Colin Marshall at the Los Angeles Review of Books:
The term “gaslighting” has returned to the popular lexicon over the past decade, when as recently as the turn of the millennium it had fallen into near-complete disuse. It was then that I first heard the word myself, in the context of a Steely Dan song from 2000, “Gaslighting Abbie.” Not only did I have no idea what it meant, I had only the vaguest sense of who Steely Dan were. But I was, at least, in the right place: a university-district high-end stereo shop, the kind of audiophile’s sacred space that has provided countless “Danfans” their first proper experience of the band — that is, of the band’s records, played back on a sound system of high enough fidelity to do justice to the enormously costly, complex, and time-consuming labors of recording and production that went into them. “Gaslighting Abbie” alone required 26 straight eight-hour days in the studio to get right.
Jez Rowden includes that fact in Steely Dan: Every Album, Every Song, a volume of Sonicbond’s “On Track” series from 2019, whose charge is to provide brief descriptions and assessments of every album and song recorded by the act in question.