THE DARKENING AGE – the Christian Destruction of the Classical World

by Renuka Sornarajah

51rmwjJpXdL._SX323_BO1 204 203 200_If you ever wondered whatever happened to Roman and Greek religions or asked yourself why so many exquisite statues of that era are disfigured, you must read this book.

The author, Catherine Nixey, is a journalist at The Times and studied Classics at Cambridge describes the vandalism that took place between the mid AD 380s and AD 532 as Christianity grew to become the dominant religion. Christianity’s triumph is usually explained as ‘inevitable’, but as this book makes clear, it was not simply because the Roman empire was weakened by forces beyond its control. The book reveals the zeal of those espousing Christian teachings, their strategy and their willingness to harness their followers including monks, who were given a licence to destroy. Christians were told that they would reap the benefits in heaven if they became martyrs to the cause of destroying the existing beliefs. She writes with passion and tells a story which has thus far been suppressed, or at best ignored.

The book begins in AD 532 when Damascius and six members of the Academy, the most famous philosophical school in Athens, abandoned the school and the city and went into exile. The Academy had been in existence for over one thousand years, but draconian laws, destruction of temples and book burnings had crushed the followers of Greek and Roman religions. Damascius and his companions came to realise that there was no place for philosophers in the Roman Empire. The Christian Emperor Constantine and his successors had effectively destroyed a culture and a religion which had given strength to its followers, celebrated pluralism and led to the flowering of a civilization which incorporated gods, ideas and philosophies from the Mediterranean world and beyond.

The book goes on to describe the destruction of the temple of Serapis in AD392 and tens of thousands of books which were the remnants of the Great Public Library of Alexandria. This unprompted sacrilege was carried out by Theophilus, the Christian Bishop of Alexandria, and his followers. The book describes how the practice of censorship meant that the works of defenders of the old religions such as Celsus who vigorously criticised Christianity, survived only because he was quoted by those who defended Christianity.

Catherine Nixey writes from the perspective that this story of destruction has to be told in order to balance the view of history which has come down from the ages, one which was written by the victors. In her introduction, she states that her book ‘unashamedly mourns the largest destruction of art that human history has ever seen. It is a book about the tragedies behind the ‘triumph’ of Christianity.’ She is careful to point out that what little remains of ancient history is ‘often hotly contested’ and states – ‘Every point these authors make is arguable, every writer I quote is fallible’.

Most importantly this book is timely; the current political climate in the west has been created by politicians who are leading and/or competing to fall in line with populist movements which thrive on fear of the ‘other’. This book reminds us that demonising cultures and ancient religious beliefs, and attempting to change or convert others on the basis that they are ‘pagan’ and pluralistic, can only make the world poorer and lead to another ‘darkening age’.