Joseph: Fallen Hero Rising

by Josh Yarden

Joseph's Coat

Prelude

How could Joseph's brothers have plotted to kill him? Why would they, and why stop amidst a frenzy of murderous intent? Was fratricide common in biblical times? Surely the story of Cain and Abel, whether it is factual or not, appeared with some historical context in which jealousy led to unbounded anger, and before the perpetrator could regain his senses, the regrettable act was complete. Intentional killings—be they foolishly impassioned manslaughter, premeditated murder or political assignation—continue to occupy our fascination today. A few thousand years later, and we're not all that different. What can we learn from this ancient story?

Perhaps a reading of Genesis was meant, at least in part, to provide an opportunity to reflect on the power of envy before it was too late. What thinking person who read the Bible would choose to become Cain in his own personal narrative? Later in the Book of Genesis, Jacob's older sons manage to stop short of killing their brother, and while throwing him in a dry cistern and selling him off to slavery was nothing to write home about—indeed they did not tell their father what they had done—at least they spared Joseph's life.

My problem with the story was that the brothers' jealousy motive never really made sense to me. Ok, their father Jacob's thoughtless favoritism for a younger son not born of their mother would certainly breed some resentment, but even with the ‘coat of many colors,' and Joseph's self-aggrandizing dreams, the plot remained simply too thin to support a murderous rage… that is, until I understood a couple of key words in the Hebrew I was not able to understand in English translation. Once I saw what I had previously missed, there was no going back. The meaning of the sequence of events in the whole story fell into place.

“Meaning of Heb. Uncertain”

The footnote “Meaning of Heb. uncertain” appears dozens of times. In spite of all the learning, teaching and preaching rooted in the stories of the biblical narrative over the past few thousand years, we know that some of the meaning has been lost in translation along the way. How does one know when to be uncertain? Let's face it; in the Bible as in life, there may be much more uncertainty than we are comfortable admitting to ourselves. Ambiguity reigns in a world that is subject to multiple interpretation. Ancient Hebrew is so foreign to modern readers that there are simply many passages where the translation relies on interpretations, rather than on a verifiably definitive meaning of the text itself. There are many phrases where wordplay carries the deeper meaning of a passage, and the unfortunate reader of a translated text cannot even see the double entendre that may well be the literary jewel of a certain passage.

It should come as no surprise that we cannot easily render ancient Hebrew into modern English. It can also be difficult to render ancient Hebrew into modern Hebrew. It's not that the meaning of an occasional word is uncertain. The very fact that these words came to us via hand written text on parchment scrolls is enough to suggest that we might easily misunderstand some of the words and much of the context. We really ought to have a bit less hubris about our own abilities to grasp the meaning of the ancient past.

Translators are interpreters who make choices for less informed readers. Some of those choices render the text in ways that alter or limit the meaning of the original. This is even true when we look at contemporary texts translated from one widely used and easily understood language to another. How much more so, must this be the case when we read translations of ancient texts? From spelling and usage to grammar and syntax to style and circumstances, we have to accept that we can neither see nor hear the text in quite the same way it was seen and heard a few millennia ago, and the differences are not always clear.

Genesis 37; 1-2

Here is the King James Version (KJV) rendering of Genesis 37:1-2 “And Jacob dwelt in the land wherein his father was a stranger, in the land of Canaan. These are the generations of Jacob. Joseph, being seventeen years old, was feeding the flock with his brethren; and the lad was with the sons of Bilhah, and with the sons of Zilpah, his father's wives: and Joseph brought unto his father their evil report.”

Here is the Jewish Publication Society (JPS) version: “Now Jacob was settled in the land where his father had sojourned, the land of Canaan. This, then, is the line of Jacob: At seventeen years of age, Joseph tended the flocks with his brothers, as a helper to the sons of his father's wives Bilhah and Zilpah. And Joseph brought bad reports of them to their father.” In these and in many other Christian and Jewish translations, there are both subtle and significant differences.

I want to focus here on three key words. As I see it, they clarify the reasons for the intensity of the brothers enduring anger. They are: “na'ar,” “et” and “dibah.”

In the case of the word “na'ar,” both of the translations above and others completely miss a possible instance of double entendre. Simply by putting the accent on one syllable or the other, the word could either be the noun for ‘young person' or the verb for vocalizing an aggressive animal sound.* Take them together, given the possibility that the double meaning is intended, and we have young Joseph braying like a jackass or growling like a dog, barking orders at his older brothers, taking advantage of his privileged position in his father's eye's.

The preposition “et” could indicate that he is with his brothers, or that he is doing something to his brothers. It would be nice if Joseph was just a helpful lad, herding with his brothers, but it would be out of step with the rest of the story. Nothing else in the text supports that reading. It makes much more sense that he is he is 'herding his brothers,' as a simple reading of the Hebrew text suggests. He is treating them as they treat the animals, taunting and maybe even threatening them. He is lording over them, as his dream portends.

The report Joseph brings to Jacob is labeled “dibah,” which could mean ‘bad' (according to JPS) or ‘evil' (according to KJV.) If it is bad, is that because of the quality of the report or the way it was delivered? If it is evil, who is responsible for that? Is it a report on the evil brothers, or is Joseph the evil one, intentionally delivering a slanderous report? If the brothers found out that Joseph provided Jacob with an intentionally false report to increase his own standing in their father's eyes, this clearly strengthens the case for their resentment boiling into a rage.

Here is an alternate translation of the second verse of Genesis 37:

Donkey

Joseph at seventeen years

was herding his brothers

with the flock

And he brays

at the sons of Bilha and Zilpah, his father's wives

and Joseph comes with an slanderous report to their father

יוסף בן-שבע-עשרה שנה

היה רעה את-אחיו

בצאן

והוא נער

את-בני בלהה ואת-בני זלפה נשי אביו

ויבא יוסף את-דבתם רעה אל-אביהם

Fallen Hero Rising

Jacob does not see through Joseph's act until his favorite son dreams that his parents will bow down to him. At this notion Jacob becomes livid, finally castigating Joseph. It is no coincidence that in the next passage of the story Jacob sends Joseph into the hands of his brothers. It is a set up, and Jacob is the one who put it in motion. As the opening of chapter 37 indicates in a slightly ambiguous way, 'these are Jacob's issues,' implying perhaps both the progeny and the problems with which they must all contend.^

It is worth remembering that Jacob didn't ‘start the fire.' He inherited his contentious family relationships. His parents, Isaac and Rebecca, taught him to set up his brother. Later his uncle Laban set him up, tricking him into marrying Leah before Rachel, and making him work for fourteen years as an indentured servant. Jacob later returns the favor, tricking Laban into losing much of his flock. Tricking and trapping each other seems to be the robust and irresistible inclination of this family. It is what they do, over and over again.

All of the archetypal characters in the Book of Genesis follow this arc of rising to become the hero of the narrative for a time, until they fall to the depths of disgraceful behavior. But Joseph is a new type of hero, with the opposite trajectory. He is the first and only character in the Genesis narrative to get off to a despicable beginning and then rise above himself without falling from greatness. After Joseph is thrown to the depths of the pit where he is almost left to die, the story continues and of our fallen hero begins to rise. The rest is history, or perhaps not, but that is a subject for a different day.

Read the next installment of this essay.

* Think of an English word such as ‘kid.' Figuring our whether it means a young human or a young goat, or the verb to tease in a playful way, is all a matter of context. Another example would be ‘ram' or ‘buck' which could be an animal or an aggressive action. In the case of ‘buck' the word can also be a proper name or slang for a dollar. A young buck might ram a kid, and you might have to read that passage more than a few times to figure out who is who and what is going on.

^ “These are Jacob's issues,” The Hebrew word “toldot” is a plural that refers to things that have been born of other things, in either a literal or a figurative manner. 'Toldot' is alternately rendered in English as generations, lineage, history, events, etc.

Image credit: http://wellcomeimages.org/indexplus/image/V0034261.html

Poets in a Landscape

by Eric Byrd

Productimage-picture-poets-in-a-landscape-62Barbarian that I am, my knowledge of the classic Latin poetry, excepting Ovid’s exilic Epistulae, and what bits of the Metamorphoses an English major might meet in footnotes to the Fairie Queene and Paradise Lost, amounts to no more than names on a timeline. Poets in a Landscape is the remedial introduction I needed. Scottish classicist Gilbert Highet (1906 – 1978) was one of the great critic/teacher/explainers on the Columbia faculty, alongside Lionel Trilling, Jacques Barzun, and Mark Van Doren.

Highet starts with biographical criticism of an admirable suavity. Cyril Connolly, another devotee of sensuously contemplative Latinity, said that with each poet Highet succeeded “in finding the man in the style.” Next, Highet invokes the consequent canon. He shows Goethe and Byron, Browning and Baudelaire, Eliot and Pound as they summon, echo or emulate the poets of the early empire. And as its title suggests, Poets in a Landscape is also a travelogue. In 1956 Highet and his wife, the spy thriller writer Helen MacInnes, made a tour of the conjectural birthplaces, spurious tombs and excavated villas of the Roman poets.

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The Limits of User Research

This piece is part of an on-going series of blogposts from the frontlines of Startup Tunnel, a new incubator based in New Delhi. You might also want to check out dispatches one, two, three and four.

by Aditya Dev Sood

Akbar BirbalHaving commissioned a new suit of armor, the emperor Akbar was now in the process of inspecting it. Installed upon a stone mannequin in the armory workshop, black bell metal and brass accents gleamed back upon the badshah and his vazir Birbal. Fresh from recent campaigns, the emperor now said he wanted to be sure of the quality of protection it offered. And so he called for a lance, with which he reared back and then charged upon the mannequin. He was able, after a few tries, to pierce all the small slits of the helmet. He asked for a sword and tore apart the subtle slits between the body armor and the helmet. He asked for a mace and went at the now headless mannequin and cracked the chain metal links all around its torso. Even now that it had fallen upon the floor of the workshop, Akbar was still working out his PTSD on that prone suit of armor and the lifeless dummy within. When he was done, he looked up and declared it to be a lousy suit, practically the same as wearing nothing at all.

Perhaps you already know the end of this parable? Perhaps you have heard some other version of it? I'm not sure when I first encountered it, either at the back of an Amar Chitra Katha or else perhaps among a collection of stories from Iran. Either way, it has stuck in the mind, long awaiting the unraveling. There is something so shocking about seeing a new suit of armor being destroyed like that, something like a medieval crash test. One knows not what to make of what is going on, nor even how to respond to Akbar's judgement. Is a suit of armor really useless if it cannot survive many minutes of the untamed rage of a battle hardened king?

The badshah is about turn his fury onto his smith, when Birbal suggests that they give him a sharp warning and a week to build another prototype. The next week, when Akbar returns to the workshop to inspect the new piece he finds Birbal already there, wearing the emperor's battle armor and spoiling for sport. It is new and improved, he says, have at me and I'll show you. Akbar is eventually goaded into picking up a lance. He makes straight for Birbal, who steps lithely aside, pulls the lance forward, tripping Akbar forward and landing him on all four. Now that someone's wearing it, he grins, it's begun working pretty well.

On the face of it, this would seem to be a parable about how an artifact changes with use — an early instance of user-centered thinking about human artifacts. But there's something a bit tricky about how a suit of armor is best used and what its function really is. Birbal's response is cryptic, and it forces you to think about the whole the point of battle armor: it must not only resist onslaught, but allow its wearer to move about and conduct battle. This little fable sticks in the mind is because of the way it shifts between offence and defence, between object and agent. That little shift of the mind, between a closed and essentially reactive reference frame and a horizon of open possibilities is sudden and complete. It cannot arise gradually and it has no continuity with that earlier way of thinking.

You will remember, reader, that I've signed up to share a more prosaic kind of story, about the setting up of a new kind of business in a more prosaic time in a global city whose air is already thick with pollution and corruption and crony capitalism.

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James Baldwin’s Understanding of Sex, Self-Knowledge and Power Demand Attention Now

JoAnn Wypijewski in AlterNet:

JamesBaldwinThese are ripe times to read Baldwin. Not just the essays on racist policing; those are, in a way, too easy. “A Report From Occupied Territory,” which appeared in The Nation, burns hot a half-century after it was published. That its depiction of black vulnerability and police volatility could describe the contemporary scene; that its central metaphor of occupation is not too hyperbolic to have been echoed by Eric Holder last year, nor its concern with personal disintegration too dated to anticipate Ismaaiyl Brinsley; that even its particulars (“If one is carried back and forth from the precinct to the hospital long enough, one is likely to confess anything”) feel gruesomely fresh in light of known CIA torture regimens—all of these, enraging as they are, only confirm what we already tell ourselves in weaker words.

The police are brutal, the government is brutal, the populace is aroused (taking to the streets) or accommodating (switching from CNN to Homeland to football), brutalized or brutal too. America, cauldron of damaged life.

Baldwin wrote “Report” in 1966, about Harlem, not Staten Island; during the war in Vietnam, not the “global war on terror”; amid the dim promises of the Great Society and a Top 40 soundtrack playing “The Ballad of the Green Berets.” We may study that past, track today’s news and shout the louder, but that is not why Baldwin is the most important American writer of the twentieth century, or why we should read him now.

More here.

The Man Who Tried to Redeem the World with Logic

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Amanda Gefter in Nautilus (Illustration by Julia Breckenried):

In 1923, the year that Walter Pitts was born, a 25-year-old Warren McCulloch was also digesting the Principia. But that is where the similarities ended—McCulloch could not have come from a more different world. Born into a well-to-do East Coast family of lawyers, doctors, theologians, and engineers, McCulloch attended a private boys academy in New Jersey, then studied mathematics at Haverford College in Pennsylvania, then philosophy and psychology at Yale. In 1923 he was at Columbia, where he was studying “experimental aesthetics” and was about to earn his medical degree in neurophysiology. But McCulloch was a philosopher at heart. He wanted to know what it means to know. Freud had just published The Ego and the Id, and psychoanalysis was all the rage. McCulloch didn’t buy it—he felt certain that somehow the mysterious workings and failings of the mind were rooted in the purely mechanical firings of neurons in the brain.

Though they started at opposite ends of the socioeconomic spectrum, McCulloch and Pitts were destined to live, work, and die together. Along the way, they would create the first mechanistic theory of the mind, the first computational approach to neuroscience, the logical design of modern computers, and the pillars of artificial intelligence. But this is more than a story about a fruitful research collaboration. It is also about the bonds of friendship, the fragility of the mind, and the limits of logic’s ability to redeem a messy and imperfect world.

tanding face to face, they were an unlikely pair. McCulloch, 42 years old when he met Pitts, was a confident, gray-eyed, wild-bearded, chain-smoking philosopher-poet who lived on whiskey and ice cream and never went to bed before 4 a.m. Pitts, 18, was small and shy, with a long forehead that prematurely aged him, and a squat, duck-like, bespectacled face. McCulloch was a respected scientist. Pitts was a homeless runaway. He’d been hanging around the University of Chicago, working a menial job and sneaking into Russell’s lectures, where he met a young medical student named Jerome Lettvin. It was Lettvin who introduced the two men. The moment they spoke, they realized they shared a hero in common: Gottfried Leibniz.

More here.

PALERMO, 1983: LUNCH IN THE 2ND MAFIA WAR

Elatia Harris in In Search of Taste:

ScreenHunter_992 Feb. 08 19.37On the night of March 6, 1983, I travelled by boat from Naples to Palermo. Not only had Goethe done the same 200 years earlier, but it seemed the safest way. In the beginning, airplanes did badly at Palermo. The almost new airport, then open to international carriers of every size, had short runways, which in turn lead to flawed landings. One wanted to give it a few years.

It was my second trip to Sicily, and there were things I wanted to eat.

The season would open in 10 days’ time, the weather would warm, and the Northern Europeans would come, legs covered with bright hair, uncapped camera lenses glinting. Americans did not yet come to Sicily in high numbers, but everyone else did. I hoped to get my licks in ahead of all that.

I do not know what it would have taken, remotely, to prepare me for the 2nd Mafia War, then raging in Palermo. It was apparently not much of an off-island affair. Years would go by before I, or anyone, could read its true history or know whom to call the victors. Meanwhile, at first light on March 7, my companion and I left cabin number 37 on the Nomentana, the flagship of the Tirennia Navigazioneline, debarked, and cabbed to the Grand Hotel et des Palmes in downtown Palermo. A fancier place than usual for either of us, but Wagner had written a big chunk of Parsifal there, and that was worth money – was it not?

More here.

“To Explain the World” by Steven Weinberg: A bracing and necessary guide to the discoveries of the 17th century

Peter Forbes in The Independent:

91JGpaXLHdLThere have been many histories of science, and many focused on the scientific revolution of the 17th century, but Steven Weinberg is almost certainly the first Nobel laureate scientist to write one of them.

As today's pre-eminent theoretical physicist, with a lifetime's experience behind him, Weinberg's unique perspective is evident throughout the text. His purpose is not just to show how we learnt about the world, but how we learnt to learn about it.

It is sometimes lazily thought by non-scientists that modern science is a kind of codified common sense and, hence, “how could people in the past have had such crazy ideas about the world?” Weinberg knows better. Science is such a particularly uncommonsensical way of regarding things that the wonder is not that humans lacked science for so long but that they ever discovered it at all. He is scathing about the notion that scientific knowledge is somehow “out there” in a way that might be accessible to normal consciousness. He rightly ridicules the psychologist Jean Piaget's claim that young children have some understanding of relativity but lose it in adulthood: “As if relativity were somehow logically or philosophically necessary, rather than a conclusion ultimately based on observations of things that travel at or near the speed of light.”

More here.

Why Are So Many Americans in Prison?

Leon Neyfakh in Slate:

ScreenHunter_991 Feb. 08 18.45Criminal justice reform is a contentious political issue, but there’s one point on which pretty much everyone agrees: America’s prison population is way too high. It’s possible that a decline has already begun, with the number of state and federal inmates dropping for three years straight starting in 2010, from an all-time high of 1.62 million in 2009 to about 1.57 million in 2012. But change has been slow: Even if the downward trend continues, which is far from guaranteed, it could take almost 90 years for the country’s prison population to get down to where it was in 1980 unless the rate of decline speeds up significantly.

What can be done to make the population drop faster? Many reformers, operating under the assumption that mass incarceration is first and foremost the result of the war on drugs, have focused on making drug laws less punitive and getting rid of draconian sentencing laws that require judges to impose impossibly harsh punishments on people who have committed relatively minor crimes. But according to John Pfaff, a professor at Fordham Law School, neither of those efforts will make a significant dent in the problem, because they are based on a false understanding of why the prison boom happened in the first place.* Having analyzed statistics on who goes to prison, why, and for how long, Pfaff has emerged with a new and provocative account of how the problem of mass incarceration came to be. If he’s right, the implications for the prison reform movement are huge and suggest the work needed to achieve real progress will be much harder than most people realize.

More here.

Truly too hot for Jacobin

Seth Ackerman on his blog:
PrisonI remembered finding something surprising in the U.S. stats when I looked at them a while ago. It turns out that the smallest racial disparities in U.S. imprisonment rates are in the Deep South, while the largest are in states like New Jersey and Connecticut. Not quite what you'd expect, right?
What to make of that surprising fact? I have no problem believing that the New Jersey and Connecticut justice systems are racist. What I find hard to believe is that those in Alabama and Mississippi are far less racist.
So after looking at the French numbers, I decided to do a little statistical analysis. I found that the degree of racial disparity in U.S. states' incarceration rates is almost entirely a function of how low the white rate is. It's completely unrelated to how high the black rate is. (R-squared is 54% for the white rate, 5% for the black rate.)
Racial disparity in overall incarceration, it seems, is a pretty useless way to measure the bias of a criminal justice system. What seems to be the case, rather, is that the more punitive a justice system gets, the more the experience of incarceration starts to affect people outside the very lowest ranks of society.
The result is a paradox: the higher a state's overall incarceration rate, the smaller the racial disparity.
Read the rest here.

Mob murder in a Christian nation

Ida B. Wells (1909) from infoplease.com:

LynchDuring the last ten years, from 1899 to 1908 inclusive, the number lynched was 959. Of this number, 102 were white, while the colored victims numbered 857. No other nation, civilized or savage, burns its criminals; only under that Stars and Stripes is the human holocaust possible. Twenty-eight human beings burned at the stake, one of them a woman and two of them children, is the awful indictment against American civilization-the gruesome tribute which the nation pays to the color line.

Why is mob murder permitted by a Christian nation? What is the cause of this awful slaughter? This question is answered almost daily: always the same shameless falsehood that “Negroes are lynched to protect womanhood.” Standing before a Chautauqua assemblage, John Temple Graves, al once champion of lynching and apologist for lynchers, said, “The mob stand! today as the most potential bulwark between the women of the South and such a carnival of crime as would infuriate the world and precipitate the annihilation of the Negro race.” This is the never-varying answer of lyncher! and their apologists. All know that it is untrue. The cowardly lyncher revels it murder, then seeks to shield himself from public execration by claiming devotion to woman. But truth is mighty and the lynching record discloses thehypocrisy of the lyncher as well as his crime. The Springfield, Illinois, mob rioted for two days, the militia of the entire state was called out, two men were lynched, hundreds of people driver from their homes, all because a white woman said a Negro assaulted her. f mad mob went to the jail, tried to lynch the victim of her charge, and, no being able to find him, proceeded to pillage and burn the town and to lynch two innocent men. Later, after the police had found that the woman's charge was false, she published a retraction, the indictment was dismissed, and the intended victim discharged. But the lynched victims were dead, hundreds were homeless, and Illinois was disgraced.

More here. (Note: One post throughout February will be dedicated to Black History Month.)

The Singular Universe and the Reality of Time

Caspar Henderson in The Guardian:

TimeIn March 1955, about a month before his own death, Albert Einstein sent a letter to the family of his recently deceased friend Michele Besso. “Now he has departed from this strange world a little ahead of me,” he wrote. “That means nothing. People like us, who believe in physics, know that the distinction between past, present and future is only an illusion, however stubbornly persistent.” I do not know whether Besso’s family was comforted by this claim, but most of those who have a solid grasp of the issues say that Einstein was right about the science. A debate going back at least to Heraclitus (535-475BCE), who said that the primary feature of the universe is that it is always changing, and Parmenides (who said that there is no such thing as change) appears to have been settled. Indeed in 1949, on the occasion of Einstein’s 70th birthday, Kurt Gödel presented him with a mathematical proof of the nonexistence of time. Nature, it appears, is governed by eternal laws that stand outside time.

Not so fast. Notable among those who disagree is Lee Smolin, from the Perimeter Institute for Theoretical Physics in Canada. Smolin is one of the bad boys of contemporary physics and cosmology; a generator of radical ideas and an iconoclast. In the mid 90s he proposed that black holes spawn baby universes. In the middle of the last decade he published a searing attack on string theory which, he said, had failed to create a single testable prediction. And in his 2013 bestseller, Time Reborn, he argued that time is real and nothing transcends it, not even the laws of nature. Such laws are, like everything else, features of the present, and can evolve. I’ve heard it said that many physicists in the academy groan at the very mention of Smolin’s name. But if he is wrong, he may at least be wrong in an interesting way. Strikingly, Smolin believes the reinstatement of time has implications for our daily lives. “If the flow of time is not an illusion, it makes our lives more precious and valuable,” he says. This might not seem as consoling as Einstein’s view that death does not have the finality we think it does. But if the laws of physics can change and evolve, so too can the space of possible futures. “The impression that we have that we can create novelty is true,” says Smolin. “This makes the universe much more hospitable. We can have free will. We have choices. I find that a much more comforting idea.”

More here.

Why the US Government Is Terrified of Hobbyist Drones

Kevin Poulsen in Wired:

ScreenHunter_990 Feb. 08 11.49

Hobbyist man flies a DJI Phantom 2 drone.

If you want to understand why the government freaked out when a $400 remote-controlled quadcopter landed on the White House grounds last week, you need to look four miles away, to a small briefing room in Arlington, Virginia. There, just 10 days earlier, officials from the US military, the Department of Homeland Security, and the FAA gathered for a DHS “summit” on a danger that had been consuming them privately for years: the potential use of hobbyist drones as weapons of terror or assassination.

The conference was open to civilians, but explicitly closed to the press. One attendee described it as an eye-opener. The officials played videos of low-cost drones firing semi-automatic weapons, revealed that Syrian rebels are importing consumer-grade drones to launch attacks, and flashed photos from an exercise that pitted $5,000 worth of drones against a convoy of armored vehicles. (The drones won.) But the most striking visual aid was on an exhibit table outside the auditorium, where a buffet of low-cost drones had been converted into simulated flying bombs. One quadcopter, strapped to 3 pounds of inert explosive, was a DJI Phantom 2, a newer version of the very drone that would land at the White House the next week.

More here.

Interest in a powerful DNA editing tool called CRISPR has revealed that bacteria are far more sophisticated than anyone imagined

Carl Zimmer in Quanta:

E-Coli_615x400On a November evening last year, Jennifer Doudna put on a stylish black evening gown and headed to Hangar One, a building at NASA’s Ames Research Center that was constructed in 1932 to house dirigibles. Under the looming arches of the hangar, Doudna mingled with celebrities like Benedict Cumberbatch, Cameron Diaz and Jon Hamm before receiving the 2015 Breakthrough Prize in life sciences, an award sponsored by Mark Zuckerberg and other tech billionaires. Doudna, a biochemist at the University of California, Berkeley, and her collaborator, Emmanuelle Charpentierof the Helmholtz Centre for Infection Research in Germany, each received $3 million for their invention of a potentially revolutionary tool for editing DNA known as CRISPR.

Doudna was not a gray-haired emerita being celebrated for work she did back when dirigibles ruled the sky. It was only in 2012 that Doudna, Charpentier and their colleagues offered the first demonstration of CRISPR’s potential. They crafted molecules that could enter a microbe and precisely snip its DNA at a location of the researchers’ choosing. In January 2013, the scientists went one step further: They cut out a particular piece of DNA in human cells and replaced it with another one.

In the same month, separate teams of scientists at Harvard University and the Broad Institute reported similar success with the gene-editing tool. A scientific stampede commenced, and in just the past two years, researchers have performed hundreds of experiments on CRISPR. Their results hint that the technique may fundamentally change both medicine and agriculture.

More here.

Slumming It

Daniel Brook in The Baffler:

FergusonDharaviSlum00076163.4_72In a speech to the financial elite of India delivered in Mumbai in 2010, president Barack Obama opted for an unusual form of flattery. He saluted “all the Mumbaikars who get up every day in this City of Dreams to forge a better life for their children—from the boardrooms of world-class Indian companies to the shops in the winding alleys of Dharavi.” It was a notable name-check. Despite the president’s mangled pronunciation, his audience of well-heeled Mumbaikars all knew what Obama was talking about. Dharavi is their metropolis’s most famous slum.

Were Indian prime minister Narendra Modi to come to America and do the same—hail the impoverished workfare mothers of Anacostia while on a state visit to Washington, say, or give a shout-out to the tenants of Harlem’s housing projects during a speech on Wall Street—it would be an uncomfortable moment. But, of course, it would never happen. If Modi’s speechwriters tried to throw in a mention of a famous impoverished neighborhood, higher-ups would surely excise it. The American myth of equal opportunity is greatly cherished, they would inform the prime minister, so in the interest of being a gracious guest, let’s not mention the places that call it into question.

But Obama’s tribute to Dharavi went over remarkably well. Those present at the tony U.S.-India Business Council summit seem to have taken it as the compliment he intended it to be. By the time the president sang the praises of Asia’s largest slum, as it’s known (although these days Karachi’s Orangi neighborhood is challenging it for that dubious distinction), the ideological precedent for this sort of thing was well established. Through a decade of academic apologetics and media mythologizing, Dharavi had been transmuted from India’s most shameful urban space—the warren of exploitation, filth, and disease that it plainly is—to the pride of Mumbai.

Read the rest here.

Old Masters: After 80, some people don’t retire. They reign.

Lewis H. Lapham in The New York Times:

Mag-26OldMasters-ss-slide-AIL8-jumboThe portraits here are of men and women in their 80s and 90s, rich in the rewards of substantial and celebrated careers, and although I know none of them except by name and reputation, I’m asked why their love’s labor is not lost but still to be found. Why do they persist, the old masters? To what end the unceasing effort to discover or create something new? Why not rest on the laurels and the oars? The short answer is Dr. Samuel Johnson’s, in a letter to James Boswell in 1777: “Depend upon it, sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.” A longer answer is that of the 19th-century Japanese artist Hokusai, who at 75 added a postscript to the first printing of his “One Hundred Views of Mount Fuji”: “From the time that I was 6 years old I had the mania of drawing the form of objects. As I came to be 50 I had published an infinity of designs; but all that I have produced before the age of 70 is not worth being counted. It is at the age of 73 that I have somewhat begun to understand the structure of true nature, of animals and grasses, and trees and birds, and fishes and insects; consequently at 80 years of age I shall have made still more progress; at 90 I hope to have penetrated into the mystery of things; at 100 years of age I should have reached decidedly a marvelous degree, and when I shall be 110, all that I do, every point and every line, shall be instinct with life — and I ask all those who shall live as long as I do to see if I have not kept my word.”

…Now I am 79. I’ve written many hundreds of essays, 10 times that number of misbegotten drafts both early and late, and I begin to understand that failure is its own reward. It is in the effort to close the distance between the work imagined and the work achieved wherein it is to be found that the ceaseless labor is the freedom of play, that what’s at stake isn’t a reflection in the mirror of fame but the escape from the prison of the self. T. H. White, the British naturalist turned novelist to write “The Once and Future King,” calls upon the druid Merlyn to teach the lesson to the young prince Arthur: “You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting.”

Picture: Carmen Herrera, painter, 99, in her Manhattan studio. Herrera sold her first painting at age 89. Today her work is in the permanent collections at the Museum of Modern Art and the Tate Modern.

More here.

Vladimir Putin and his tsar quality

571f664d-b185-44e1-bff9-385d0c23aee8John Thornhill at the Financial Times:

The portrait of Putin that Dawisha and Browder paint is so damning that one wonders how any sane Russian voter could possibly support him. Yet even if Russian opinion polls are to be partly discounted, Putin evidently remains popular among many voters for restoring a sense of national pride.

Peter Pomerantsev helps explain this phenomenon in Nothing is True and Everything is Possible, his mesmerising account of the nine years he spent in Russia as a television producer. During that time, Pomerantsev recorded some remarkable human stories about life in modern Russia as well as observing first-hand the brilliant but cynical way that state television cast its spells over the population. The goal, as he put it, was to “synthesise Soviet control with Western entertainment”, turning Russia into a country of canned laughter.

Along the way, Pomerantsev recounts his meetings with retired gangsters put out of business by the predatory state, a successful businesswoman sucked into the criminal quicksand, glamorous models who fall prey to scary sects, and nationalist bikers called Night Wolves, who style themselves on the Hell’s Angels.

more here.