various authors at The Current:
Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than fifty features over the course of his nearly four-decade career, the Japanese auteur is still primarily associated with two midcentury classics, Tokyo Story and Late Spring, both of which regularly appear on lists of the greatest films of all time. To commemorate the 120th anniversary of the director’s birth, we invited six writers to explore the retrospective of his films now playing on the Criterion Channel and shine a spotlight on a lesser-known gem. Covering different periods in Ozu’s career, from his beginnings in the silent era to the end of his life in the early 1960s, this series of essays foregrounds underacknowledged elements of his artistry, including his love of classic Hollywood comedy, his flair for melodrama, the various forms of masculinity depicted in his work, and the queer resonances of his family portraits.
more here.