Catch and Release

by Ethan Seavey

My last night in the house on Euclid Avenue will go one of two ways:

A. When I climb through a window in my bedroom (which will no longer be my bedroom tomorrow) and onto the flat roof outside in order to smoke the very last bowl of cannabis in my home (which will no longer be my home tomorrow), a moth will seize the opportunity to fly into the room.

B. Scenario A won’t happen.

The chances of scenario A occurring can be described as somewhat unlikely but certainly possible. This possibility is mostly blamed on the size and age of the window. It is about thirty square feet in total. This is a blessing in the fact that I can fit through the window easily and even sit in the frame comfortably if it’s raining. But in August its great size becomes a problem. A greater surface area gives moths a greater chance of entering my room. Moths are rather persistent when they’re around, but they’re often exploring other lights. So, they’re rare but not uncommon. I saw one a few days ago, but I haven’t seen one since. When I do see moths, I see them in August. It is August. It is August 26. I leave for New York in late August, August 27, the 27th, August 27, I’ll fly from Chicago to New York on August 27, which is tomorrow, it’s already here. Read more »

Too Many Millets

by Eric Bies

Jean-François Millet, a Frenchman, frowned beneath his full beard as he lay dying in Barbizon. It was 1875, and he was not to be confused with Claude Monet—not yet—who would later paint water lilies and haystacks but wasn’t, in 1875, rich and famous; on the contrary—and in spite of Édouard Manet’s having just painted him painting from the vantage of a covered paddle boat, appearing pretty well-to-do in the process—he was barely getting by. Meanwhile, Millet had already painted some haystacks. And though the stubbier English word his name renovates—the one that rhymes with skillet—happens to be a grain that is rather good for making hay, painters have tended to tend toward other stock. The snow-capped haystacks that we see in Grant Wood, for instance, were in all likelihood made with the same Midwestern alfalfa Verlyn Klinkenborg celebrates and dissects in Making Hay. We know that van Gogh painted a golden haystack or two—probably of wheat—and though the Vermeer Corporation of Pella, Iowa is one of the market leaders in modern hay baling technology, the closest the Dutchman Johannes ever came to a haystack was when he ensconced a common milkmaid in the daylight of a well-windowed kitchen.

Whose haystacks won out? It was only a matter of time for Monet. By now his station in the popular imagination has practically eclipsed those of Millet, Wood, and Vermeer, if not van Gogh. We recognize his water lilies as readily as Picasso’s women, Warhol’s soup cans, and, lately, Kusama’s spotted tentacles. It is true that Millet’s Angelus, an apotheosis of peasant soil, shattered art-market records in 1890, exchanging hands Atlanticly for an astonishing 750,000 French francs. Yet the work itself has gradually absconded into what relative obscurity remains feasible for a canvas hanging in the Musée d’Orsay. Read more »

More than Daffodils

by Chris Horner

Deprivation is for me what daffodils were for Wordsworth –Philip Larkin

Wordsworth as the poet of loss and lack

The Lone Tree, Buttermere

William Wordsworth’s poetry can seem all too familiar, what with all that wandering lonely as a cloud. But he is stranger than we often remember him. Take this, for example:

Twilight was coming on, yet through the gloom 
I saw distinctly on the opposite shore, 
Beneath a tree and close by the lake side, 
A heap of garments, as if left by one 
Who there was bathing. Half an hour I watched 
And no one owned them; meanwhile the calm lake 
Grew dark with all the shadows on its breast, 
And now and then a leaping fish disturbed 
The breathless stillness. The succeeding day 
There came a company, and in their boat 
Sounded with iron hooks and with long poles. 
At length the dead man, mid that beauteous scene 
Of trees and hills and water, bolt upright 
Rose with his ghastly face. 

(The Prelude, ll 266-279, first part, 1799 version)

He is describing an event from when he was eight years old. A teacher from a nearby school had drowned – this was the recovery of the body. Why is he recalling this? We might say that the sheer vivid gruesomeness of the event just stuck in his mind. Surely there is something in that – one might be haunted by a memory like that, it might appear in one’s nightmares. Yet the scene occurs as one of the ‘spots of time’ that Wordsworth presents to us as remembered experiences that act on him in a way that refreshes and restores him. It is somehow acting on his psyche in a positive way. Read more »

Charaiveti: Journey From India To The Two Cambridges And Berkeley And Beyond, Part 60

by Pranab Bardhan

All of the articles in this series can be found here.

As with game theory, I also attended some courses in Berkeley in another relatively new subject for me, Psychology and Economics (later called Behavioral Economics). In particular I liked the course jointly taught by George Akerlof and Daniel Kahneman (then at Berkeley Psychology Department, later at Princeton). I remember during that time I was once talking to George when my friend and colleague the econometrician Tom Rothenberg came over and asked me to describe in one sentence what I had learned so far from the Akerlof-Kahneman course. I said, somewhat flippantly: “Kahneman is telling us that people are dumber than we economists think, and George is telling us that people are nicer than we economists think”. George liked this description so much that in the next class he started the lecture with my remark. On the dumbness of people I later read somewhere that Kahneman’s earlier fellow-Israeli co-author Amos Tversky once said when asked what he was working on, “My colleagues, they study artificial intelligence; me, I study natural stupidity.”

Of course, by dumbness or stupidity in this context economists really mean departures from rationality, and knowing that people are often irrational, behavioral economics is really about the systematic departures from rationality which gives the subject its analytical coherence, that there is method in the madness as Polonius says in Hamlet. And in the departures from self-centered individual rationality social norms and fellow-feeling (like empathy and sympathy and social solidarity) often play an important role. In Berkeley I had a friendly colleague for many years, Matthew Rabin (now at Harvard), from whose talks and writings I have learnt a great deal on fairness in social preferences in a modified game-theory framework, apart from common human errors in probabilistic reasoning and human frailties like individual self-control problems. These are big changes in traditional ways of thinking in Economics. Read more »

Good liberals are not Rawlsian liberals

Charles Blattberg in The Hedgehog Review:

Imagine someone told you that politics is a “great game,” that when citizens respect just principles, they do so “in much the same way that players have the shared end to execute a good and fair play of the game.” You would probably wonder if they meant it, if they really believed that civic duties resemble those acquired when “we join a game, namely, the obligations to play by the rules and to be a good sport.” You would because, for most people, politics is a serious business.

No doubt, this is because the stakes are so high: Political decisions can affect how millions live or die. That is why we also take war so seriously. Today, it seems astonishing that nineteenth-century Prussian military theorist Carl von Clausewitz felt it necessary to insist, in his canonical work On War (1832), that “war is no pastime; it is no mere joy in daring and winning, no place for irresponsible enthusiasts. It is a serious means to a serious end.” Especially since the devastations of the twentieth century, we have had no need of such an admonition.

Then why have so few objected to the Rawlsian metaphors that I just quoted? John Rawls (1921–2002) was the most important political philosopher of the previous century, and perhaps even of this one. Yet he was also someone for whom the good of justice was “no more mysterious than that members of an orchestra, or players on a team, or even both teams in a game, should take pleasure and a certain (proper) pride in a good performance, or in a good play of the game, one that they will want to remember.” How can this be?

More here.

How Isaac Newton Discovered the Binomial Power Series

Steven Strogatz in Quanta:

Isaac Newton was not known for his generosity of spirit, and his disdain for his rivals was legendary. But in one letter to his competitor Gottfried Leibniz, now known as the Epistola Posterior, Newton comes off as nostalgic and almost friendly. In it, he tells a story from his student days, when he was just beginning to learn mathematics. He recounts how he made a major discovery equating areas under curves with infinite sums by a process of guessing and checking. His reasoning in the letter is so charming and accessible, it reminds me of the pattern-guessing games little kids like to play.

It all began when young Newton read John Wallis’ Arithmetica Infinitorum, a seminal work of 17th-century math. Wallis included a novel and inductive method of determining the value of pi, and Newton wanted to devise something similar.

More here.

Alta L. Price on Ambiguity and Diverging Englishes

Jaeyeon Yoo at Words Without Borders:

JY: Right—I think we tend to assume that the best translation is the most understandable, but I found your postscript to delightfully complicate that assumption. You also wrote that there was a lot of English in the German original; I wondered if you had more to say about English loanwords, and translating that type of material into English.

AP: So, it’s not just the presence of English loanwords, but also how much of the original German novel is about who speaks in English and how that is a marker [of identity]. Nivedita grew up in Germany; her cousin Priti grew up in England. They meet because Priti comes to Germany to study the language for several summers in their youth. In the original, you see her command of German develop: she speaks a lot of English at first, and then, as the novel progresses, she’s speaking more and more German. Nivedita comments, “Wow, you know, Priti’s German was really getting good.” Basically, Priti is marked as the most “English” or British—the most not German character starting out. This couldn’t be replicated exactly in English, so I had to look for other little ways to solve it (like Priti mixing German into her speech in the English translation). That was one of the tricky things, and I never know how successfully I’ve solved a challenge. Beyond the character of Priti, I wanted to find ways to make it clear that Identitti originates in another language and then was brought into English. Some novels are inherently built that way because they’re constantly mentioning places or names. There are markers such that the reader never forgets that it’s happening where it’s happening. I didn’t want the North American reader to forget that the story they’re reading is taking place in Dusseldorf, Germany. But I also didn’t want to weigh the translation down with these unnecessary reminders. It was a fine line to walk.

More here.

Sunday Poem

Sleeping in the Forest

I thought the earth
remembered me, she
took me back so tenderly, arranging
her dark skirts, her pockets
full of lichens and seeds. I slept
as never before, a stone
on the riverbed, nothing
between me and the white fire of the stars
but my thoughts, and they floated
light as moths among the branches
of the perfect trees. All night
I heard the small kingdoms breathing
around me, the insects, and the birds
who do their work in the darkness. All night
I rose and fell, as if in water, grappling
with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

by Mary Oliver
from
News of the Universe
Poems of Twofold Consciousness
Sierra Club Books, 1980

Ian McEwan on ageing, legacy and the attack on his friend Salman Rushdie: ‘It’s beyond the edge of human cruelty’

Lisa Allardice in The Guardian:

Ian McEwan was on holiday on the remote coast of north-west Scotland when he heard the news that his great friend Salman Rushdie had been attacked in New York. His wife, the writer Annalena McAfee, let out a cry from the next door room in the small hotel where they were staying. The numbness of his first response was quickly followed by a feeling of horrible inevitability: “How could I have been so blind?” Like Rushdie, McEwan had hoped the threat of the fatwa was over. “The tragedy of this is Salman always wanted to get back to having an ‘ordinary’ writing life, and that seemed to have happened,” McEwan says on a video call a week after the incident. The 74-year-old novelist is back in his Cotswolds home, surrounded by books and looking slightly beaten up after his first bout of Covid.

More here.

The Surreal Abundance of Alaska’s Permafrost Farms

Yasmin Tayag in The New Yorker:

In 2010, Brad St. Pierre and his wife, Christine, moved from California to Fairbanks, Alaska, to work as farmers. “People thought we were crazy,” Brad said. “They were, like, ‘You can grow things in Alaska?’ ” Their new home, not far from where Christine grew up, was as far north as Reykjavík, Iceland, and receives about sixty inches of snow each year. It routinely experiences winter temperatures below minus ten degrees Fahrenheit. In the summer, however, the sun shines for twenty-one hours a day and the weather resembles San Francisco’s. Sturdy cabbages and carrots thrive in the ground, while fussier tomatoes and cucumbers flourish in greenhouses.

The main challenge with farming in this part of Alaska, Brad told me recently, is that craters often open up in fields, and some are the size of Volkswagen Beetles. The holes form when patches of frozen water, known as ice lenses, melt and gulp down the surrounding earth in a process known as subsidence. They tend to expand each year and sometimes fuse with other nearby pits; they can be filled, but farmers often run out of soil, so the pits become ponds. Sometimes holes hide under ruffles of kale or the shade of tart-cherry trees, or threaten to swallow Brad’s tractor. “All of a sudden, you have to stop,” he said. “There’s no grass. There’s just a hole.”

More here.

The ‘New’ India

Pranab Bardhan in New Left Review:

The preamble to the Constitution of India affirms the solemn resolve of its people to found a ‘socialist, secular, democratic republic’. Today, on the 75th anniversary of the country’s Independence, it is plainly neither socialist nor secular—nor, one could well argue, democratic. Indeed, contrary to journalistic wisdom, India has never been ‘socialist’, unless one confuses the term with statism. The concept of secularism is contested, but if we use the political theorist Rajeev Bhargava’s thoughtful interpretation of it as entailing a ‘principled distance’ between religion and the state, then it certainly does not exist in India any more, going by the practice and utterings of its current leaders. India’s democratic institutions have been on the decline for decades, but this has accelerated so much in the last few years that Sweden’s V-Dem Institute has authoritatively described it as an electoral autocracy. In a negative sense this helps to define some key aspects of the ‘new’ India.

What follows will reflect on broad trends in India’s political economy over the last few decades. The aim is not to provide a detailed blow-by-blow account, nor an exhaustive or quantitative analysis of what has happened in this vast heterogeneous country. Instead I want to paint a broad-brush picture of the obstacles to India’s economic development and the respects in which these represent failures on the part of its state. I go on to analyse India’s ‘governance effectiveness’ in terms of three factors: public resources, state capacity and the centralized federal structure, with the concomitant weakness of regional and local government. I then examine the performance of the private economy, focusing first on the aborted structural transition that lies behind India’s politically explosive failure to create productive jobs for its bulging youth population and the general weakening of the bargaining power of labour, before going on to explore the ways in which the inequalities and concentrations of the Indian economy foster a conclave economy and a crony-oligarchic capitalism of an increasingly Latin American kind. Finally, I discuss how this is legitimated through a mixture of limited welfare measures for the poor and a majoritarian nationalism that sustains itself by stifling the democratic process.

More here.

Mikhail Gorbachev, the Fundamentally Soviet Man

Masha Gessen in The New Yorker:

Mikhail Gorbachev, the last leader of the Soviet Union, died in Moscow, on Tuesday, at the age of ninety-one. In the last two decades of his life, he rarely granted interviews. So, in 2010, when he agreed to speak to someone from a Moscow magazine that I edited, I felt both awe and some misgivings: here was a unique opportunity that would almost certainly be wasted. Gorbachev was a notoriously terrible interviewee. He rambled; he went off on tangents; he almost never finished a sentence. In a desperate move, my colleagues and I asked readers to send in questions. Someone asked, “What could bring you joy now?” This time, Gorbachev was ready with a concise answer. “If someone could promise me that in the next world I will see Raisa,” he said. “But I don’t believe in that.” Raisa, his wife of forty-six years, had died, of leukemia, in 1999.

“I don’t believe in God,” Gorbachev continued. Raisa had not been a believer, either, but “she progressed faster than I did in this direction.” What he seemed to be getting at was that Raisa had stayed in step with her country, becoming a post-Soviet Russian, while Gorbachev remained a fundamentally Soviet man.

More here.

Larry Fink: Here’s Your Answer to the Despicable Letter from the GOP Attorneys General

Nell Minnow in response to 19 Republican state attorneys general’s letter to Blackrock:

I’m sure BlackRock CEO Larry Fink’s response to the obnoxious, accusatory, misleading, letter he received from 19 Republican state attorneys general will be measured, diplomatic, and thoroughly lawyered over. He will hope to mollify them to continue to be able to do business with the government pension funds. That is only right for someone who is in business, with employees, clients, and his own shareholders to consider.

I operate under no such restrictions, and therefore, like Keegan-Michael Key playing the part of Luther, President Obama’s anger translator, I have drafted the letter I wish Mr. Fink could send.

To the Attorneys General:

The letter bearing your signatures but apparently drafted by the corporate donors to the Republican State Attorneys General Fund is such an appalling mixture of political theater and disinformation that I question whether the signers actually read it. I will respond to some of its allegations but I will begin with one key point: it takes a lot of chutzpah for a bunch of elected officials to claim — without any substantiation — that the decisions made by financial professionals are based on politics rather than financial returns when it is you who are urging us to bend our criteria based on your political pandering. We operate under extensive regulatory requirements, including fiduciary obligation, the duties of care and loyalty you refer to, the strictest standard of our legal system. We are also governed by the unforgiving, stringent pressures of competition in the market.

So let me be clear about the answer to all of your charges: Every single decision made by us at BlackRock, from investment criteria to economic forecasts to incentive compensation to the purchase of office supplies is exclusively based on our best assessment of risk and return. That includes doing whatever it takes to create sustainable growth and continue to attract and retain clients.

More here.

The African Enlightenment

Dag Herbjørnsrud in Aeon:

The ideals of the Enlightenment are the basis of our democracies and universities in the 21st century: belief in reason, science, skepticism, secularism, and equality. In fact, no other era compares with the Age of Enlightenment. Classical Antiquity is inspiring, but a world away from our modern societies. The Middle Ages was more reasonable than its reputation, but still medieval. The Renaissance was glorious, but largely because of its result: the Enlightenment. The Romantic era was a reaction to the Age of Reason – but the ideals of today’s modern states are seldom expressed in terms of romanticism and emotion. Immanuel Kant’s argument in the essay ‘Perpetual Peace’ (1795) that ‘the human race’ should work for ‘a cosmopolitan constitution’ can be seen as a precursor for the United Nations.

As the story usually goes, the Enlightenment began with René Descartes’s Discourse on the Method (1637), continuing on through John Locke, Isaac Newton, David Hume, Voltaire and Kant for around one and a half centuries, and ending with the French Revolution of 1789, or perhaps with the Reign of Terror in 1793. By the time that Thomas Paine published The Age of Reason in 1794, that era had reached its twilight. Napoleon was on the rise.

But what if this story is wrong? What if the Enlightenment can be found in places and thinkers that we often overlook? Such questions have haunted me since I stumbled upon the work of the 17th-century Ethiopian philosopher Zera Yacob (1599-1692), also spelled Zära Yaqob.

More here.

Time As We Know It

Marna Clarke in Lens Culture:

I am 81 years old, my partner 92. On my 70th birthday, I woke from a dream in which I had rounded a corner and seen the end. This disturbing dream moved me to begin photographing the two of us, chronicling our time together, growing old.

Now, 11 years down the line, he and I face numerous physical challenges: decreased mental acuity, especially memory; the diminished quality of our skin, hair and teeth; mild disfigurement; as well as the need to tend vigilantly to our balance, hearing, sight, physical agility and getting adequate sleep. Inside we are learning to accept it, sometimes going from anger, impatience, sadness or fear to seeing the humor in the idiosyncrasies of aging. We realize that if we can be comfortable with our own aged appearances and limitations, then the potential exists that others will become more comfortable witnessing this transformation and possibly become more comfortable with their own.

I have entered a taboo territory: aging and death. The creation of these photos is part of my own way of dealing with the inevitability of dying by bringing attention to it and accepting it. I have come to embrace the photographs as a tribute not just to our lives but also to the demanding and courageous task of growing old gracefully, graciously, and aware. A certain wisdom is evolving from years of living and observing, eventually unveiling previously unseen associations, patterns and similarities. I am gaining a much-appreciated perspective that was not available to me previously.

More here.