Chris Wiley in The New Yorker:
Robert Cumming, a pioneering wizard of West Coast photo-conceptualism, died in 2021, at the age of seventy-eight. He achieved brief semi-stardom in the nineteen-eighties, when he mounted solo exhibitions at both moma and the Whitney, but he failed to achieve the kind of lasting fame accorded to his close contemporaries in the L.A. scene, like Ed Ruscha, the master of deadpan Pop, or John Baldessari, Ruscha’s wackier counterpart, or even Cumming’s close friend and studio-mate William Wegman. Posthumously, though, Cumming has been experiencing a much deserved mini-revival. At Jean-Kenta Gauthier gallery, in Paris, a recent three-part series of exhibitions amounted to something like a retrospective. A new book, “Very Pictorial Conceptual Art,” edited by the writer and curator David Campany, collects Cumming’s photographic work from 1968 until 1980. The filmmaker Noah Rosenberg is making a feature-length documentary on Cumming, “On Closer Inspection,” a truncated version of which screened during this year’s Paris Photo art fair.
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