Jerry Saltz at New York Magazine:
What’s so fantastic about seeing these paintings at the Frick Breuer is not only how close you can get to the work, now that it’s not surrounded with furniture and bric-a-brac. In the mansion, the Fragonards are installed — even swaddled and segregated — in a wonderful Rococo drawing room, with attendant panels over doors and next to windows. Here, the work is given pride of place on the fourth floor next to the gigantic trapezoidal window looking out over Madison Avenue. Up close and at eye level, the work is reborn as these huge heraldic thunderous paintings, visually vehement and emotionally commanding. I love them more than I ever have.
The original four pictures show narratives of flirtation, courtship, clandestine meeting, quixotic love, adventurousness, allure gone right and wrong.