The Music of What Happens
The music of what happens
begins with the bottom line of drums
—percussion, the thumps of
bass in sync with a wind of horns,
baritone, bassoon, and in the
whispers of brushed snares, in the
round tones of tympany, and, in the
rests; the spaces between, those silent
shifts that may change everything:
a thunder-crash of cymbal —but then,
again, a rest, a void followed by
bells of glockenspiel;
the music of what happens comes by violin’s
delicately sweet squeals, comes by all
as expressed in its sum:
the orchestra, the choir, quartet,
the trio, duet, the band—
the music of what happens is in
the concerted song of time,
its sum
Jim Culleny
12/29/24
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