Marion Thain at the Los Angeles Review of Books:
It seems no coincidence that Yorgos Lanthimos’s cinematic rendition of Alasdair Gray’s 1992 novel Poor Things, released at the end of 2023, would come at a time of obsessive commentary about the possibilities and threats of AI. While Lanthimos’s movie has nothing, ostensibly, to say about digital technologies (beyond its own production process), the publication this year of Julie Wosk’s Artificial Women: Sex Dolls, Robot Caregivers, and More Facsimile Females provides a context for considering the potential of the film in the public imaginary.
Wosk’s study explores the construction of artificial women in the age of AI as sex robots, care providers, domestic servants, and the disembodied voices of our digital tools and personal assistants. Considering both actually manufactured women and the many artworks that fabricate them as fictions, Artificial Women explores the strange phenomenon of womanhood in the artificially generated human world.
More here.