It was winter, lunar, wet. At dusk
Pewter seedlings became moonlight orphans.
Pleased to meet you meat to please you
said the butcher’s sign in the window in the village.
Everything changed the year that we got married.
And after that we moved out to the suburbs.
How young we were, how ignorant, how ready
to think the only history was our own.
And there was a couple who quarreled into the night,
Their voices high, sharp:
nothing is ever entirely
right in the lives of those who love each other.
In that season suddenly our island
Broke out its old sores for all to see.
We saw them too.
We stood there wondering how
the salt horizons and the Dublin hills,
the rivers, table mountains, Viking marshes
we thought we knew
had been made to shiver
into our ancient twelve by fifteen television
which gave them back as gray and grayer tears
and killings, killings, killings,
then moonlight-colored funerals:
nothing we said
not then, not later,
fathomed what it is
is wrong in the lives of those who hate each other.
And if the provenance of memory is
only that—remember, not atone—
and if I can be safe in
the weak spring light in that kitchen, then
why is there another kitchen, spring light
always darkening in it and
a woman whispering to a man
over and over what else could we have done?
We failed our moment or our moment failed us.
The times were grand in size and we were small.
Why do I write that
when I don’t believe it?
We lived our lives, were happy, stayed as one.
Children were born and raised here
and are gone,
As for that couple did we ever
find out who they were
and did we want to?
I think we know. I think we always knew.
by Eavan Boland
from Domestic Violence
W. W. Norton, 2007