Rachel Wetzler at The Baffler:
In his columns, Indiana skewered the art world’s bloated egos and grotesque superficiality, but he was interested, above all, in scrutinizing who held power and how it was deployed. In a particularly trenchant essay on Richard Serra’s lawsuit against the General Services Administration—the government agency that had commissioned his 1981 public sculpture Tilted Arc for the plaza outside the Jacob K. Javits Federal Building in Manhattan and, at the urging of the people who worked there, now planned to remove it against the artist’s wishes—Indiana chides Serra and his defenders for their naivete: “Who on earth did these people think they were dealing with in the first place?” he asks. “If you are so enamored of [power] that you regularly ornament its dinner tables, ride cackling through the night in its limousines, and sign worthless contracts with it, it is no problem of mine or anyone else’s if power decides, one bored afternoon, to add you to the menu instead of inviting you to eat.”
The timing of the book’s release in late November, just after the Voice was abruptly shut down by its billionaire owner, Peter Barbey—hailed as the struggling paper’s white knight when he bought it in 2015—was a depressing coincidence, but an appropriate one.