Michelle Goldberg in The New York Times:
It has been a ghastly year for American women — at least those of us who are not looking forward to being ruled by a claque of cartoon chauvinists — but a pretty rich year for women in the movies. One of 2024’s biggest hits featured an unfairly maligned woman who channels her galvanic anger into a fight against fascism. (I’m talking, of course, about “Wicked.”) Demi Moore gave a scenery-chewing performance in “The Substance,” a gruesome body horror film about the pressure on women to stay nubile. Amy Adams starred in Marielle Heller’s supernaturally inflected “Nightbitch,” in which a woman starts to go feral, perhaps literally, amid the tedium of early motherhood. Mikey Madison was incandescent as a street-smart sex worker from a post-Soviet country in “Anora,” a movie that takes the silly Cinderella fantasy behind “Pretty Woman” and explodes it.
But perhaps the most unlikely feminist film of the year is the much-hyped, extremely kinky “Babygirl,” starring Nicole Kidman, which opens on Dec. 25. It’s a movie that satirizes the archetype of the girlboss but ultimately affirms it. On the cusp of our terrible new era, it felt, for all its darkness and perversity, like an artifact of a more optimistic moment, when equality seemed close enough at hand that the orgasm gap between men and women — something the movie’s director, Halina Reijn, often talks about in interviews — could be a subject of serious concern.
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