Phuong Phan in the Asian Review of Books:
Like his many previous literary endeavors, Turkish novelist Orhan Pamuk’s new book Orange is about Istanbul, or rather how the city appears in his eyes. The book consists of color photographs of the city’s streets which Pamuk has been perpetually constantly taking for several years, always with the same technique and choice of motif. The result is a visual essay dedicated to the alleys and corners of his hometown. Over the author’s more than six decades living in Istanbul, Pamuk has witnessed the constant transformation of the city, notably from the gradual change from orange street lamps to white over the last ten years or so, not that the actual duration of the change matters. What does matter is the stark visible disappearance of the yellow-hued fluorescent lamps bringing a loss of the magical moments in a city landscape he dearly loves; the change is one he accepts only with some bitterness.
Yet, flipping through the book’s pages, it appears that the intention of saving the magical moments of golden light was not the project’s only raison-d’être.