Cynthia Haven in The Book Haven:
Avant-garde theater director Carl Weber began his theatrical career in a POW camp. He became Bertolt Brecht‘s protégé and brought Germany’s experimental theater to America. The Stanford drama professor, emeritus, died in Los Altos on Christmas night. He was 91.
“At the first opportunity” – he recalled, and then put up both hands in the universally accepted sign of surrender – “I was a prisoner of England in Belgium.” He was sent to Colchester, Essex, as a POW.
Within weeks of his capture, he was performing Friedrich Schiller‘s The Robbers as one of a handful of performers at the Christmastime play in a mess tent, with tables for a stage. The group had a captive audience – literally.
But the event was a turning point: After Weber returned to a Germany that was “cold and miserable and in ruins” in February 1946, he finished his studies in chemistry at the University of Heidelberg and went to Berlin in September 1949 to pursue a career as an actor, director and dramaturg.
Many of the “alumni” of Camp 186 in Colchester went on to have remarkable careers: German stage and TV actor Günther Stoll; Werner Düttmann, city architect for Berlin in the 1960s; and actor Klaus Kinski, collaborator with writer-film director Werner Herzog.