Vladimir Nabokov in the New York Review of Books:
Silence fell. Pitilessly illuminated by the lamplight, young and plump-faced, wearing a side-buttoned Russian blouse under his black jacket, his eyes tensely downcast, Anton Golïy began gathering the manuscript pages that he had discarded helter-skelter during his reading. His mentor, the critic from Red Reality, stared at the floor as he patted his pockets in search of some matches. The writer Novodvortsev was silent too, but his was a different, venerable, silence. Wearing a substantial pince-nez, exceptionally large of forehead, two strands of his sparse dark hair pulled across his bald pate, gray streaks on his close-cropped temples, he sat with closed eyes as if he were still listening, his heavy legs crossed and one hand compressed between a kneecap and a hamstring. This was not the first time he had been subjected to such glum, earnest rustic fictionists. And not the first time he had detected, in their immature narratives, echoes—not yet noted by the critics—of his own twenty-five years of writing; for Golïy’s story was a clumsy rehash of one of his subjects, that of The Verge, a novella he had excitedly and hopefully composed, whose publication the previous year had done nothing to enhance his secure but pallid reputation.
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