashion over the supine body of Robin Wright Penn. I mean, like, gross. The huge final flying dragon, wing-flapper, maiden-threatener, buttress-buster, more flame-thrower than fire-breather, is one mean worm. Years from now the film may well claim at least an honorable mention in cinematic history for its increment in the effects of animation through “motion capture.” So far as more ordinary history goes, it has a lot to answer for.

more from TNR here.

When I first moved to Moscow in the early 1990s, my friend Dasha gave me a gift-wrapped video. “Watch this,” she said. “It was made years ago but it will help you understand our country.” I assumed it was a melancholy epic by Andrei Tarkovsky, with lingering shots through rain-splattered windows, or perhaps a revolutionary classic such as Battleship Potemkin.

When I unwrapped the paper and looked at the cover, I found a man in a grubby white uniform surrounded by sand dunes. “White Sun of the Desert,” said Dasha. “It’s a Soviet-style cowboy film. The best one ever made.”

more from The New Statesman here.

Thomas Pavel once gave a splendid paper on the changes in the presentation of human nature during the history of the novel. In the beginning, he said, characters had immortal souls, and their actions took place in a battle between good and evil for the salvation or damnation of these souls. In later sentimental novels, souls had been replaced by hearts; what mattered was romantic love, and the recognition of other selves. Later still, he said, the heart had been replaced by the psyche – a system of unconscious drives, revealed in dreams, not clear to the characters, though controlled by the author, who like the analyst, understood the forms of energy and action. Iris Murdoch felt that humans – including those of her characters who were philosophers and psychoanalysts – had not understood the shift in the moral world that had come about with the absconding of God, the vanishing of external, metaphysical moral authority. Her analysts tend to be daemonic, manipulating what she described as a “system” and a “mechanism” of sadomasochism.

more from the TLS here.

From Scientific American:

Hint: Don’t tell your kids that they are. More than three decades of research shows that a focus on effort—not on intelligence or ability—is key to success in school and in life

Growing Pains

• Many people assume that superior intelligence or ability is a key to success. But more than three decades of research shows that an overemphasis on intellect or talent—and the implication that such traits are innate and fixed—leaves people vulnerable to failure, fearful of challenges and unmotivated to learn.
• Teaching people to have a “growth mind-set,” which encourages a focus on effort rather than on intelligence or talent, produces high achievers in school and in life.
• Parents and teachers can engender a growth mind-set in children by praising them for their effort or persistence (rather than for their intelligence), by telling success stories that emphasize hard work and love of learning, and by teaching them about the brain as a learning machine.

More here.

From Nature:

Drugs that mimics the health-protection effects of a chemical compound in red wine could form the basis of the next generation of treatment for diabetes.

An extract of red wine, resveratrol, is known to temper the damage done by fatty diets, helping to extend healthy life and battle fat-related disease. But tests in mice have suggested that gallons of vino or a super-sized pill would be necessary for humans to stand a chance of getting the same benefits. Now scientists have discovered several chemicals that mimic resveratrol but have positive effects at more modest doses. The drugs have already been shown to do as well as another type 2 diabetes treatment in rodent tests of the disease, and will soon be tested in people. The drugs could be an alternative to diabetes treatments such as Avandia (rosiglitazone) that lower blood sugar but have caused heart problems for some.

More here.

In the Guardian:

Blake grew up in a lower-middle-class Christian milieu. But the culture from which Blake sprang was one of the most precious Britain has produced, in which Jacobin artisans and Republican booksellers rubbed shoulders with Dissenting preachers and occult philosophers; the country was effectively a police state, ridden with spies and hunger rioters. Brown’s Britain is not yet a police state, but its technologies of spying and surveillance surpass the wildest dreams of the autocrats of Blake’s day. Blake himself was tried for sedition and acquitted, having allegedly cried in public: “Damn the king and his country!” Today whole sectors of the labour movement bow the knee to monarchy, or at least tolerate it as a minor irritant. The history of labour from Blake to Brown is, among other things, how dissent became domesticated.

Blake’s politics were not just a matter of wishful thinking, as so many radical schemes are today. Across the Atlantic one great anti-colonial revolution had held out the promise of liberty, and to the poet’s delight another had broken out in the streets of Paris. Together they promised to bring an end to the rule of state and church – “the Beast and the Whore”, as Blake knew them. Most of our own writers, however, seem to know little of politics beyond the value of individual liberties.

Today is the 250th birthday of William Blake, one the greatest poets in the English language. So on this occassion, “Hear The Voice”:

HEAR the voice of the Bard,

Who present, past, and future, sees;

Whose ears have heard

The Holy Word

That walk’d among the ancient trees;

Calling the lapsèd soul,

And weeping in the evening dew;

That might control

The starry pole,

And fallen, fallen light renew!

‘O Earth, O Earth, return!

Arise from out the dewy grass!

Night is worn,

And the morn

Rises from the slumbrous mass.

‘Turn away no more;

Why wilt thou turn away?

The starry floor,

The watery shore,

Is given thee till the break of day.’

[H/t: Maeve Adams]

Chris Ross over at Bookslut:

Yevgeny Yevtushenko was playing cards with his wife and mother when the phone rang. The year was 1961 and Yevtushenko had just published the controversial poem “Babi Yar,” which recounted the massacre of Kiev’s Jewish population, a topic conspicuously unacknowledged by Soviet officials. Believing Yevtushenko’s life to be in danger, members of the University of Moscow basketball team appointed themselves his personal bodyguards and slept on his stairs at night.

The poet’s wife returned from answering the phone, annoyed. Someone had just called introducing himself as the famous Russian composer, Dmitri Shostakovich. Then the phone ran again. Yevtushenko answered and a man with a soft voice introduced himself as Shostakovich and addressed the poet by his familiar patronymic. “Yevgeny Alexander,” said Shostakovich, “I’m sorry to interrupt, I know you must be very busy. I love your poem ‘Babi Yar,’ very much. I was wondering if you would permit me to compose some music inspired by the poem.” Nearly speechless, the young Yevtushenko replied that he would be honored. “Good,” said Shostakovich. “The piece is already written.” It was the legendary Symphony 13, and the poem catapulted Yevtushenko into worldwide literary celebrity. After touring throughout Russia and the United States, Yevtushenko was featured on the cover of Time in 1962 as the face of Soviet Russia’s newfound freedom of expression.

But today, Yevtushenko seems to regard the maturing of his legacy with a wary eye. Since the 1980s, critics have raised serious doubts about Yevtushenko’s dissident reputation. When he was elected as an honorary member of the American Academy of Arts and Sciences, fellow poet Joseph Brodsky resigned in protest, calling Yevtushenko a party yes-man and insisting, “He throws stones only in directions that are officially sanctioned and approved.” Others have unfavorably compared his poetry, declamatory and at times childishly earnest, to the formal innovations of his contemporaries. But at 74, Yevtushenko has not abandoned his sincerity, nor does he appear prepared to check out quite yet. The title of his forthcoming collection of memoirs, Schestu Decatnik (Sixties Parachute Man) is a neologism likening Yevtushenko’s confrontation with the present to that of a Green Beret soldier parachuting into enemy territory — the surreal landscape of the 21st century.

New Perspectives Quarterly interviews former National Security Adviser Anthony Lake:

NPQ | Some say China today is the new colonialist and neo-imperialist—extracting African resources directly or unequally trading manufactured goods for resources. Others say, or at least hope, that China is a “co-partner” in development without colonial history, helping to build infrastructure and create jobs in Africa.

On balance, which of these pictures is more accurate in your view?

Anthony Lake | I would rather call it a classic mercantilist policy. China is using infrastructural/developmental projects as a means of buying influence in the pursuit of its commercial interests and particularly in the pursuit of its interests in acquiring energy resources. We have begun to see the beginning of a backlash in Africa against China’s presence, but, in general, it’s working.

Also, China offers political support to reprehensible regimes, and engages in business practices that are often unethical and, I suspect, would be illegal for American companies.

In my view, China is driven less by geo-political ambitions in Africa than by the growing need to protect its commercial interests and need for the continent’s energy resources. Examples of China’s growing economic interests in Africa include: China’s oil imports from Africa account today for 30 percent of its total external oil dependence; in 2006, Angola surpassed Saudi Arabia to become China’s leading external supplier of oil; and as of mid-2006 the total amount of the Chinese Export-Import bank loans to Africa is valued at over $12.5 billion in infrastructural development alone.

At PBS Frontline:

Genocide trials have begun in Cambodia for the surviving leaders and officials of the Khmer Rouge’s reign of terror in the 1970s. The “killing fields” of that era are what Cambodia is most known for internationally. But for years, the country has quietly held another frightening distinction: The nation with the highest AIDS rate in Asia.

AIDS was first identified in Cambodia in 1993. The virus spread quickly, with Cambodia’s sex industry fueling the epidemic. To make matters worse, the nation’s health care system, still reeling from the Khmer Rouge, struggled to respond. By some accounts, the regime left fewer than a dozen doctors in the entire country, which had an estimated population of 6.3 million. By 1997, Cambodia’s HIV/AIDS infection rates had reached 3 percent of the population. Today, UNAIDS, the joint United Nations program to combat the AIDS epidemic, places that number at 1.6 percent. I went to Cambodia to explore the factors leading to the decline.

By the late 1990s, the Cambodian government had begun to tackle the crisis head on, freely enlisting aid from international non-governmental organizations (NGOs) and turning to a surprising local source — Cambodia’s community of Buddhist monks.

[H/t: Lisa Guidetti]

Villarreal predicts that, without an effective AIDS vaccine, nearly the entire population of Africa will eventually perish. “We can also expect at least a few humans to survive,’’ he wrote. They would be people who have been infected with H.I.V. yet, for some reason, do not get sick. “These survivors would thus be left to repopulate the continent. However, the resulting human population would be distinct” from those whom H.I.V. makes sick. These people would have acquired some combination of genes that confers resistance to H.I.V. There are already examples of specific mutations that seem to protect people against the virus. (For H.I.V. to infect immune cells, for example, it must normally dock with a receptor that sits on the surface of those cells. There are people, though, whose genes instruct them to build defective receptors. Those with two copies of that defect, one from each parent, are resistant to H.I.V. infection no matter how often they are exposed to the virus.) The process might take tens, or even hundreds, of thousands of years, but Darwinian selection would ultimately favor such mutations, and provide the opportunity for the evolution of a fitter human population. “If this were to be the outcome,’’ Villarreal wrote, “we would see a new species of human, marked by its newly acquired endogenous viruses.” The difference between us and this new species would be much like the difference that we know exists between humans and chimpanzees.

For Villarreal, and a growing number of like-minded scientists, the conclusion is clear. “Viruses may well be the unseen creator that most likely did contribute to making us human.”

more from The New Yorker here.

Urs Fischer has reduced Gavin Brown’s Enterprise to a hole in the ground, and it is one of the most splendid things to have happened in a New York gallery in a while. Experientially rich, buzzing with energy and entropy, crammed with chaos and contradiction, and topped off with the saga of subversion that is central both to the history of the empty-gallery-as-a-work-of-art but also to the Gavin Brown experience itself, this work is brimming with meaning and mojo. It was also a Herculean project.

A 38-foot-by-30-foot crater, eight feet deep, extends almost to the walls of the gallery, surrounded by a fourteen-inch ledge of concrete floor. A sign at the door cautions, THE INSTALLATION IS PHYSICALLY DANGEROUS AND INHERENTLY INVOLVES THE RISK OF SERIOUS INJURY OR DEATH; intrepid viewers can, all the same, inch their way around the hole.

more from New York Magazine here.

There is a watercolour so magical in The Age of Enchantment that you really cannot see how it is done. By the great Edmund Dulac, it is a vision of Circe on a balcony overlooking a moonlit sea upon which Odysseus approaches in his boat. Circe’s pet leopards have already fallen glassy-eyed under the spell that will soon overwhelm the sailors and all is dangerously becalmed. Nothing moves except for the powdery smoke rising from an incense burner. This burner gleams gold, and yet no gold is used in the picture. The silver stars are not made with paint, so one guesses they must be invisibly tiny pinpricks of bare paper. Though everything has its own colour, from the leopards’ yellow to the lilac of Circe’s gown, the entire painting is somehow a deep misty blue and the smoke seems to flow right out of the image. How these effects were produced is a mystery to the eye; if the scene is enchanted, then so is the picture.

more from The Guardian here.

From Scientific American:

A team of researchers, led by Sangeeta Bhatia, an associate professor at HST and in M.I.T.’s department of electrical engineering and computer science, report in Advanced Materials that they have developed and tested injectable multifunctional nanoparticles—particles billionths of a meter in size—that they expect to become a new, potent weapon against cancer. (To provide some perspective, the width of a human hair is about 80,000 nanometers, or 0.003 inches.)

Nanoparticles could help treat cancer in a number of ways. They could be introduced into the bloodstream to locate and map tumors so that physicians would know what they were up against. Nanoparticles could also be designed to carry a payload of drugs that could be released near or even inside tumors to shrink or eliminate them. HST researchers have experimented with polymer-coated iron oxide nanoparticles held together by DNA tethers to help them create a visual image of a tumor through magnetic resonance imaging. To test the particles, the researchers implanted mice with a tumorlike gel saturated with nanoparticles and placed those mice into the wells of cup-shaped electrical coils, which activated the nanoparticles via magnetic pulses. Exposing the nanoparticles to a low-frequency electromagnetic field causes them to radiate heat that, in turn, erases the tethers and releases the drugs.

More here.

From Discover:

Natural selection, we’re told, is the process by which nature promotes our best qualities. But a look around strains that notion. If nature selects health, beauty, and intelligence, why are most of us far from flawless?

It may be because genes involved in reproduction work against themselves in opposite sexes across generations, says biologist Katharina Foerster at the University of Edinburgh. In her study of eight generations of red deer in Scotland, she noticed a curious pattern: The most prolific male deer sired daughters that tended to have fewer offspring, while the worst male breeders (the deer equivalent of ugly) fathered females that had more offspring. This is evidence, Foerster says, of sexually antagonistic genes. The same gene that makes a buck sexually successful can leave his daughter behind.

More here.

William Easterly reviews the book in The Lancet.

Collier does mention that causality between actions and outcomes usually fl ows in both directions, but never explains how he then establishes the causal eff ect of actions on outcomes that form the basis for his remarkably confi dent statements.

There are also lots of other tricky problems, like controlling for other factors that might be triggering both foreign actions and local outcomes—say, good or bad weather, or collapsing or soaring commodity prices. The apparent eff ect of an aid action may just be a stand-in for some other factor—for example, an economic recovery after a drought may occur at the same time as the usually tardy drought-related foreign aid arrives, generating a spurious correlation between aid and economic recovery. Controlling for third factors is both crucial and diffi cult, yet again Collier has little to enlighten the reader about just how he arrived at his assertions on which actions cause which outcomes.

Others have noticed these problems. Much of Collier’s civil war research was done when he was at the World Bank. A later evaluation of World Bank research by a blue-ribbon panel of economists, led by Angus Deaton of Princeton, singled out Collier’s civil war research for criticism on these same grounds. Deaton’s panel concluded that the “analyses in these studies cannot be used to support the conclusions that they ostensibly reach”. Massachusetts Institute of Technology economist Daron Acemoglu was part of the panel and wrote the evaluation of the civil war work, saying “the correlations that are interpreted as causal eff ects are really no more than correlations”.

The problem of correlation versus causation pervades the book. “The bottom billion” are—no surprise—poor. Again, Collier presumes poverty causes war (what he calls a “conflict trap”). Poverty and war do seem to go together, but Collier fails to offer convincing evidence that a given amount of poverty relief (however that would be accomplished) would cause reduced war. And the threat of spurious correlation is still a problem, as poverty and civil war may go together only because they are both symptoms of deeper problems, like Africa’s weak states, ethnic antagonisms, and the legacy of the slave trade and colonial exploitation. His shaky analysis leads to real world advice (like foreign military intervention to break the “conflict trap”) that could be tragically wrong.

At the Heyman Center, William Easterly, Peter Singer and Joseph Stiglitz discuss: