Joan Dupont at Film Quarterly:
She has been called the Godmother of the New Wave, sometimes the Big Sister, even the Grandmother, but Agnès rides her own wave. She has never slowed down: a ceaseless creative force, she has been on the spot at historic moments. She never puts anything away for good, so old photos turn into films, and whatever she can’t use right away may turn up later in her short films, recycled with fresh invention. On a trip to Germany, the history of 4711 eau de cologne captivates her as much as the venerable cathedral and re-appears in her Agnès de ci de là Varda (Agnes Varda: From Here to There, 2012). She sees the world in a grain of sand—or in a heart-shaped potato. In her garden, she pays as much attention to a tree’s growth as to any honored guest.
In this house on the rue Daguerre in the fourteenth arrondissement, where she has lived since the 1950s, she raised children and tended cats, developed photos, cooked up movies and installations, filmed neighbors, plotted adventures, and received friends and famous artists, including at least one president of the Republic.