The Meaning of Madonna

Michelle Orange in The New Yorker:

It was a more physical world, though we thought it quite advanced. There seemed nothing “terrestrial” about twisting a radio knob to some eccentric decimal point, dialling static into song. In the summer of 1985, we all knew someone, usually an older sibling, who owned a portable, cassette-playing stereo. The rest of us remained stuck catching Top Forty countdowns on AM radio, or playing, on our parents’ imperial turntables, the one or two LPs in our possession. Increasingly, we listened to music by watching it on TV, our dance parties often overseen by a strutting, tattered sprite who wore bangles like opera gloves and held the camera’s gaze with her entire being, as though locked in a dare she was not going to lose.

More here.