Joanna Williams in Spiked:
Being a feminist must be hard work. Perhaps you’ve got a newspaper column to fill with your hot take on the latest sexist outrage. Or perhaps you have a university sexual-harassment policy to write. Or a government minister to consult about a proposed new law. Or a hefty budget to administer. You’ve got the salary, a platform for your views, and the capacity to influence what happens in almost every institution in the country. And yet the entire basis for you being in this fortunate position, for walking the corridors of power, is your powerlessness. The bind for today’s professional feminist is the more power and influence she gains, the harder she needs to work to show that women are still oppressed.
Some career feminists get around this conundrum by claiming they are not representing their own interests but selflessly fighting for other women. Apparently, countless hordes of downtrodden women, unable to speak up for themselves, are just waiting for feminists to give voice to their concerns. But as only a small minority of women identify as feminists (estimates vary between a third and seven per cent), the response to all this speaking on behalf of others seems to be a resounding ‘no thanks’. The last resort of the professional, well-paid, powerful feminist, desperate to prove her credentials as a member of an oppressed group, is to allude to violence. The experience of violence – whether actual, imagined or potential – appears to unite all women, allowing the most privileged to claim common cause with women who are struggling just to get by. Helen Pankhurst, great-granddaughter of Suffragette Emmeline, expresses this succinctly: ‘Violence against women is the one factor that infects every aspect of women’s lives.’
More here.

Socrates died by drinking hemlock, condemned to death by the people of Athens. Albert Camus met his end in a car that wrapped itself around a tree at high speed. Nietzsche collapsed into insanity after weeping over a beaten horse. Posterity loves a tragic end, which is one reason why the cult of David Hume, arguably the greatest philosopher the West has ever produced, never took off.
In 1837, Charles Darwin sketched a spindly tree of life in one of his notebooks. Its stick-figure trunk sprouted into four sets of branches. The drawing illustrated his radical idea that, over time, organisms change to give rise to new species.
Freedom is the ability to pursue the life one values. This view of freedom is inclusive, open-ended, and flexible. It embraces our plural, evolving, and diverse conceptions of the good life. It also admits other long-standing ideas of freedom, such as not being held in servitude, possessing political self-rule, or enjoying the right to act, speak, and think as one desires.
As the nineteenth century came to an end, rumours started to circulate widely about the violence perpetrated by the regime of King Leopold II in the Congo Free State. Parliamentary intervention followed from involvement by the two main NGOs: the British and Foreign Anti-Slavery Society and the Aborigines Protection Society. In 1903, a question was asked in the House of Commons by the Liberal MP Herbert Samuel. The foreign secretary, Lord Lansdowne, ordered the British consul and his man on the spot, Roger Casement, to journey into the upper Congo. Having spent five years reporting officially on many aspects of Leopold’s colonial administration, Casement was well-placed to investigate the stories. He would spend the next three months travelling through the region. On exiting the river with a dossier of hand-written reports, copied correspondences and memos, testimonies and a diary, he scribbled the first of nearly three hundred letters to ED Morel, a young activist-writer. He recommended him to read Heart of Darkness and suggested he contact the author, Joseph Conrad, to see if he would support a public campaign for systemic reform. Casement and Conrad had met in the lower Congo in 1890 and a friendship had developed between the two men.
The fact is, Naipaul provides powerful ammunition for all sides of the debate. Were Naipaul simply a monster, he (and his writing) would not be so compelling. Revealing himself to be a monster in one instance, he will use that very quality to his own advantage in the next. This protean quality makes Naipaul larger, as a character, a novelist, and a thinker, than any of the categories meant to encompass him. Those, for instance, who want to dismiss Naipaul for what Wood calls his “conservatism”, find themselves, more often than not, moved by his “radical eyesight.” And vice versa. Inevitably, to read Naipaul is to experience a rather exciting push/pull of attraction and repulsion. You can see this even in the short quote from Packer’s review of the French biography above. Naipaul describes extremely ugly behavior. Further, he seems to take narcissistic pleasure (the word ‘narcissism’ comes up often in discussions of Naipaul) in doing so. But he ends with a thought that is sensitive and vulnerable. “I was utterly helpless. I have enormous sympathy for people who do strange things out of passion.” By turning his sympathy around, he elicits it from us.
Not long ago, Turner Classic Movies aired several episodes of the 1950s television show Omnibus in which that most engaging and passionate of teachers, Leonard Bernstein, aided by singers and instrumentalists, lectured on various musical subjects. The aim of Omnibus was to enrich the cultural life of the American public, and as such, it represented an early attempt at producing programming that was entertaining as well as educational. If you had tuned in to those Sunday afternoon and evening shows, you might have encountered the likes of Frank Lloyd Wright or William Saroyan or Orson Welles. Bernstein hosted seven programs (forerunners to his legendary Young People’s Concerts with the New York Philharmonic), which covered topics such as “What Makes Opera Grand,” “Beethoven’s Fifth Symphony,” and “The American Musical Comedy”—their illuminating content belying these somewhat sober titles. I happened upon the Bernstein mini-marathon when it was halfway over, though I did manage to add a few episodes to my DVR queue. A few evenings ago, I happily settled in to watch “The Music of J. S. Bach”—the most inspiring hour I’ve spent in front of the television in ages.
The eternal challenge is to answer grief with something that resembles love. To choose not just to sit around decrying hardship and injustice but instead to uncurl your fists and approach sorrow with grace, power, and, most incredibly, gratitude—not for the hurt itself but for the whole miraculous mess of being alive, this strange endowment of breath and blood. Most days, I believe that
A bit more than 8000 years ago, the world suddenly cooled, leading to much drier summers for much of the Northern Hemisphere. The impact on early farmers must have been extreme, yet archaeologists know little about how they endured. Now, the remains of animal fat on broken pottery from one of the world’s oldest and most unusual protocities—known as Çatalhöyük—is finally giving scientists a window into these ancient peoples’ close call with catastrophe. “I think the authors have done an excellent job,” says John Marston, an environmental archaeologist at Boston University who wasn’t involved in the current study. “It shows the people of Çatalhöyük were incredibly resilient.” Today, Çatalhöyük is just a series of dusty, sun-baked ruins in central Turkey. But thousands of years ago it was a bustling prehistoric metropolis. From about 7500 B.C.E to 5700 B.C.E., early farmers grew wheat, barley, and peas, and raised sheep, goats, and cattle. At its height, some 10,000 people lived there. Among its more noteworthy features, Çatalhöyük’s inhabitants were
Vijay Prashad in The Hindu:
Matthew Yglesias in Vox:
Grafton Tanner in The LA Review of Books:
Forty-five years after his death, Pablo Neruda’s poetry still has the power to astonish and appall, awaken and chill us and leave us shaking our heads in bafflement or respect. There is such breadth and profligate intelligence in the work, which ranges from opaque surrealism to bighearted populism to Pan-American epic to shocking propaganda, that one hardly knows where to place it in our era of thwarted emotions. Clearly it is not of our time. Given Neruda’s relations with women, it is certainly not of the time of #MeToo. The work will not always sit well beside a mature feminist consciousness, and of course it will not please ideologues who can’t tell one form of socialism from another. Neruda changed, and his circumstances changed. As a man he could be a monster of egotism and a courageous dissident, a purblind Stalinist and a Roosevelt democrat. His poetry incarnates these shifts and siftings and restless experiments. The past is a moving target. Poetry keeps it alive.
Susan Carlile explains with good judgement in her introduction why it is time for a new, full, critical biography of Charlotte Lennox, who, along with Eliza Haywood in particular, acts as a linking presence between the Aphra Behn-inflected, rackety experiments of Delariviere Manley, in the early eighteenth century, and the more solidly respectable achievements of Austen and Frances Burney. This biography, “the first to consider Lennox’s entire oeuvre and all her extant correspondence”, gives the fullest account of her life yet (following pioneering work by Miriam Small, Gustavus Maynardier and Philippe Séjourné), and conducts readers through all of her major works. It arrives as a handsome, substantial volume, complete with full scholarly apparatus and a proselytizing zeal of application that is both good to see and a little perplexing in tenor: Lennox is simultaneously “representative and exceptional, innovative and illustrative”. Lennox did have an “independent mind”, in whatever degree this was possible as one negotiated the path to Grub Street solvency, and Carlile was right to make this the book’s subtitle and leitmotif, rather than giving Lennox the “dangerous” or “powerful” mind she initially considered.
For the burgeoning fields of environmental humanities, it has long since become a commonplace notion that there isn’t really any such thing as “nature” or “wilderness”: both words used to connote real places—pristine and untouched places—but with the increasing knowledge that such a state of being likely never existed, the words come up empty. There are, however, new narratives: Through a case study of the global matsutake mushroom trade, anthropologist Anna Tsing shows compellingly in
Yuval Noah Harari’s
When Kathleen Morrison stepped onto the stage to present her research on the effects of stress on the brains of mothers and infants, she was nearly seven and a half months pregnant. The convergence was not lost on Morrison, a postdoctoral researcher at the University of Maryland School of Medicine, nor on her audience. If there ever was a group of scientists that would be both interested in her findings and unphased by her late-stage pregnancy, it was this one. Nearly 90 percent were women. It is uncommon for any field of science to be dominated by women. In 2015, women received only 34.4 percent of all STEM degrees.1 Even though women now earn more than half of PhDs in biology-related disciplines, only 36 percent of assistant professors and 18 percent of full professors in biology-related fields are women.2 Yet, 70 percent of the speakers at this year’s meeting of the Organization for the Study of Sex Differences (OSSD), where Morrison spoke, were women. Women make up 67 percent of the regular members and 81 percent of trainee members of OSSD, which was founded by the Society for Women’s Health Research. Similarly, 68 percent of the speakers at the annual meeting of the Society for Behavioral Neuroendocrinology (SBN) in 2017 were women. In the field of behavioral neuroendocrinology, 58 percent of professors and 62 percent of student trainees are women. The leadership of both societies also skews female, and the current and recent past presidents of both societies are women.
The left has an obvious and pressing need to unperson him; what he and the other members of the so-called “