The Dam and the Bomb: On Cormac McCarthy

Walker Mimms at n+1:

In McCarthy’s novels, people commit terrible acts—necrophilia, infanticide, cannibalism—and often with reason. His villains are symbols of that dark reason: the trio of swampland marauders in Outer Dark (1968), the dream-curdling scalp-hunter in Blood Meridian, the frigid bounty hunter stalking No Country. In The Passenger and Stella Maris, McCarthy tops this rap sheet with his worst crime yet: nuclear Armageddon. And the perp is one of American history’s finest minds, the porkpie-hatted architect of the atomic bomb, J. Robert Oppenheimer.

Though it isn’t Armageddon exactly. The Passenger is a historical novel set in 1980, and the world is still very much alive. The mere possibility of apocalypse by human means is crime enough. Throughout the novel, Bobby Western, a 36-year-old salvage diver and racecar driver, is haunted by his upbringing near the Oak Ridge National Laboratory in Tennessee, and in Los Alamos, New Mexico, two places where his physicist father, a protégé of Oppenheimer, helped design the device that would devastate Hiroshima in 1945.

more here.