Charlize Theron Knows a Monster When She Sees One

Abby Aguirre in The Atlantic:

Charlize theron received the script for Bombshell, the new drama about the women who exposed sexual harassment at Fox News and brought down Roger Ailes, in the summer of 2017. Two months later, the first Harvey Weinstein story broke. In certain Hollywood circles, people had been aware that a Weinstein investigation might finally make it into print, but nobody could have foreseen the magnitude of the fallout or the movement it would ignite. “There was something in the air,” Theron recalled one morning in October, tucked into a corner table at a Hollywood restaurant. “I didn’t have an inkling of how big it was going to be or how long it was going to last.”

Among the things that ultimately drew Theron to the Ailes story—what led her to sign on to star and produce Bombshell—were the women at the center of it: the formidable blond protagonists of Fox News. There was Gretchen Carlson (played by Nicole Kidman), the former Miss America and longtime anchor who filed the initial lawsuit against Ailes, accusing the Fox News chairman of making sexual advances and then retaliating against her after she rebuffed them. There was Megyn Kelly (Theron), the network’s biggest star, who came forward with allegations against Ailes in the weeks that followed. And there was a young female producer (a composite character played by Margot Robbie) who seeks out Ailes in hopes of landing an on-air position, only to be cowed into showing him her underwear during a one-on-one meeting, among other indignities.

“Nothing is black-and-white in this,” Theron said of the film, which was directed by Jay Roach and written by Charles Randolph. She noted that Kelly had moved past her uncomfortable encounters with Ailes and managed to have a professional relationship with him for a decade. What’s more, Theron pointed out, Kelly knew Carlson’s allegations were likely true, because Ailes had harassed her, too. The gray area includes Ailes’s secretary, played by Holland Taylor, who ferries young women in and out of Ailes’s office and presumably notices his habit of locking the door behind him.

More here.