Gloria Dickie at Lapham’s Quarterly:
There is an old temple at Chavín de Huántar. The archaeological site lies halfway between Peru’s tropical lowlands and the coast, near the confluence of the Mosna and Huanchesca Rivers, tucked between jagged mountain cordilleras. Inside the temple, a U-shaped flat-topped pyramid, intricate carvings of animals exotic to the highlands cover the stone passageways that form a labyrinth between chambers. Jaguars. Harpy eagles. Caimans. Anacondas. Devotees once came here to consult oracles and perform bloodletting rituals. In the middle of the central cruciform room, illuminated by a beam of sunlight, stands a fifteen-foot-tall, triangular granite monolith that connects the floor to the ceiling. A figure has been etched into the rock. Googly eyes sit above a broad snout with round nostrils. Curly hair ending in snake heads, like Medusa, frames a snarling face. One hand is raised in the air, palm forward, as if permitting passage to another world. The other lays down at its side. Five curving claws protrude from its feet, where worshippers once laid lavish gifts of food and ceramics. This is El Lanzón.