Seamus Heaney died three years ago. But not before he penned this.

From Literary Hub:

ScreenHunter_2183 Aug. 31 21.41As a child, William Wordsworth imagined he heard the moorlands breathing down his neck; he rowed in panic when he thought a cliff was pursuing him across moonlit water; and once, when he found himself on the hills east of Penrith Beacon, beside a gibbet where a murderer had been executed, the place and its associations were enough to send him fleeing in terror to the beacon summit.

Every childhood has its share of such uncanny moments. Nowadays, however, it is easy to underestimate the originality and confidence of a writer who came to consciousness in the far from child-centred eighteenth century and then managed to force a way through its literary conventions and its established modes of understanding: by intuition and introspection he recognized that such moments were not only the foundation of his sensibility, but the clue to his fulfilled identity.

By his late twenties, Wordsworth knew this one big truth, and during the next ten years he kept developing its implications with intense excitement, industry and purpose. During this period, he also elaborated a personal idiom: “nature” and “imagination” are not words that belong exclusively to Wordsworth, yet they keep coming up when we consider his achievement, which is the largest and most securely founded in the canon of native English poetry since Milton. He is an indispensable figure in the evolution of modern writing, a finder and keeper of the self-as-subject, a theorist and apologist whose Preface to Lyrical Ballads (1802) remains definitive.

More here.