Elroy Rosenberg at 3:AM Magazine:
Naturally, there is something contradictory to be found in the emphasis on the “I” in Didion’s work and the supposed “sublime neutrality” which she represents. Considering the omnipresence of the former, the latter seems more or less unattainable. For many Didion readers, who simply cannot shake free of the need to label no matter how hard they wriggle, this paradox might seem unimportant. For me, it is the crux of her work, highlighted in her new collection of essays, Let Me Tell You What I Mean. Encapsulating many pieces from Didion’s emergence with her ‘Points West’ column which she shared with her husband, John Gregory Dunne, as well as later work for establishments like the New York Times Magazine and New Yorker, the collection is a continuation of Didion’s lifelong search for that meagre, almost incommunicable slice of the world where subjectivity and transparency live together hand in hand.