Sasha Geffen at Artforum:
A new compilation, Transmissions: The Music of Beverly Glenn-Copeland, traces the artist’s career from his early days as a folk balladeer to his omnivorous current practice. Its narrative mirrors that of Posy Dixon’s 2019 documentary, Keyboard Fantasies: The Beverly Glenn-Copeland Story, which explores the years he spent working in obscurity, the realization of his identity as a transgender man in his fifties, and how in his seventies he came to be embraced by millennial listeners. The film captures part of a performance at Le Guess Who? in Utrecht, a full recording of which was released as a live album earlier this year. Dixon’s camera glides across the faces of a mostly young audience beaming at Glenn-Copeland and his band, composed of musicians in their twenties. This same crowd appears on Transmissions during “Deep River,” an exuberant live rendition of a well-known spiritual. Glenn-Copeland invites the audience to sing along with the song’s climax, and they do—tentatively at first, and then with gusto. When the band stops, he thanks the audience emphatically, an illustrative moment of genuine intergenerational interaction wisely included in the compilation.