James Fallows in The Atlantic:

At the end of World War II, nearly 10 percent of the entire U.S. population was on active military duty—which meant most able-bodied men of a certain age (plus the small number of women allowed to serve). Through the decade after World War II, when so many American families had at least one member in uniform, political and journalistic references were admiring but not awestruck. Most Americans were familiar enough with the military to respect it while being sharply aware of its shortcomings, as they were with the school system, their religion, and other important and fallible institutions.

Now the American military is exotic territory to most of the American public. As a comparison: A handful of Americans live on farms, but there are many more of them than serve in all branches of the military. (Well over 4 million people live on the country’s 2.1 million farms. The U.S. military has about 1.4 million people on active duty and another 850,000 in the reserves.) The other 310 million–plus Americans “honor” their stalwart farmers, but generally don’t know them. So too with the military. Many more young Americans will study abroad this year than will enlist in the military—nearly 300,000 students overseas, versus well under 200,000 new recruits. As a country, America has been at war nonstop for the past 13 years. As a public, it has not. A total of about 2.5 million Americans, roughly three-quarters of 1 percent, served in Iraq or Afghanistan at any point in the post-9/11 years, many of them more than once.

The difference between the earlier America that knew its military and the modern America that gazes admiringly at its heroes shows up sharply in changes in popular and media culture.

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Hasan Azad interviews Talal Asad in Jadaliyya:

Let me first of all address the question of transcendence. The irony, it seems to me, is that although self-styled atheists say they reject “transcendence,” they are in fact subject (often willingly subject) to transcendent forces. Such as the transcendence of the market, which is a crucial part of modern capitalist society. And the transcendence of the state–the political form in which everyone lives in our world and makes absolute demands on our loyalty as citizens. And then of course there is the transcendence of “free speech.” In liberal society we claim that it is sacred and therefore has an absolute character. But we know (or should know) that “free speech” inhabits a structured space: not only is “hate speech” legally forbidden in liberal societies, but there are also laws protecting the circulation of copyrighted material, and the reproduction of trademarks and patents without explicit permission. And of course government secrets and commercial secrets cannot be breached without incurring severe penalties, which is an aspect of the transcendence of the modern sovereign state. I have discussed this point elsewhere and argued that there is a crucial distinction in liberal societies between the circulation of representations that are regarded as property and those that are not. Claims to the absoluteness of “free speech” are not very persuasive in this context.

Another, problematic example of “non-religious” transcendence is of course “humanity” and the worship it requires. And very closely connected with it is the modern notion of (cultural and moral) progress, which is assumed to be an open-ended movement that transcends all particularities, and stands over and above particular improvements of some particular state of affairs, the righting of something that is evidently wrong. To reject the transcendent progress of humanity is not necessarily to accept the status quo for what it is. So I think the different forms of transcendence need to be critically examined.

The notion of “humanity” as a form of transcendence derives, I think, from the conviction that intellectuality possesses an absolute power, from the demand that our best behavior depends on our ability to think abstractly, in terms of a universal rule, about something called humanity, that we need to understand humanity abstractly so that we can act responsibly towards those who represent it. But it seems to me perfectly possible to act humanely towards other beings, whether humans or animals or plants. One simply has to learn how to behave. To behave “humanely” it is perfectly possible to do without the notion of “humanity.” Language has multiple uses, and is embedded, as Wittgenstein pointed out, in different forms of life. It is not necessary to have this grand concept of “humanity” in order to behave decently.

I recall, incidentally, a striking expression from al-Ghazali: “Ah, to have the faith of the old women of Nishapur!” which, as I understand it, is really a recognition of the importance of deep everyday faith, of apprehending transcendence not primarily with one’s intellect but in the way one lives one’s daily life.

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Lyndall Gordon at The Hudson Review:

During Eliot’s lifetime he was hailed for the Modernist fragmentation he introduced into poetry, but fifty years on, his concurrent revolution of what we understand as biography has yet to be recognised. For in the course of his search for perfection, Eliot points to unseen events and to a narrative that can’t be seamless if it claims to be true. The shadows of different narratives haunt the gaps in lives, the apparently vacant spaces where purpose, in the routine sense, may be withdrawn, and past and future, in the purposeful sense, don’t exist.

Since Eliot was an expatriate, like his ancestor, it’s not surprising to find images of travel and migration: the pilgrimage (in “Journey of the Magi”), the train journey and the ocean crossing. As the furrow narrows behind the ship, a traveller is neither the person he was nor the person he will be on the farther shore. In the biographic structures of Eliot’s verse, this hiatus in a life span, this non-being, is his central focus. It’s potentially fertile, yet, because it lies inchoate in shadow—mostly unrecorded—it’s not the focus for traditional biography. Yet Eliot would have it that this is the fulcrum for a life in the making—a model that could transform the future of life writing.

more here.

Gabriel Winslow-Yost at the New York Review of Books:

“The Renaissance didn’t happen here,” the voice-over declares, in the opening minutes of Alexei German’s Hard to Be a God. In this final film of his career—now receiving a belated American release at Anthology Film Archives in New York—the late Russian filmmaker immerses us, without respite, for nearly three hours, in his reimagined Middle Ages. I don’t think any film has ever depicted a world so awful with such conviction.

Hard to Be a God was apparently six years in the shooting and another six in post-production. German did not actually quite manage to finish that before he died in 2013; his wife and his son, also a director, did the last of the sound mixing. But the wonder about this exhausting, astonishing film is not that it took so long to make, it’s that it got made at all.

It is, ostensibly, a work of science fiction, adapted from the novel of the same name by Arkady and Boris Strugatsky (whose books were also the sometimes tenuous bases for Andrei Tarkovsky’s Stalker and Alexander Sokurov’s Days of Eclipse, among many other Russian films).

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Anthony Grafton at The Nation:

Three or four years ago, something happened. I found myself rising before dawn every day in February and March, since that was the only way to work through the essays and thesis chapters that students were submitting: undergraduate scholarship based on untranslated manuscripts and rare books in Latin (and English, and French, and German, and Ottoman Turkish). Their technical virtuosity impressed me deeply. But so, even more, did the energy that powered it: the engagement, the passion, the deep love of and feeling for very distant realms of the past. In a long and happy career of undergraduate teaching, I hadn’t experienced anything quite like this outbreak—or epidemic?—of inspired work.

An infestation of undergraduate genius doesn’t have a single cause. To be a humanist nowadays, you have to be a refusenik. The students who have remained with us on the burning deck are not only intelligent but also independent-minded. The resources available to them are far richer than they were a generation ago. They can call the rarest of sources from the vasty deep of the Internet, or go to the library or archive that houses them and make their own digital copies. Even in the hours between midnight and 4 am, when the world quiets down and students do their most intensive work, they have access to a library without walls, bigger and richer than any that has ever existed. Other factors must also play a role. But it turns out that for a surprising number of students, Latin—and Latin study of a special kind—has been the fuse that sparked this explosion.

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From Science Daily:

Taking in such spine-tingling wonders as the Grand Canyon, Sistine Chapel ceiling or Schubert's “Ave Maria” may give a boost to the body's defense system, according to new research from UC Berkeley. Researchers have linked positive emotions — especially the awe we feel when touched by the beauty of nature, art and spirituality — with lower levels of pro-inflammatory cytokines, which are proteins that signal the immune system to work harder. “Our findings demonstrate that positive emotions are associated with the markers of good health,” said Jennifer Stellar, a postdoctoral researcher at the University of Toronto and lead author of the study, which she conducted while at UC Berkeley.

While cytokines are necessary for herding cells to the body's battlegrounds to fight infection, disease and trauma, sustained high levels of cytokines are associated with poorer health and such disorders as type-2 diabetes, heart disease, arthritis and even Alzheimer's disease and clinical depression. It has long been established that a healthy diet and lots of sleep and exercise bolster the body's defenses against physical and mental illnesses. But the Berkeley study, whose findings were just published in the journal Emotion, is one of the first to look at the role of positive emotions in that arsenal. “That awe, wonder and beauty promote healthier levels of cytokines suggests that the things we do to experience these emotions — a walk in nature, losing oneself in music, beholding art — has a direct influence upon health and life expectancy,” said UC Berkeley psychologist Dacher Keltner, a co-author of the study.

More here.

Alison Flood in The Guardian:

Milan Kundera, the Czech author of The Unbearable Lightness of Being and perennial candidate for the Nobel prize in literature, will publish his first novel in 13 years this summer.

Faber will release Kundera’s The Festival of Insignificance, translated from the original French by Linda Asher, on 18 June. The short work was first published in Italy in 2013, and has since topped charts in Italy, Spain and France.

“No, dear cynics, the novel is not dead,” ran a review in L’Express last year. “We have in France one of the greatest contemporary writers. He is called Milan Kundera, and you must read his new book as soon as possible – it could be his last, and it is magnificent, sunny, profound and funny.”

This publication will be the work’s first release in English. Kundera’s previous novel, Ignorance, was published in English in 2002 and in French in 2000.

Faber described the new book as a “wryly comic yet deeply serious glance at the ultimate insignificance of life and politics, told through the daily lives of four friends in modern-day Paris”. Said chief executive Stephen Page: “It feels incredibly relevant to the world we live in now. It’s very funny, and also quite surreal … It’s hard with an author of Kundera’s stature to talk about his best work, but this is a significant novel, an important work.”

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David Sloane Wilson in This View of Life:

Major controversies in science have a way of appearing obvious in retrospect. We find it hard to understand why smart people took so long to agree that the earth revolves around the sun, that glaciers once covered the northern latitudes, that the continents drift, and that species are derived from other species.

So it is with group selection, a theory that was declared dead in the 1960’s, only to come to life as an essential tool for understanding animal and human societies. Group selection theory employs the following assumptions.

1) Natural selection is based on relative fitness.

2) Selection among individuals within groups tends to favor traits that are called selfish in human terms; that is, traits that benefit individuals at the expense of other members of the group and the group as a whole.

3) The evolution of group-advantageous traits typically requires a process of selection among groups in a multi-group population.

4) Groups are defined as the individuals who influence each other’s fitness with respect to the evolving trait.

Or, as Edward O. Wilson and I put it in a 2007 article[i], “Selfishness beats altruism within groups. Altruistic groups beat selfish groups. Everything else is commentary.”

More here.

Richard King in The Australian:

According to this popular view, Zizek’s philosophy is a Trojan horse, a gaudy offering to which the threat of violence is, as he might say himself, ‘‘immanent’’.

Conceived in this way, the Zizek experience is like a scene from a Batman movie, incidentally one of his favourite film franchises. First, we have the crowd-pleasing spectacle, a Cirque du Zizek of highwire philosophy and ideological contortionism — of political theory, psychoanalysis, dirty jokes and Hollywood schlock.

But the scene soon turns to one of horror. Spilling out of a little red car, a bunch of goons made up to look like Hegel, Marx and Jacques Lacan run in all directions at once and spray the audience with noxious gas. At which point the real Zizek steps forward — the apologist for totalitarianism and admirer of Lenin, Stalin and Mao, whose celebration of revolutionary mayhem — ‘‘Everything under heaven is in utter chaos; the situation is excellent’’ — echoes around the big top.

My only problem with this characterisation is that, in one sense at least, it has Zizek backwards.

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Stefany Anne Golberg at The Smart Set:

Snow is a substance that seems to have no immediate purpose. Is it a symptom or a cause? Is it living or dead? Is it an element? A force? Winter, in the Northeast of America at least, is the season of absence. It is the Great Undoing. Poets who live with four seasons often like to use winter as a metaphor for death, as in Longfellow’s “Snow-flakes.”

But for anyone who has watched the tree outside the window being stripped of its clothes, watched the garden that took so many months to grow waste away for lack of sun, watched the wasps suddenly, one morning, leave, winter is no metaphor — everything smelling of life shrivels until the last green thing is dead, icicles shoot up from the ground, changing the meadow to crust.

We accept the winter only because we have accepted the idea that death has a purpose: to make way for new life on Earth. We’ve been told from the beginning that life requires death, feeds upon it, needs our names for its young. This is the thought that makes winter bearable. We will spend months in abeyance, living in a void, standing by powerless at the retreat of our green soldiers as the army of cold advances, simply for the promise of a hint of a message that, one day, our soldiers will return. “So we wait,” wrote Rita Dove, “breeding / mood, making music / of decline. We sit down / in the smell of the past … We ache in secret, / memorizing / a gloomy line / or two of German.”

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Seamus Perry at Literary Review:

Biographers of T S Eliot face a number of challenges, not least the marked disinclination of their subject to having his biography written at all. When, in the early 1960s, a scholar wrote an account relating the poetry to his early life, Eliot went through the typescript striking out unwarranted speculations. 'This is just silly', he wrote in the margin at one point, responding to the perfectly mild suggestion that an interest in Arthurian myth might have been partly prompted by the paintings in Boston Public Library. His manner with admirers' enquiries was celebrated for its unforthcoming deadpan: he was a master of disavowal and deflection. The comparison with Joyce, always happy to expand upon the ambitions and strategies of his genius for the edification of generations to come, is very striking. 'Possum', Ezra Pound's nickname for Eliot, referred to an animal that played dead to deflect predators. One manifestation of the Possum spirit was Eliot's destruction of much of his correspondence, so as to spoil the chances of his hunters.

He was an intensely private man and his greatest works revolve with a sometimes appalled fascination around the impenetrable secrecy that shrouds the innermost self, both others' and one's own. But his opposition to biographical speculation was down to more than the desire not to have his privacy violated. Eliot repeatedly expressed scepticism towards the view that knowing about a life brought anything important to an understanding of the poetry that emerged from it.

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Eamon Duffy at the New York Review of Books:

Perhaps most momentously, Francis has pointed the church away from culture wars with secular society that were such a feature of Benedict’s papacy, toward a less confrontational approach to the social circumstances in which the faithful have to live, and a more fruitful reengagement with the church’s mission to the poor and underprivileged, in whom he sees both the natural and the most receptive hearers of the Gospel. Where Benedict was inclined to blame the increasing marginalization of Christianity in Western society on a collective apostasy rooted in the shallow materialism of secular modern society, Francis is inclined to attribute the corresponding decline in Latin America to the church’s own shortcomings:

Perhaps the Church appeared too weak, perhaps too distant from their needs…perhaps too cold, perhaps too caught up with itself, perhaps a prisoner of its own rigid formulas, perhaps the world seems to have made the Church a relic of the past, unfit for new questions; perhaps the Church could speak to people in their infancy but not to those come of age.

There was a sense in Benedict’s pontificate that the best response to the crisis of secularization might be a strong repudiation of secular culture and consolidation within a smaller, purer, and more assertive church. By contrast, Francis believes that the church

is called to come out of herself and to go to the peripheries, not only geographically, but also the existential peripheries: the mystery of sin, of pain, of injustice, of ignorance and indifference to religion, of intellectual currents, and of all misery.

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As If It Were “This Is Our Music”
— “mu” one hundred eighteenth part —

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Aaron E. Carroll and Austin Frakt in The New York Times:

As we wrote last week, many fewer people benefit from medical therapies than we tend to think. This fact is quantified in a therapy’s Number Needed to Treat, or N.N.T., which tells you the number of people who would need to receive a medical therapy in order for one person to benefit. N.N.T.s well above 10 or even 100 are common. But knowing the potential for benefit is not enough. We must also consider potential harms. Not every person who takes a medication will suffer a side effect, just as not every person will see a benefit. This fact can be expressed by Number Needed to Harm (N.N.H.), which is the flip side of N.N.T.

For instance, the N.N.T. for aspirin to prevent one additional heart attack over two years is 2,000. Even though this means that you have less than a 0.1 percent chance of seeing a benefit, you might think it’s worth it. After all, it’s just an aspirin. What harm could it do? Aspirin’s N.N.H. for such major bleeding events is 3,333. For every 3,333 people, just over two on average will have a major bleeding event, whether they take aspirin or not. About 3,330 will have no bleed regardless of what they do. But for every 3,333 people who take aspirin for two years, one additional person will have a major bleeding event. That’s an expression of the risk of aspirin, complementing the fact that one out of 2,000 will avoid a heart attack.

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