Kent Jones at The Current:
The structure of Otrar is certainly all of a piece with German’s own work. But as a total film experience, it feels distinctly different from Khrustalyov, Ivan Lapshin, or German’s posthumously completed Hard to Be a God (2013, a years-in-the-making adaptation cowritten by German and Karmalita, traces of which can be felt in Otrar). “They were two of the most renowned filmmakers of Soviet cinema,” said Amirkulov in conversation with production designer Umirzak Shmanov. “We were, of course, very lucky to have them as the screenwriters. The script was extensive, extremely cumbersome, and completely uncompromising in the sense that they never settled for bypassing historical facts or circumstances, and they never came up with any easy solutions. On the one hand, it was very difficult to film. On the other hand, it was incredibly energizing because the script itself read like good literature. That’s why I’m grateful to fate for bringing me together with people like Alexei and Svetlana. I learned a great deal from their script because I had to put in a lot of effort, thought, and research to bring it to life. I even studied music, painting, read a lot of literature about the period, and watched films to match the material they had written.”
more here.
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