Amardeep Singh in his own blog:
Like many of my friends and colleagues, I found the recent broad critique of the Digital Humanities in LARB by Daniel Allington, David Golumbia, and Sarah Brouillette to be pretty gripping reading. I know many of those same friends and colleagues have many disagreements with the characterization of the Digital Humanities in that essay; here are a few of mine.
The first paragraph of “Neoliberal Tools (and Archives): a Political History of the Digital Humanities” is carefully considered — the authors are not newbies to this debate, and know what they're doing. I'll work mainly from the paragraph in these brief comments, since it introduces many of the main themes of the essay that follows. I'm also much more interested in the overall tenor of this essay than in debating at great length every individual topic they cover. So here is the opening paragraph:
Advocates position Digital Humanities as a corrective to the “traditional” and outmoded approaches to literary study that supposedly plague English departments. Like much of the rhetoric surrounding Silicon Valley today, this discourse sees technological innovation as an end in itself and equates the development of disruptive business models with political progress. Yet despite the aggressive promotion of Digital Humanities as a radical insurgency, its institutional success has for the most part involved the displacement of politically progressive humanities scholarship and activism in favor of the manufacture of digital tools and archives. Advocates characterize the development of such tools as revolutionary and claim that other literary scholars fail to see their political import due to fear or ignorance of technology. But the unparalleled level of material support that Digital Humanities has received suggests that its most significant contribution to academic politics may lie in its (perhaps unintentional) facilitation of the neoliberal takeover of the university. (Source; my emphasis)
Many of the points Allington et al. make, here and throughout the essay, can be characterized as deflating a caricature of a DH-branded balloon: while the Digital Humanities positions itself as a “radical insurgency,” in actuality it is anything but. But I have to shrug a bit at these types of arguments: even if there's some truth in the idea that DH is not the vanguard of a progressive revolution within academia, so what? What actual harm is it committing? If you don't find the scholarship interesting, you don't have to read it.