Sarah Jones in the New Republic:
Like the Kingdom of God, the Republic of Gilead is both now and not yet. Margaret Atwood’s 1985 novel The Handmaid’s Tale conjures a theocratic dystopia—a version of the United States taken over by fundamentalist Christians after a terrorist attack on Washington. Women are now divided into rigid classes determined by an idiosyncratic interpretation of the Bible. Atwood’s protagonist, Offred, is a Handmaid—a fallen woman who is forced to bear children for righteous couples—and the book follows her sufferings under the Gilead regime. Atwood paints in garish strokes intended to shock: This new society calls homosexuality “gender treachery” and forbids women to read, own property, or choose their own clothing.
Since the novel’s publication three decades ago, Gilead has existed as a paper nightmare that gains or loses dimension based on the state of our national politics. Of course, we don’t divide women into classes of Marthas, Handmaids, Econowives, and Wives; we call them “the help,” “surrogates,” the working class, and the one percent. America has never forced fertile women to bear children for infertile ones, but Trump’s pussy-grabbing presidency has given cover to the sort of blatant misogyny many thought consigned to the past. “In Trump’s America, The Handmaid’s Tale matters more than ever,” The Verge declared the day after Trump’s election. In February, the book overtook George Orwell’s 1984 on the Amazon best-seller list. Texas is Gilead and Indiana is Gilead and now that Mike Pence is our vice president, the entire country will look more like Gilead, too.
Set in the very near future, Hulu’s new adaptation of The Handmaid’s Tale subtly updates Atwood’s dystopia.
More here.