Logan Berry and Kathleen Rooney at Poetry Magazine:
In his 1927 essay “Supernatural Horror in Literature,” the influential horror writer H.P. Lovecraft declares that “the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is the fear of the unknown.” The contemporary Swedish poet Aase Berg invites readers to not resist the unknown but to dwell, and even revel, in it. Johannes Göransson, who has translated four of Berg’s collections into English, writes that her work “has been deeply influenced by horror: horror movies, b-movies, and H.P. Lovecraft (whose work she’s been translating for years). All of these influences can be seen in the violent, grotesque, intense imagery and ecriture-feminine-like linguistic deformation zones of her first two books.” Indeed, reading Berg can feel like the literary equivalent of the fairy tale dare to spend the night in a haunted house: threatening but giddy at the same time.
Born in Stockholm in 1967 and raised in the suburb of Tensta, Berg was a founding member of the Stockholm Surrealist Group, established in 1986, in which loosely affiliated writers produced literary journals through the late 1990s.